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Beaulah Mozie
It is because of creators like Tanvi Geetha Ravishankar aka @thechubbytwirler that women are now beginning to realise how beauty comes in all shapes and sizes. The plus-size model and body-positive activist has been creating kickass content that never fails to strike a chord. The internet is in awe of her confidence and so are we!
Zai Divecha is a San Francisco-based artist. She creates large, geometric wall hangings out of paper. By pleating repetitive series of \"mountain\" and \"valley\" folds, she creates pattern with depth and shadow. She works out of a shared metal shop in the Dogpatch neighborhood of San Francisco.
Unused items can be returned for a full refund within 30 days of purchase date. When returning, item must be postmarked within 30 days of purchase date in order to be returned. Customer pays for return shipping costs.
Ever wonder what goes into each Elektra Steel piece? Here's a time-lapse video of me creating a Geo Planter from start to finish. You'll see me cutting out all 17 stainless steel parts with a power shear, drilling a hole for drainage, TIG welding the parts together, sandblasting the interior, sanding down the exterior welds with an angle grinder, buffing the outside with Scotch-Brite, cleaning it with alcohol, and finally sealing it with a clear metal oil. All in a day's work!
The design of the Temple is a giant, sweeping spiral made of wood and copper. In the center is a grove of steel trees -- that's the part that I've been working on. Though most of the Temple construction has been happening in Alameda, sculptor and metalworker Kevin Byall has been spearheading the Grove fabrication at American Steel in West Oakland -- just a couple blocks away from my studio at The Crucible. Hear Kevin describe the project in his own words:
This is just a small peek into one portion of the Temple prep -- there's a whole other circus going on in Alameda, where a team of volunteers have spent the entire summer working on the Temple itself. They're loading up the trucks now and will be hitting the road soon! Follow Temple of Promise on Facebook for more updates.
If you're curious about how I designed and fabricated this 31-sided stainless steel vase, check out the Instructables article I just published! In it, I share every step of the design and fabrication process with photos, time-lapse videos, and step-by-step instructions.
The article actually just got featured on the Instructables homepage, which is so rad! They have a metal-themed contest running right now, so if you think I should win, feel free to vote for my Instructable. :)
For the last few weeks, I've been teaching TIG welding at the Crucible's Youth Summer Camps! I learned how to weld when I was 14, and it's so cool that I'm now in a position to teach other young people how to weld.
Learning how to MIG, TIG, blacksmith, machine, and anodize when I was in high school had a profound impact on my teenage years. I was a quiet, studious high schooler who loved drawing and painting. But when I first stepped into the metal shop in ninth grade, I was intimidated -- I didn't see how I'd ever get comfortable with the scary-looking tools. But my shop teacher, David Clifford, taught me how to use every tool safely and confidently. And slowly, I began to see that I could use these powerful machines to create beautiful objects from my imagination. My confidence grew, and I fell in love with metalworking.
Fast-forward thirteen years: David is still one of my dearest mentors (he actually served as a reference for me when I applied for the teaching job at the Crucible), and over the last couple weeks, I've taught nearly 30 young people aged 13-18 how to TIG weld. It's been an amazing experience! I'm starting to figure out what kinds of explanations and demos are most helpful, and I'm developing my own teaching style.
I've been totally blown away by my students' creativity. So far, they've made miniature art cars, spaceships, elephants, coasters, robots, cars, bridges, pencil holders, stars, factories, hands, signs, and abstract cube structures. We don't give them that much to work with -- just some sheet metal, nuts and bolts, maybe a little leftover perforated sheet -- but they make magic out of it.
It's also amazing to see their progression over the course of a week. On Monday, they're figuring out how to wield the TIG torch, which requires a lot of coordination and finesse. That's when they need the most instruction and feedback. By Tuesday, they're successfully doing fusion welds, using filler rod, and assembling little cubes. By Wednesday, nearly every student has a project in mind, and they're figuring out how to begin fabrication. On Thursday and Friday, I'm just a consultant, doing custom cuts here and there and helping problem-solve when needed. At the end of week, the Crucible hosts a gallery walk in which youth camp students across all departments (TIG, arc, blacksmithing, foundry, jewelry, glassblowing, kinetics, leather, etc.) showcase their work for each other and for parents. The students are always beaming, and I feel like a proud parent!
None of this would be possible without Jazzy, my 19-year-old TA, and Kobe, my 17-year-old youth intern. This brother-and-sister duo started taking classes at the Crucible when they were only 12! They help me set up for class each morning, lead demos, mentor students one-on-one, and -- now that they've mastered the horizontal band saw, power shear, and angle grinder -- they're also assisting students with cutting and grinding during class. In return, I'm doing my best to help them add new tools and skills to their own metalworking repertoires. As I'm drafting this, Kobe and I are both working late in the TIG room -- I'm writing, and he's finishing up a gorgeous steel Godzilla sculpture for the Crucible's Fuego Internship showcase. I'm lucky to be teaching (and learning myself!) alongside these two stellar young metalworkers.
If you live in the Bay Area, come check out the Crucible! They offer tons of amazing classes for both adults and young people. They also host team-building workshops for organizations, which are always a lot of fun (I've taught workshops for companies like Cisco and Zynga). Ask your boss if you can come to the Crucible for your next offsite!
I just published my very first Instructable! I did a super detailed instructional write-up of how I made those geo bowls, complete with dozens of process photos and videos. Unlike the blog post I wrote a few weeks ago about the bowls, the Instructable is geared at my fellow metalworkers -- I nerd out about TIG filler rod thickness, how to weld without clamps or vice grips, and the advantages to waxing stainless steel.
I spent the last two weeks designing and fabricating 15 custom geometric bowls for a global tech company based in San Francisco. Their annual client and developer conference is coming up in a few days, and the bowls will be used as table centerpieces.
A friend on their events team had seen a photo of the geo planter I made a few months ago, and reached out to see if the design could be customized for their needs. I'd never done a production run this large before, but I was excited for the challenge.
First, I created a 3D model of the design in SketchUp. I started with a dodecahedron (my favorite platonic solid) and modified it to create an open, faceted bowl. As soon as I got the thumbs-up from the client, it was time to waterjet cut the pieces. I used Adobe Illustrator to create a vector line drawing of all of the pieces that I'd need to cut out of stainless steel sheet.
The last time I made a piece like this, I did all the waterjet cutting myself, which was time-consuming because I was still learning. Due to the scale of this project, I decided to outsource the cutting. So glad I did! The company I used, Triton Waterjet, was super pro -- clean edges, no burrs or tabs, flawless steel, and quick turnaround time. Here are one hundred pounds of beautiful pentagons, ready to go:
And then the welding marathon began! I started by tacking the faces together at each vertex. A number of metalworkers have asked me how I clamp down the pieces for this type of project. I actually don't use clamps or jigs at all. Instead, I just prop up the pieces on a block -- or even hold them together with my gloved hands -- and do a quick flash-tack to join the pieces. Then I bend the pieces into the correct angle before continuing to weld.
Once the form was tacked together, it was time to weld all the edges. TIG welding is my absolute favorite part of metalworking, and I was thrilled when the moment finally arrived to lay down a bead. And then another one. And then another one. And then another one...
It was both luxurious and exhausting doing nothing but weld all day long. I welded all fifteen bowls in two and a half days, which is definitely some sort of personal record. What's interesting is how much I improved over the course of the project: When I made the initial prototype, the welding took me six hours (lots of trial and error!). Bowl number one took two and a half hours to weld (better, but still learning). By bowl number four, I'd gotten it down to 40 minutes (I'm a machine!!). I learned a lot about efficiency and scale with this project!
Once the bowls were assembled, it was time for sanding and buffing. I like this step because it's like the big reveal -- I finally get to see the sharp jumble of sheet metal transformed into the lovely and smooth piece I'd envisioned in my mind. For sanding and buffing, a variable-speed angle grinder is my best friend. I started with an 80-grit flapwheel disc to sand down the welds, and then went over the entire outer surface with a Scotch-Brite disc to give it a satiny sheen.
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