Boards Of Canada-Twoism Full Album Zip
Maria Haq
Stylistically, the album foreshadows what was to come on subsequent Boards of Canada releases, with two of the tracks (Seeya Later and Smokes Quantity) being re-released on later records. One artistic deviation of note, however, is found in the track "Basefree," representing one of Boards of Canada's few forays into industrial territory.
Geogaddi is arguably one of Boards of Canada's most intriguing works, the kind of album that you could spend hours and hours with, constantly unpicking more meaning from its immaculately textured depths. Released in 2002, the first thing that is clear is its darker way with mood. Still operating in a nostalgia-tinged analogue world, the textures seem to carry more weight. The heavier rhythms and hypnotically crackling samples on "Music Is Math" and groaning voices on "Gyroscope" are laced with something approaching menace.
There are sparse, almost playful moments too though, which add to the album's beguiling quality. "The Devil Is In The Details" is a skittering piece of electronics and barely-their voices, "While Dawn Chorus" is all widescreen, chunky beats that sound like the sun coming up. 3LP pressing with etching on side F recut by Noel Summerville from original DAT master. Includes sticker sheet with hexagon die cut stickers.
When Geogaddi arrived in 2002, it was already one of the most anticipated electronic albums of the decade. Casual consensus painted the record as a darker twin to Music Has The Right To Children, but any sort of attentive listen suggests that Geogaddi is a different sort of proposition entirely. Music Has The Right To Children was a primer, cobbled together from tracks familiar and new. Geogaddi, by contrast, is a capital-A album, conceived as a self-sufficient piece.
Rating metrics: Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album is rated in the top 2% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 78.9/100, a mean average of 79.2/100, and a trimmed mean (excluding outliers) of 79.7/100. The standard deviation for this album is 10.9.
The album is aesthetically and stylistically darker than the approach established on their previous studio album "Music Has the Right to Children" (1998), and it has subsequently been praised as a standout album in the duo's discography.
Cult electronic pioneers Boards Of Canada return with their long awaited third album, "The Campfire Headphase". Closer than ever to their love of psychedelic and mushroom bands that have influenced them, the album reflects the fact that they have been living deep in the country, with the rhythms being those of nature rather than those of the city. Whilst the album is warm and spacious with layers of live instrumentation, it also contains many of the Boards trademarks that people have come to love - wobbly electronics, melancholic synth washes etc. With the sleeve referencing their classic "Music Has The Right To Children", and the music expanding on previous sounds, "The Campfire Headphase" doesn't disappoint.
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