Re: Ben 10 Full Episodes In Hindi Download 3gp Moviel
Josephine Heathershaw
We value your inquiry and interest in learning about picking a specific episode using the Roku Mobile app. May we know what specific series you are trying to watch? We'd like to check if this has a second or more episodes. Also, on which specific channel are you streaming this on your Roku Mobile app?
We see that you're having an issue while streaming on the Roku mobile app and The Roku Channel, and we'd like to gather more details regarding this. Could you please tell us more about the issue you've encountered? Also, what troubleshooting steps have you attempted such as uninstalling the Roku mobile app, etc?
For any of the British Baking Show versions (Celebrity, Great, An Extra Slice, etc.) it only shows the More like this list when I look at the Show Details instead of putting this on a separate tab and also showing the Episode list.
Note that I do like that when you are rewatching a show and move from one episode to the next, I love that it has been starting it at the beginning of the episode rather than where I left off, as that was usually at a place with just the credits left to see.
I have been having the same problem for the past 7-10 days. I have used the Roku app on my iPhone for a couple of years. Suddenly there is no episode list for shows and this includes shows I have in my Save List. They include Bones, Great British Baking Show, Home Improvement, Midsommer Murders, etc. If I click play it starts playing a random episode (only one episode) and it does not roll forward to the next episode - which it did before. If you go back and hit play again, it will just replay the same one episode again. I don't even know what episode it is until it starts playing and I watch it. (I could never use the Continue Watching option on my phone app, because mobile device was not a choice. I would have to go back to my Save list and find the season and episode I was at.). Please help.
Firefly is an American space Western drama television series, created by writer and director Joss Whedon, under his Mutant Enemy Productions label. Whedon served as an executive producer, along with Tim Minear. The series is set in the year 2517, after the arrival of humans in a new star system, and follows the adventures of the renegade crew of Serenity, a "Firefly-class" spaceship. The ensemble cast portrays the nine characters living aboard Serenity. Whedon pitched the show as "nine people looking into the blackness of space and seeing nine different things."[1]
The show explores the lives of a group of people, some of whom fought on the losing side of a civil war, who make a living on the fringes of society as part of the pioneer culture of their star system. The two surviving superpowers, the United States and China, fused to form the central federal government called the Alliance. According to Whedon's vision, "nothing will change in the future: technology will advance, but we will still have the same political, moral, and ethical problems as today."[2]
Firefly premiered in the United States on the Fox network on September 20, 2002. By mid-December, Firefly had averaged 4.7 million viewers per episode and was 98th in Nielsen ratings.[3] It was canceled after 11 of the 14 produced episodes were aired. Despite the short life span of the series, it received strong sales when it was released on DVD and has large fan support campaigns.[4][5] It won a Primetime Emmy Award in 2003 for Outstanding Special Visual Effects for a Series. TV Guide ranked the series at No. 5 on their 2013 list of 60 shows that were "Cancelled Too Soon".[6][7]
The post-airing success of the show led Whedon and Universal Pictures to produce Serenity, a 2005 film that continues the story from the series.[4] The Firefly franchise expanded into other media, including comics and a role-playing game.[8][9]
The series takes place in the year 2517, on a variety of planets with numerous habitable moons. The TV series does not reveal whether these celestial bodies are within one star system, only saying that Serenity's mode of propulsion through space is a "gravity-drive". Each episode begins with either Book or Captain Reynolds providing the backstory. Book's narration runs as follows:
After the Earth was used up, we found a new solar system, and hundreds of new Earths were terraformed and colonized. The central planets formed the Alliance and decided all the planets had to join under their rule. There was some disagreement on that point. After the war, many of the Independents who had fought and lost drifted to the edges of the system, far from Alliance control. Out here, people struggle to get by with the most basic technologies. A ship would bring you work. A gun would help you keep it. A captain's goal was simple: Find a crew. Find a job. Keep flying.[10]
The film Serenity reveals that the planets and moons are in an extensive system, and production documents related to the film indicate that there is no faster-than-light travel in this universe. The characters occasionally refer to "Earth-that-was", and the film establishes that long before the events in the series, a large population had emigrated from Earth to a new star system in generation ships:[11] "Earth-that-was could no longer sustain our numbers, we were so many." The emigrants established themselves in this new star system, with "dozens of planets and hundreds of moons", and many of these were terraformed, a process that was only the first step in making a planet habitable. The outlying settlements often did not receive support in the construction of their civilizations. This resulted in many border planets and moons having forbidding, dry environments, well-suited to the Western genre.
The show takes its name from the "Firefly-class" spaceship Serenity that the central characters call home. The Firefly-class ships, some 40,000 still in use,[12] is so named for the resemblance to the shape of a firefly, complete with a tail section that lights up during acceleration, analogous to the bioluminescent insect's abdomen. The Serenity was named for the Battle of Serenity Valley, where Sergeant Malcolm Reynolds and Corporal Zoe Alleyne were among the survivors on the losing side. It is revealed in "Bushwhacked" that the Independents' loss at the Battle of Serenity Valley was widely considered as sealing their fate.[13]
The Alliance governs the star system through an organization of core planets, following its success in forcibly unifying all the colonies under one government. DVD commentary suggests that the Alliance is composed of two primary systems, one predominantly Western, the other pan-Asian, explaining the blended linguistic and visual themes of the series. The central planets are firmly under Alliance control, but the outlying planets and moons resemble the American Old West, under little governmental authority. Settlers and refugees on the outlying worlds have relative freedom from the central government but lack the amenities of high-tech civilization found on inner worlds. The outlying areas of space ("the black") are inhabited by the Reavers, a cannibalistic group of nomadic humans.[14]
The captain of Serenity is Malcolm "Mal" Reynolds (Nathan Fillion). The episode "Serenity" establishes that the captain and his first mate Zoe Washburne, ne Alleyne (Gina Torres) are veteran "Browncoats" of the Unification War, a failed attempt by the outlying worlds to resist the Alliance. A later episode, "Out of Gas", reveals that Mal bought the spaceship Serenity to travel increasingly distant reaches of space, beyond Alliance control. Much of the crew's work consists of cargo runs or smuggling. In the original pilot, "Serenity", Simon (Sean Maher) joins the crew as a paying passenger, smuggling his sister River Tam (Summer Glau) aboard as cargo. River is a child prodigy whose brain was subjected to Alliance scientists at a secret government institution; she displays symptoms of schizophrenia and often hears voices. It is later revealed that she is a "reader", one who possesses telepathic abilities. Simon gave up a career as an eminent trauma surgeon in an Alliance hospital to rescue her, and they are fugitives. As Whedon states in an episode of a DVD commentary, every show he does is about creating a family.[15] By the last episode, "Objects in Space", the fractured character of River has finally become whole, partly because the others decided to accept her into their "family" on the ship.[15]
The show blends elements from the space opera and Western genres in a grounded depiction of humanity's future. Firefly takes place in a multi-social future, primarily a fusion of Western and East Asian societies, where there is gross class inequality. As a result of the Sino-American Alliance, Mandarin Chinese is a common second language; English-speaking characters in the show frequently curse in Mandarin.
The show features slang not used in contemporary culture, such as adaptations of modern words or new words. "Shiny" is frequently used as the real world slang "cool", and "gorram" is used as a mild swear word. Written and spoken Chinese, as well as Old West dialect, are also employed. As one reviewer noted: "The dialogue tended to be a bizarre pure of wisecracks, old-timey Western-paperback patois, and snatches of Chinese."[4]
Tim Minear and Joss Whedon pointed out two scenes that articulated the show's mood clearly:[15] In the original pilot "Serenity" when Mal is eating with chopsticks with a Western tin cup by his plate; and in "The Train Job" pilot when Mal is thrown out of a holographic bar window.[16] The DVD set's "making-of" documentary explains the distinctive frontispiece of the series (wherein Serenity soars over a herd of horses) as Whedon's attempt to capture "everything you need to understand about the series in five seconds."
Whedon struggled with Fox over the tone of the show, and especially over the character of Malcolm Reynolds. Fox pressured Whedon to make Mal more "jolly", as they feared he was too dark in the original pilot, epitomized by the moment he suggests he might "space" Simon and River, throwing them out of the airlock. Fox was unhappy that the show portrayed "nobodies" who "get squished by policy" instead of actual policymakers.[15][17]
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