A recurring theme in Selvon's character development addresses upward social mobility. This mobility is clouded by the character's designation as the "other". Selvon's characters are offered the worst jobs, they are exploited by housing landlords, and their romantic ventures oftentimes only includes sex. Their accents and race mark them as outsiders and force them to form a group identity based on the principle of congregation via segregation. Though they have various coping mechanisms: sex, lavish spending, drinking, hard work, appeasing white women, etc., the novel ultimately conveys unity in their experiences and the self-hatred, disappointment, and struggle that haunt them. The protagonist, Moses, describes London as a lonely city that "divide[s] up in little worlds, and you stay in the world where you belong to and you don't know anything about what is happening in the other ones except what you read in the papers."[3] Against a backdrop of invisibility, many of the characters struggle with a sense of failed promise. Regardless of their actions, a certain sense of stagnancy prevails. Moses says: "...I just lay there on the bed thinking about my life, how after all these years I ain't get no place at all, I still the same way, neither forward nor backward."[4]
This has been on my radar since the Guardian Reading Club discussed it in October 2018, including an article about the language used ( -the-lonely-londoners-extends-the-novels-language). I just looked up Sam Selvon and was surprised to discover he was of Indian descent rather than Afro-Caribbean like the man on the cover that I have seen pictured.
My book blog:
The lonely londoners a fiction-novel and is definitely product of (post) modern literature. Narrated from third person point of view, recounting the lives of Caribbean (African) working class immigrants in London through combination of short (anecdotal) stories . Drawing attention on the socioeconomic struggles (division between the poor and the rich) and racial discrimination that the community had to endure in 20th century London. Additionally, sex is a prominent theme in the novel too. For instance, too many sexual relationships that immigrant characters had to estabilish with local + (white) women in order to, gain more opportunities..very odd move but seems to work well for several characters..
At Waterloo Station, hopeful new arrivals from the West Indies step off the boat train, ready to start afresh in 1950s London. There, homesick Moses Aloetta, who has already lived in the city for years, meets Henry 'Sir Galahad' Oliver and shows him the ropes. In this strange, cold and foggy city where the natives can be less than friendly at the sight of a black face, has Galahad met his Waterloo? But the irrepressible newcomer cannot be cast down. He and all the other lonely new Londoners - from shiftless Cap to Tolroy, whose family has descended on him from Jamaica - must try to create a new life for themselves. As pessimistic 'old veteran' Moses watches their attempts, they gradually learn to survive and come to love the heady excitements of London.
"In "The Lonely Londoners", why are the characters called Londoners and why are they lonely?" eNotes Editorial, 30 Jan. 2009, -help/about-text-lonely-londoner-why-they-call-60815.Accessed 2 Dec. 2023.
The immigrants' difficult situation is intensified by the fact that they have cut themselves off from "their roots and traditional means of support", but cannot find acceptance in their adopted home. They exist in a hopeless state of isolation, "lonely" in the city of London.
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