Il Mago Di Oz Movie English Sub Free Download
Rocki Stenger
I would like to understand how do the chimera compares to the two...i have never been able to try it, but i expect it to be quite similar to Mago in feeling.....am i wrong? How stiffer really is it compared to Dragos?
I have climbed in both the Chimera and Drago and for me, the Chimera was quite different and is my go-to shoe right now. The laces allow my wide forefoot to expand much better, and for me the toe was less pointy, making them more comfortable by far since my 2nd toe is as long as my first. Also the heel is deeper, felt more locked on and delivered more power through the toe. I feel this shoe does everything well, it edges better than the Drago, yet still smears very well. It pulls great on overhangs. It is still a soft shoe, its not an edging shoe per say, but a fantastic sport climbing shoe especially on steeper terrain.
I saw they were redesigning them and I am not happy, I really like them the way they are. I guess I waited too long to try them because I thought they were just a lace up Drago, which for me they were not.
I have used drago and chimera extensively. Have not used the mago as I liked the old red/yellow testsrossa (which the Mago was an evolution of, if someone is about to pull up different manufacture card, look up Heinz).
dragos are stupid soft, smear like none other. Super soft heel deforms around any feature and stays put, they are cheating when it comes to toe and heel hooks. Use them bouldering and training in the gym. Actually have thrown them in for hard friction slab and granite finger cracks too. Hurts like hell on cracks, but the rand is stickier than others so a torque into a pin scar sticks great.
I've never tried on the Mago's but I love the Drago's (mainly bouldering) and didn't like the Chimera's as much. I didn't find the heel much better than the Drago's. Also, there is a bump under the end of your toes in the Chimera's and I felt like it didn't work getting more power into my big toe. Maybe I needed to size up a half size but I haven't as I mostly boulder and love the Drago's (if I need a soft shoe) and use the Instinct's if I need something stiffer.
I also love the Dragos, but outside i can use them only at a crag with only overhanging and roofs and is sandstone ... I love the Dragos stickiness and smearing abilities..but i sometimes feel that I lack a little bit of toe support..i can edge in Dragos but of course it is not the best....i was thinking about getting a pair of chimeras for outside, but i can't try them and i am not really able to imagine how they are...i am afraid they are too stiff compared to Dragos and loosing the smearing power of Drago, or i am afraid they are too soft and overlapping with Dragos... that's why I was asking a comparison with mago also, that i own...
Drifting just 900 meters off the northwest coast of Ibiza is the unassuming island of Tagomago, a privately owned reclusive retreat rich in both an abundance of flora and fauna; its impressive otherworldly terrain plays host to a vast menagerie of bird life.
For the first time Holger Czukay would engineer and direct the now more formal recording sessions, whilst also taping all the improvised jamming that took place in between waiting on whatever technical problems erased.
The new appointment almost changed the bands fortune overnight; their usual one off underpaid gigs became a thing of the past as Hildegard put them out on the road to tour the UK. She also cut a deal for the guys to compose a theme tune to a newly commissioned thriller for German TV, which proved to be very lucrative.
Tago Mago emphasized the touch of mystery with its artwork, supplied by German graphics artist U Eichberger who would go onto provide covers for Soon Over Babaluma and the Amon Duul II compilation Lemmingmania.
A head and shoulders printed sideways on figure motif is sliced open and a psychedelic rendering of a brain laid open, one small speech bubble emits from the gaping mouth, inside is the same rendered brain pattern, which looks like a jazzy version of noodles.
Inside the gate-fold sleeve you will find 24 photos of the group either side of the track list, these have been take whilst the band where on tour and feature some beguiling poses, though the boredom of waiting around for sound checks is evidently plastered all over their faces.
Soon the serenity disappears and an impromptu jam kick starts a frenzied West African jaunty jazz funk groove, with Jaki almost kicking those busy double kick drums through the studio wall and into the car park.
During the spacious and laid back nuances Damo speaks of despair, at first keeping perfect control of his sentiments until a sudden rattling toms roll inspires a belt of primal screaming, we are jolted from the lazy feel of the groove into a now unsettling encounter with the dark side.
Karoli lays on a calm and collected series of notes and the odd extra lead in doodling, whilst Czukay tiptoes around the main melody, carefully placing his minimal counter notes so as not to overcrowd the song.
An effortless cacophony of drums now ratchets up proceedings, an added slight touch of reverb places it in a metal container, which along with the rest of the band ends up exploding in a heavy phased effect mushroom cloud finale.
The backing sounds like it was sent from thirty years into the future from some sort of time traveling troubadour, hip-hop breakbeats and electro drums sit tightly compacted alongside more of those swirling keyboards.
Starting with Jaki kicking his repetitive drum breaks off in an achingly cool display of control, Damo lets loose with a torrid of imaginative prose, rambling along to the sweetly phased effect grooves laid down by the drumming alchemist.
An avalanche of addictive drums and percussion career down the north face, screeching violins are stretched until they beg for help and Czukay finely balances the octaves, his rapid changes almost lift you from your seat.
The atmospherics come close to Amon Duul II Dance Of The Lemmings, cranked up a further ten notches that oversteps any definitions of boundaries, making Terry Riley sound almost sober.
The opening trebly shimmering assault of cymbals and the vocal wails of Damo sound all disconcerting as Schmidt unearths a lamented sorrowful church organ service, acting as some kind of religious revelation.
Out of nowhere arrives a Casio styled bossa nova pre-set ditty accompanied by some strange Mandarin sounding plucked instruments, an almost jaunty moment of humour breaks through until the guys realise their mistake and direct events back to the more arcane.
A battle breaks out between the Cabaret Voltaire and Fluxus movements in a game of dare, each egging on his opposite to make ever more daring noises. All hell could be let loose but then a sort of groove gets going as more heavily affected layers of sounds are added into the vast melting pot, before we glimpse the finishing post and all calm is restored.
Soon our esoterically sonic explorers reach a climactic ending; Karoli shoots from the hip with the last exhausted semitones announcing the finale display of this celebratory exequies rites of passage.
That built in machine like metronome never dropping a single beat and an marathon runner fitness level display of stamina lend me to conclude the man is in fact a demigod or at least in the house band for the Gods of Olympus, sitting in as Orpheus charms the birds from the trees with his weeping lyre. Jaki rattles off some magical beats and rolls that soon vanquish all memories of those Greek tragedies that the audience have had to put up with for the last four thousand years.
I?m looking for some advice on the best method for implementing Year Ago, Month Ago, and To Date functionality within OBIEE. From what I can see there appears to be 2 ways to approach this. 1. Use AGO and TO_DATE functions. 2. If you have a year ago key and a month ago key in your date or period dimension, you can create 2 aliases of the fact table and join one alias on the year ago key and one alias on the month ago key. In the business model combine these into one logical table. You would still have to create the to_date fact using the TO_DATE function. Is this correct? Are there any other options? What would be the best approach? Thanks!
If you can guarantee complete coverage of all transactions within your time
windows then it will work. However even then the effort is also way too
much. Every time you want to add a new AGO or TD metric you would need to
redevelop your ETL and do a major deployment, as opposed to a simple logical
metric. Plus you are redundantly adding columns to your table.
If you have a year ago key and a month ago key in your date or period
dimension, you can create 2 aliases of the fact table and join one alias on
the year ago key and one alias on the month ago key. In the business model
combine these into one logical table. You would still have to create the
to_date fact using the TO_DATE function.
We can use the formula as ago(fact measure,dim level, time) as per the yago,mago and qago. There is no specific best practice for all these only we could arrange very well the roll up measures as per the dimensional hierarchy.
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