The Boyz Film Camera

[Marcelo Chaplin]

Now some will read this as me punishing them but that is not the case at all. I just fell back to what worked for me: film. When I was 6 years old and had my brand new 110 camera, I blew through the first roll. Once I understood how much it cost to develop, process, and print, I went much slower and took the time to find interesting subjects instead of shooting anything and everything I saw.

So, we took the digital cameras and replaced them with film cameras that we got off of eBay for about $20 each (one is a Canon Sure Shot 76 Zoom and the other a Vivitar 2001 Z). As expected, the first time out they blew through the entire roll within a matter of minutes. When they were done they asked for more film. When I told them that 36 was all they got, they were bummed (especially since I continued to shoot the rest of the trip).

However, the next trip out with the same constraints (36 shots), the roll lasted the entire two-day trip. One of the boys actually left two frames unused. What made this special, other than just getting through to them, was that we developed and scanned the film together at home (We printed the image at Richard Photo Labs here in Valencia, CA.).

Over the next several months they got better and better. My next step was to start teaching them how to control depth of field. I needed a camera that could give them instant feedback as well as aperture priority mode. The old film cameras were great but lacked in the instant feedback area. So, it was time to move back to digital.

I took them to several stores so they could actually hold the different cameras so they could get something they would be comfortable with. This is surprisingly getting harder and harder to do. Many of the box stores have either broken demo units or the shelf is just empty. Best Buy and Walmart are both absolutely horrid (in my area) for doing this.

About the author: Steven Starr is a fashion, beauty, and editorial fashion photographer based in Los Angeles, CA. You can find more of his work on his website. This article also appeared here.

Boys is a 2003 Indian Tamil-language coming-of-age musical film directed by S. Shankar. It stars newcomers Siddharth, Bharath, Manikandan, S. Thaman, Nakkhul and Genelia, in her Tamil debut.The score and soundtrack are composed by A. R. Rahman. The story revolves around six youngsters, who experience the downfalls of adolescent life. The film was released on 29 August 2003.

Although initially controversial for its bold scenes, the film became a huge cult classic and is widely considered one of the best coming-of-age Indian movies ever. The film depicts the fashion, music and lifestyle widespread among the youth in the early 2000s.[1][2]

The boys and Harini work odd jobs to earn money, and eventually form a band called Boys to raise funds for their education. After earning initial success with religious music, Boys are investigated and incarcerated under POTA for naively associating with Naxalites and making extremist songs. They are eventually rescued by Mangalam, who proves their innocence through great difficulty. Recognizing their natural talent, Mangalam encourages them to pursue music as a career, and joins them as their manager. Boys work hard to pursue opportunities and secure a contract to record an album with Sony. Before they can, however, an inebriated Krishna reveals to Harini that the boys hired a prostitute once, causing Harini to angrily leave Munna and return to her parents. The boys try to track the prostitute down to prove they did no wrong, but Kumar accidentally dies during the search, devastating everyone.

In January 2002, it was announced that Shankar would make a film titled Boys featuring newcomers.[3] He had postponed the making of Robot starring Kamal Haasan and Preity Zinta to start this film, with the announcement prompting thousands of applications from youngsters who wanted to feature in it.[4] Shankar opted to introduce five debutants to play the lead characters and held auditions in 2002, with over 500 applicants being video tested.[5]

Siddharth had initially worked as an assistant director to Mani Ratnam in Kannathil Muthamittal, and the script writer of that film, Sujatha was insistent that Siddharth audition for Boys. After consulting with Mani Ratnam, he met Shankar, auditioned, and got the role of Munna.[6] Shankar had seen Bharath at a dance programme, Inspirations at the Music Academy by 'Swingers', and called him to appear in screen tests that included delivering dialogues and dancing before selecting him to do the role of Bob Galy.[6] Bharath was initially earmarked to play the lead role in the film before the team found Siddharth.[7] Sai Srinivas, a percussionist and a drummer, who had worked with leading music directors was added after a successful audition in which he had to play the drums and went on to help out with the background score.[8][9] Nakul, brother of actress Devayani, was a second-year college student who was also chosen. His family had sent some pictures of Nakul's elder brother Mayur to Shankar's office and, after seeing Nakul in one of the pictures, Shankar approached him.[7] Manikandan, a visual communications graduate who had featured in Kala master's dance troupe doing stage shows, was also selected.[6] Genelia D'Souza, who was shooting for Hindi film Tujhe Meri Kasam, was chosen among 300 girls after Shankar was impressed by her Parker Pen commercial alongside Amitabh Bachchan,[10] her voice was dubbed by Rathi of Solla Marandha Kadhai.[11] While finalising the lead cast, Shankar had also approached Bhagyaraj's son Shanthanu and Sarathkumar's daughter Varalaxmi, but their respective fathers turned down the opportunities.[12][13]

Ravi K. Chandran was the principal director of photography; he introduced the linking of 62 cameras for the first time and the use of time-freeze technology in Boys.[14][15] Cinematographers K. V. Anand and V. Manikandan were credited for filming two songs, while directors Gandhi Krishna and Balaji Sakthivel were a part of Shankar's assistant team.

Boys was launched at the Kalaivaanar Arangam in Chennai with Rajinikanth attending the event as the chief guest of the function and the new cast was introduced to the media. Filming began later that day, and two days later a teaser trailer of the film was broadcast on television.[16]

The song "Ale Ale" was picturised at the Bridestowe Estate Lavender Farm in Scottsdale, Tasmania, Australia where cinematographer Ravi K. Chandran linked 62 cameras, using a new 'time-freeze' technique with the help of Australian cinematographer Mark Ruff's rig.[17] Mark Kobe, who had been a part of the teams of Godzilla and Independence Day, carried out the computer graphic effects for Boys and created a 3D female to feature in the song "Girlfriend". Another song, "Dating", was shot at a set created by Sabu Cyril on the Chennai seashore where he created a seaside swimming pool, restaurant, water volleyball, and discothque for the song sequence.[18] For "Boom Boom", Cyril made a set out of waste materials like steel, tin sheets, bottles, used cans of Pepsi, Coca-Cola, Dalda (oil) and wood waste to create the backdrop, whilst the actors in the song were dressed by designer Arjun Fazil in matchsticks, film rolls, videotape, and crisps covers.[19] "Maro Maro" was picturised on 500 young dancers at the Jawaharlal Nehru Stadium, Kochi, while for "Secret of Success", the team were given permission to use the MTV logo as the scene saw the band performing at the MTV Awards.[20] The background score for both these songs were sung by Gulzar, Sherefa, Ranya and Sameera.

The soundtrack, featuring seven songs composed by A. R. Rahman, was launched on 28 June 2003 at Devi Theatre.[21][22] It was the seventh collaboration of Shankar and Rahman, a combination that is one of the most successful in India.[21] On the song "Girlfriend", Shankar said, "I had told my crew and associates in the beginning itself that we had to think like an 18-year-old as the film is about youth and their desires. So when lyricist Pa.Vijay and Rahman sat together, we wanted a catchy number which the youth can relate to. At 18, every boy dreams of having a girlfriend. Rahman came up with a perfect fast paced peppy tune and Vijayan's lyrics fell into place as it establishes the yearning for a girlfriend. It sets the mood for the film as it appears in the first reel of Boys."[23]

The album was met with positive reviews upon release, but the sales were lagging initially.[1] Star Music, the company which had bought the rights of the soundtrack, was able to sell only 60,000 records in the first week.[21] However, in the following weeks, sales drastically increased and the soundtrack became the best-selling album of the year.[2] Rediff stated, "A R Rahman has helmed the scoring of what is certainly the best of Tamil music this year. Take note of Vaali's lyrics for "Secret of Success" and P. A. Vijay's "Dating".[1] Cinesouth wrote "In total, 'Boys' songs have increased the expectations for the movie more like Shankar's all other earlier movies that have rocked the Box Office. The album is worth the wait and Shankar-Rehman combination still remains a success. 'Boys' seems to be a new big bang theory altogether in the hearts of the music lovers".[24]

The film was released on 29 August 2003. It was also dubbed and released in Telugu with the same title. The Hindi soundtrack of the film was released in 2012, 9 years after its original release. The Hindi dubbed version of the film was released on ZEE5 on 1 March 2021, 17 years after the original release.[25]

Siddhu Warrier of Rediff cited that the film "gets enmeshed in an intricate array of sub-plots. And somewhere along the way, the story begins to meander", adding that "college students, especially guys, might watch Boys more than once for the titillating scenes, the non-veg jokes, and, most importantly, the skimpy, transparent clothing sported by the heroine."[26] Guru Subramaniam, also from Rediff stated that "Shankar's overconfidence in selling situations to the audience has failed this time. Many scenes, including the climax, look ordinary without any build-up sequences."[27] Mokkarasu of Kalki gave a negative review calling it cultural murder without wasting our money, advising Vivek to continue as comedian and felt Ravi K. Chandran shouldn't have gave opportunity to others to handle camera and concluded by lamenting that such films should not increase sexual crime.[28]

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