Moon Base Alpha Series Book 4

[Melissa Hassel]

Theinformation in this post may be old news to many of you, but I have been getting a lot of questions from readers asking why both MBA and Musketeer stopped at three books. The posts where I explained this are now a couple years old, so I thought I would revisit the issue. The reasons I stopped writing each series are quite different.

When I first started writing this series, I really thought it might run for a long time. But I also made the decision to write a sci-fi series where space travel was depicted as realistically as possible. My good friend, astronaut Garrett Reisman, who was overseeing the human space flight program at SpaceX, served as my technical advisor. I was very pleased with the world that I created, but it had an unforeseen side effect:

Even worse, the only way to go outside the moon base involved wearing a space suit, which provided its own limitations. An action sequence in a space suit is very different from one where the characters are free to move about in any way they would like.

I would have been happy to write more books in this series if the publisher had supported it. But it made far more sense to write books for a more supportive publisher like Simon & Schuster instead. There is little point in writing a book that you think no one is ever going to read.

I am a huge fan of your books and I always buy your books as soon as they come out. I was just wondering if you are gonna make a movie about any of your books? I know you were creating a spy school movie a few years ago but it got cancelled. Are you gonna still create the spy school movie or are scraping that idea? Thanks, Alec

Please i honestly do not care what its about just make another mba book as long as it

1. Has everyone in it

2. Has the Sjobergs screwing things up

3. Takes place at mba or mbb

4. Is as long as the others

Stuart,

I was reading your FAQ page and was wondering if you could ask your friend who became an ASTRONAUT to respond to this question: Was it hard to become an astronaut and do you enjoy it?

The reason I want to become an astronaut is because of your MBA series.

I know for a fact that Garrett enjoyed being an astronaut very much. The biggest issue was probably that he had to wait long periods of time before going into space and between trips to space, so much of being an astronaut is training.

I know you have said that the MBA series is over but could you possibly make a GN series of MBA and CT I have read all your books so what if you could make the GN of MBA and CT cause both books are awesome and it would be awesome if you could make the GN of both

if the series is about the moon base then just start a new one about bosco in the same canon. and if you choose to end another series could you please start this one again. just dont end spy school. btw this series was more intresting than spy school in some ways but i wont be able to believe that ss is over

Space: 1999 is a British science-fiction television programme that ran for two series from 1975 to 1977.[2] In the premiere episode, set in the year 1999, nuclear waste stored on the Moon's far side explodes, knocking the Moon out of orbit and sending it, as well as the 311 inhabitants of Moonbase Alpha, hurtling uncontrollably into space.

Space: 1999 was the final production by the partnership of Gerry and Sylvia Anderson and was, at the time, the most expensive series produced for British television, with a combined 6.8 million budget.[3] The first series was co-produced by ITC Entertainment and Italian broadcaster RAI, while the second was produced solely by ITC.

Two series of the programme were produced, each comprising 24 episodes. Production of the first series was from November 1973 to February 1975;[4] production of the second series was from January 1976 to December 1976.

The premise of Space: 1999 centres on the plight of the inhabitants of Moonbase Alpha, a scientific research centre located within the crater Plato in the Moon's northern hemisphere.[5] Humanity had been storing its nuclear waste in vast disposal sites on the far side of the Moon, but when an unknown form of "magnetic radiation" is detected, the accumulated waste reaches critical mass and causes a massive thermonuclear explosion on 13 September 1999. The force of the blast propels the Moon like an enormous booster rocket, hurling it out of Earth orbit and into deep space at colossal speed, thus stranding the 311 personnel stationed on Alpha.[6] The runaway Moon, in effect, becomes the "spacecraft" on which the protagonists travel, searching for a new home. Not long after leaving Earth's Solar System, the wandering Moon passes through a black hole and later through a couple of "space warps" which push it even further out into the universe. During their interstellar journey, the Alphans encounter an array of alien civilisations, dystopian societies, and mind-bending phenomena previously unseen by humanity. Several episodes of the first series hinted that the Moon's journey was influenced (and perhaps initiated) by a "mysterious unknown force", which was guiding the Alphans toward an ultimate destiny. The second series used simpler action-oriented plots.[7]

The first series of Space: 1999 used a "teaser" introduction, sometimes called a "hook" or "cold open". This was followed by a title sequence that managed to convey prestige for its two main stars, Landau and Bain (both billed as 'starring') and to give the audience some thirty-plus fast-cut shots of the forthcoming episode. The second series eliminated this montage. The programme would then offer four ten-to-twelve minute long acts (allowing for commercial breaks in North America) and finished with a short (and, in the second series, often light-hearted) "epilogue" scene.

The headline stars of Space: 1999 were American actors Martin Landau and Barbara Bain, who were married to each other at the time and had previously appeared together in Mission: Impossible. To appeal to the American television market and sell the series to one of the major U.S. networks, Landau and Bain were cast at the insistence of Lew Grade over the objections of Sylvia Anderson, who wanted British actors.[8] Also appearing as regular cast members were the Canadian-based British actor Barry Morse (as Professor Victor Bergman in the first series) and Hungarian-born, US-raised Catherine Schell (as the alien Maya in the second series). Before moving into the role of Maya during the second series, Catherine Schell had guest-starred as a different character in the Year One episode "Guardian of Piri". The programme also brought Australian actor Nick Tate to public attention. Roy Dotrice appeared in the first episode as Commissioner Simmonds and at the end of the episode it appeared that he would be a regular character; by the second (transmitted) episode the character vanished, reappearing partway through the first series in the episode "Earthbound", his only other appearance on the show, in which it is implied that he dies from asphyxia inside an alien spacecraft.

Over its two series, the programme featured guest appearances from Christopher Lee, Margaret Leighton, Joan Collins, Jeremy Kemp, Peter Cushing, Judy Geeson, Julian Glover, Ian McShane, Leo McKern, Billie Whitelaw, Richard Johnson, Patrick Troughton, Peter Bowles, Sarah Douglas, David Prowse, Isla Blair, Stuart Damon, Peter Duncan, Vicki Michelle and Brian Blessed. (Blair, Damon and Blessed each appeared in two episodes portraying different characters.)[9][10] The English actor Nicholas Young (who portrayed John in the original version of The Tomorrow People) appeared in a Year Two episode, "The Bringers of Wonder". Several guest stars went on to appear in the Star Wars films, including Cushing, Glover, Lee, Blessed, Prowse, Michael Culver, Michael Sheard, Richard LeParmentier, Shane Rimmer, Angus MacInnes, Drewe Henley, Jack Klaff and Jack McKenzie.

In 1972, Sir Lew Grade, head of ITC Entertainment, proposed financing a second series of the Century 21 production UFO to show-runners Gerry and Sylvia Anderson. Grade had one stipulation: the new series would be set primarily on the Moon within the environs of an expanded SHADO Moonbase; the ratings indicated the Moon-centric episodes had proved the most popular with audiences. The Andersons and their team would quickly revamp the production, flashing ahead nearly twenty years for UFO: 1999 with Commander Ed Straker and the forces of SHADO fighting their alien foes from a large new Moonbase facility.

However, toward the end of its run, UFO experienced a drop in ratings in both the US and the UK; nervous ITC executives in both countries began to question the financial viability of the new series, and support for the project collapsed. In the meantime, production designer Keith Wilson and the art department had made considerable progress in envisioning the look and design of the new series. Their work was then shelved for the foreseeable future.[11]

Anderson would not let the project die; he approached Grade's number two in New York, Abe Mandell, with the proposal for taking the research and development done for UFO: 1999 and creating a new science fiction series. Mandell was amenable, but stated he did not want a series set featuring people "having tea in the Midlands" and forbade any Earth-bound settings. Anderson responded that in the series opener, he would "blow up the Earth". Mandell countered that this concept might be off-putting to viewers, to which Anderson replied he would "blow up the Moon".[12]

The Andersons reworked UFO: 1999 into a new premise: Commander Steven Maddox controlled the forces of WANDER, Earth's premier defence organisation, from Moon City, a twenty-mile wide installation on the Moon. Maddox would view all aspects of Earth defence from Central Control, a facility at the hub of the base and accessible only by Moon Hopper craft, which would require the correct pass-code to traverse Control's defensive laser barrier. The Commander would also have access to a personal computer called "Com-Com" (Commander's Computer), which would act as a personal advisor, having been programmed with the Commander's personality and moral sense.

3a8082e126