[New Release] Mouse On Mars WOW 2012 Rar
Myong Killings
Their first album, Vulvaland, was released in 1994 on the British record label Too Pure. Sean Cooper of AllMusic stated that it is "a wibbly, barely digital match of ambient texturology with experimental strains of techno, dub, and Krautrock."[3] Their second album, Iaora Tahiti, has a much more playful feel and encompasses a wider variety of electronic dance genres. Over the years, their sound has increased in warmth, playfulness and what the duo term "fantastic analysis". Their sixth album Niun Niggung (released on Domino Records in 2000), showed live instruments becoming more prominent. Idiology, their seventh album, continued this practice, and on their eighth album, Radical Connector, they took more of an accessible "pop" approach; both also increasingly included vocals, primarily from touring drummer Dodo NKishi.[4]
The band released their tenth full album, Parastrophics, almost six years later, in February 2012. It was their first album to be released under Modeselektor's Monkeytown record label. Following this another six years later, the band reunited with Thrill Jockey to release Dimensional People in April 2018.
St. Werner has released solo work under his own name, and as Lithops and Noisemashinetapes.[6] St. Werner also partners with Markus Popp of Oval for Microstoria. St. Werner has also collaborated with the renowned visual artist Rosa Barba.While releasing albums on British indie labels, Mouse on Mars started their own label, Sonig, on which they release their own work and that of other German artists. They have also produced a number of EPs and have recorded music for film soundtracks as well as remixing the work of other musicians.
In 2018 with the release of the Dimensional People release, the band perform under the name of Dimensional People Ensemble, an ensemble of drums, horns, strings, vocals, and electronic instruments, played by robotics and humanoids.[7][8]
A mini album was released November 2012, titled WOW. The album marked the duo's first recorded collaboration with the vocalist Dao Anh Khanh, producer Eric D. Clarke and the punk band, Las Kellies.[10]
Glam's initial release was a vinyl-only limited edition, but now it's finally been reissued domestically on CD (there was a pricey Japanese import CD with the bonus tracks also included here). I listened to Glam constantly in '99 but hadn't put it on for a while now, so I was curious whether it was as great as I remembered. It is, for the most part. And it's particularly fun to hear now because it captures Mouse on Mars at such an interesting time. Though they've since distinguished themselves as a warped electronic pop group, Mouse on Mars were all over the place during the latter half of the 90s, working with everybody and experimenting like crazy. Atmospheric soundscaping was something they excelled at when so inclined, as evidenced by the abstract tracks they placed on compilations (most of which were collected on the equally fine Instrumentals album), and that's where their focus is through most of Glam.
Storz and his colleagues discovered the first mouse mummy on the summit of Volcán Salín by chance when they stumbled across the desiccated cadaver at the edge of a rock pile. But, now knowing what to look for, they soon turned up others.
Radiocarbon dating showed that the mummified mice found on the summits of two volcanoes were a few decades old at most. Those from a third site were older, estimated at 350 years old at most. Genetic analysis of the summit mummies demonstrated that they represent a species of leaf-eared mouse called Phyllotis vaccarum, which is known to occur at lower elevations in the region.
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The study of naturalistic social behavior requires quantification of animals' interactions. This is generally done through manual annotation-a highly time-consuming and tedious process. Recent advances in computer vision enable tracking the pose (posture) of freely behaving animals. However, automatically and accurately classifying complex social behaviors remains technically challenging. We introduce the Mouse Action Recognition System (MARS), an automated pipeline for pose estimation and behavior quantification in pairs of freely interacting mice. We compare MARS's annotations to human annotations and find that MARS's pose estimation and behavior classification achieve human-level performance. We also release the pose and annotation datasets used to train MARS to serve as community benchmarks and resources. Finally, we introduce the Behavior Ensemble and Neural Trajectory Observatory (BENTO), a graphical user interface for analysis of multimodal neuroscience datasets. Together, MARS and BENTO provide an end-to-end pipeline for behavior data extraction and analysis in a package that is user-friendly and easily modifiable.
Some years ago, back in Ireland, I was contacted by the owner of a business located in the same business centre as my pest control company. We'll call him Paddy which wasn't his real name. Paddy told me that he was having terrible problems with mice at home. He said he was catching as many as 20 every night. Now, I have seen some heavily infested homes, but never one where that many were caught every night.
I queried these numbers and it transpired that Paddy had purchased 20 live capture mouse traps; his wife was "dead set against using poison, even if the mice were eating her cashmere sweaters to make a nest." Paddy had been setting the traps all in his roof voids and around the house, baited with Mars bar. Each morning every trap had caught a mouse. "Big fat healthy mice!" said Paddy.
I asked Paddy what he did with the caught mice. "Oh. I take them way across the fields and let them go. About a kilometre away." he said.
I suggested that that night he set the traps again as usual. But next morning, mark each mouse with a dab of correction fluid before releasing them, and set the traps again for the following night.
Sure enough the second morning 20 'corrected' mice had been caught in the traps.
The mice were fat from Mars bar and fit from the exercise and fresh air they got each day making their way back across the fields to the house for another feed of Mars bar.
This wasn't quite the end of the story however. There was still the question of how the mice were getting back into the house. Paddy insisted that he had put much effort into finding and sealing all possible entry points. I agreed to visit the house and take a look.
It doesn't take much of a gap for a mouse to enter a building; a gap as narrow as a pencil is all they need, even well fed Mars mice. I was confident I would find a broken air vent, gap under a door, ill-fitting pipe, or climbing plant leading up to the eaves. But when I checked the house I could find no possible entry. It was unlikely that all the mice would be able to sneak in an open door when Paddy or his wife opened and closed them after themselves.
How could they be getting in?
A common entry point for rats and mice is via the garage if the garage is attached to the house. But Paddy's garage was 15 metres from the house. But I did find a gap under the garage door and I found little 'messages' letting me know that mice were getting into the garage.
In Ireland and the UK central heating is common in most homes to combat the cold, wind and rain. Rats and mice love the heat from central heating boilers and the pipes carrying hot water to radiators. The pipes can often provide highways for mice to travel around a building as the holes in walls and joists are rarely sealed tightly. This was how the mice were getting into the house. Paddy's central heating boiler was in the garage and the pipes ran underground to the house. the mice had followed the pipes, eating their way through the insulation around the pipes.
Once I sealed up the gaps around the pipes, and Paddy had caught and released the mice a long way (over 2km) away from the house, the problem was solved.
There are several lessons from this story:
But hold on to your hats space lovers, because it looks as though the little critter might just be a figure of our imaginations, as many people believe the shadowy image to simply show a mouse-shaped rock.
It is probably a rock, with the tail being formed out of some sand. the life of a rodent on mars is highly unlikely, due to a mouses inability to fly to mars or transport there in any way. Humans cannot live on Mars because neither the temperature nor the atmosphere is compatible with human survival. There is also no edible food and very little available water. Mice are smaller than humans, less smart than humans, and they also have less body fat to keep them warm. It is interesting that we found it
Cool........... but do you think there would be a mouse?Its probably a rock there exist rocks looking like animals and Its rare.But they exist. I think there are more animal looking rocks on that planet.
a rat in mars impossible because if there is no rat in mars how cam be that a mars with no mom and dad how can be alive but i think is a rat about the form of the picture or a stone aim sure that it with be dead with no water well there is water in mars but very difficult to find water and food well there is no water in mars poor mouse and if is a stone well i dont no and if your mother of father is a fisher can you tell them to dot kill the fish,whale,dolphin,sharks and other things please
I was reading some comments later today and found out that some people are saying its a rock and others are saying its totally a mouse because it looks like it has ears and a tail so i dont really no what to say. In my head im thinking how could suddenly a mouse appear on mars and if it did then wouldnt it be on the news because its not so im guessing probbly just a rock or maybe well also looks a bit photo shopped as well so good on ya national geographic .
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