Jayamohan Novels Pdf Free Download
Javon Baker
His best-known and most critically acclaimed work is Vishnupuram, a fantasy set as a quest through various schools of Indian philosophy and mythology. In 2014, he started his most ambitious work Venmurasu, a modern renarration of the epic Mahabharata and successfully completed the same, thus creating the world's longest novel ever written.[1]
His other well-known novels include Rubber, Pin Thodarum Nizhalin Kural, Kanyakumari, Kaadu, Pani Manidhan, Eazhaam Ulagam and Kotravai. The early major influences in his life have been the humanitarian thinkers Leo Tolstoy and Mohandas Karamchand Gandhi. Drawing on the strength of his life experiences and extensive travel around India, Jeyamohan is able to re-examine and interpret the essence of India's rich literary and classical traditions.[2]
Born into a Malayali Nair family[3] in the Kanyakumari district that straddles Tamil Nadu and Kerala, Jeyamohan is equally adept in Tamil and Malayalam. However, the bulk of his work has been in Tamil. Jeyamohan's output includes nine novels, ten volumes of short-stories/plays, thirteen literary criticisms, five biographies of writers, six introductions to Indian and Western literature, three volumes on Hindu and Christian philosophy and numerous other translations and collections. He has also written scripts for Malayalam and Tamil movies.[4]
Jeyamohan was born on 22 April 1962 in Thiruvarambu of Kanyakumari District, Tamil Nadu, to S.Bahuleyan Pillai and B.Visalakshi Amma. Bahuleyan Pillai was an accounts clerk in the Arumanai registrar's office. Visalakshi Amma hailed from a family of trade-unionists. Jeyamohan's siblings were an elder brother and a younger sister. Bahuleyan's family followed him around on his work-related transfers to Thiruvattar and Arumanai towns in the Kanyakumari district.
Very early on, Jeyamohan was inspired by his mother to take up writing. Jeyamohan's first publication during schooldays was in Ratnabala, a children's magazine, followed by a host of publications in popular weeklies. After high school, Jeyamohan was pressured by his father to take up commerce and accountancy in college. The suicide of a close friend drove him to drop out of college and constantly travel the country in search of physical and spiritual experience.[6] He supported himself by taking up odd jobs and writing in pulp magazines all the while reading voraciously. He took up a temporary job at the Telephones department in Kasargode where he became close to the Leftist trade union circles. He received many of his formative ideas on historiography and literary narrative during that period.[7]
Visalakshi and Bahuleyan committed suicide within a month of each other in 1984, and this drove Jeyamohan further into an itinerant lifestyle. He met writer Sundara Ramasamy in 1985 who took on the role of a mentor and encouraged him to take up writing seriously. Jeyamohan also got another mentor in the form of Aattoor Ravi Varma who sensitised him to the delicate balance between art and life. In parallel, Jeyamohan was an avid reader of Indian classics and philosophical texts like the Bhagavad Gita.[8]
In the late 1970s, Jeyamohan was associated with the Rashtriya Swayamsevak Sangh (RSS), later becoming part of its ideological pool. He used to write articles for Vijayabharatham, a mouthpiece of RSS in Tamil, under the names Jayan and Rajan. By the mid-1980s he distanced himself from the organisation for spiritual and political reasons.[9]
In the 2014 Indian general election, Jeyamohan extended his support to the Aam Aadmi Party (AAP), particularly for S.P. Udayakumar, an anti-nuclear activist, who was the AAP candidate from Kanyakumari constituency.[10]
The novel won the Akilan Memorial prize for its path-breaking portrayal of the ecological and sociological impact of rubber cultivation in the South Indian states of Kerala and Tamil Nadu. Jeyamohan's speech at the awards function was well received, and he further developed those ideas in Novel (1990), an exploration of the art form and its ideologies, and Naveena Thamizhilakkiya Arimugam, a comprehensive introduction to modernist Tamil literature.[11]
In 1993, Jeyamohan met Guru Nitya Chaitanya Yati which proved to be a turning point in his spiritual journey. The dialogues with the Guru opened new views into the body of Indian thought, which culminated in his acclaimed work Vishnupuram in 1997.[12] Jeyamohan travelled and witnessed first-hand regional issues, droughts and political problems that underlay issues like Naxalism in tribal areas. His experiences convinced him of the continuing relevance of Gandhian idealism and non-violence as the sensible alternative to naked capitalism and militant socialism. The leftist in him had been saddened by the collapse of the Soviet Union in 1991, and a decade long introspection on the nature of power and self-righteousness found expression in Pin Thodarum Nizhalin Kural in 1999.[13]
Post-2000, Jeyamohan broke new ground with Kaadu (2003), an exploration of the forest landscape as a metaphor for lust and the vigour of life.[14] Kotravai (2005), the renarration of the Kannagi epic, was deemed by the writer and critics as his best yet in terms of structure and depth.[15][16][17]
From 1998 to 2004, Jeyamohan and his friends edited a literary journal named Solputhithu. In 2009, his readership circle created the 'Vishnupuram Ilakkiya Vattam' to broaden the readership for serious literature in Tamil Nadu and to reward under-recognised pioneers of Tamil literature.[18][19]
When he turned 50, Jeyamohan wrote a set of short-stories, titled 'Aram', that explored the values and idealism that is possible in man.[20] In 2014, Jeyamohan began writing Venmurasu, a re-narration of the Indian epic Mahabharata.[21][22][23][24]
In parallel, Jeyamohan has produced a prolific output as one of the foremost Literary critics and theorists of modern Indian literature with focus on Tamil. His 30 volumes on criticism and anthologies have earned him a respectable place among critics like Vedasagayakumar.[25][26]
In 2013, he was considered as Tamil Author of the year by National Library, Singapore.[27] In 2016, he worked as Writer in residence for 2 months at Nanyang Technological University, Singapore, organised by National Arts Council (Singapore) and National Institute of Education.[28]
Jeyamohan had been an active participant in Tamil internet discussion groups like Mayyam, Forumhub and Thinnai.com during the early years of the medium in India. As part of the debates, Jeyamohan produced some of his best essays on literary standards and criticism during this period. Recognising the possibility of losing some of these important works, Jeyamohan's friend and writer Cyril Alex[29] created the author's website for consolidating the author's works. Over the decade, the website has become an important repository of the author's essays running into thousands.[citation needed]
Jeyamohan gravitated towards Gandhian philosophy and political principles through debates with many intellectuals of the era. His considerable writing resulted in the corpus of essays published in 2009 as Indraya Gandhi, a collection that examined the continuing relevance of Gandhi's methods and ideals in modern India. Indraya Gandhi explored new dimensions on Gandhi's life including his relationship with Nehru, Ambedkar and Dalit politics and the topic of Lust. Jeyamohan has continued to highlight many Gandhians who represent the philosophy.[30]
As a part of the series, he sought to explain how the next generation of Gandhian leaders like Anna Hazare were continuing to inspire the nation towards achieving true democracy and equality. Jeyamohan had been one of the first Indian ideologues to write about Anna Hazare many years before Anna Hazare's popular anti-graft movement. Jeyamohan had personally visited Ralegaon Siddhi to see Hazare's social movements in action, and he also wrote about Hazare's tireless struggle to get the Right to Information Act passed in the Indian parliament.[31]
Jeyamohan's works like 'Kaadu' and 'Mathagam' feature elephants in central roles, while his biographical and travel essays capture the centrality of nature, ecology and conservation to the Indian way of life. One such true-life story on the conservationist Dr.V. Krishnamurthy (veterinarian) ('Dr K, the Elephant Doctor') sparked huge interest and discussion among readers on the impact of humans on forest life. Told in semi-fictional form as through the eyes of a forest ranger, the story follows Dr K as, despite having a giant reputation in the naturalist circles, he eschews human accolades and seeks a much more rewarding life in the company of animals in the Indian Forest Department's elephant camps.[34] 'The Elephant Doctor' has been included in the Tamil textbook published by the Department of School Education, Tamil Nadu as part of the revised syllabus for the year 2018.[35]
In early 2008, Jeyamohan reportedly made crude remarks on Tamil movie icons M G Ramachandran and Sivaji Ganesan which was published by popular print weekly, Ananda Vikatan. The South Indian Artistes' Association passed a resolution demanding that both the publication and the writer apologise for publishing the derogatory article. Later, Ananda Vikatan apologised for posting the article. All segments of society strongly opposed these statements. Fans and followers of MGR fasted on March 1, 2008, in defiance of the remarks made. The Nadigar Sangam has also published a statement saying that the author should be reprimanded.[36][37]
Jeyamohan claimed in 2014 that many female writers received credit not for their literary talent but rather due to their gender as women.[38] He was criticised for his statements, with women authors and campaigners stating his views reflected his "misogynist" attitude toward women. Jeyamohan responded with his own statements criticising the intentional slander, specifying that it was unlikely they've read any of his works based on their criticism.[39]
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