Known as the "Warrior Queen," Queen Amina is known as the first queen of a male-dominated society. She made history for expanding the territory of the North African Hausa people. Diverging from her father's peaceful practices, Amina harnessed her arsenal of military skills with the Zazzau cavalry, later becoming their leader. After being appointed as ruler in 1576, she returned to the battle field and fought to her death in 1610.
Racial profiling and manipulation have been around for a very long time. It has become an issue in contemporary politics, and over 2500 years ago the Greek historian Herodotos wrote that ethnicity was regularly turned to political ends. Cleopatra VII, the last queen of Egypt and a woman of great ability, is often a victim of racial profiling, as today people can be more interested in her racial background than her many accomplishments. Such concerns have recently come to the forefront with the announcement that in at least one of the several Cleopatra movies currently planned, a white (instead of black) actress would play the role of the queen. It is hard to imagine that race would be more important than acting ability, but clearly others disagree.
In "Zora Neale Hurston: A Cautionary Tale and a Partisan View" (whichoriginally appeared as the foreword to Robert Hemenway's 1977 biographyof Hurston), Alice Walker tells a similar story of first hearing "Zora'sname" while "auditing a literature class taught by the great poetMargaret Walker." (It is worth noting that Margaret Walker, author ofthe Civil War epic Jubilee [1966], is also a great novelist.) ButHurston and other black women writers were merely "verbal footnotes" tothe class, Walker explains, which focused not on Jessie Fauset or NellaLarsen or Ann Petry or Paule Marshall, but on "the usual 'giants' ofblack literature: Chesnutt, Toomer, Hughes, Wright, Ellison, andBaldwin," whose work was in print and thus more readily available.[5] Itwas later, while doing research on voodoo practices for a short storyshe was writing, that Walker actually discovered Zora through her volumeof folklore, Mules and Men, a book Walker says she immediatelyshared with relatives who found in its pages the forgotten stories oftheir own southern roots. And much like Williams, Walker adds that shefound in Mules and Men and in Hurston's other works somethinghealthy, whole, familiar, and uncompromisingly black; and she, too,became committed to Zora's work for life. "Condemned to a desert islandfor life, with an allotment of ten books to see me through," she writes,"I would choose, unhesitatingly, two of Zora's: Mules and Men,because I would need to be able to pass on to younger generations thelife of American blacks as legend and myth; and Their Eyes WereWatching God, because I would want to enjoy myself while identifyingwith the black heroine, Janie Crawford. . . . There is no book moreimportant to me than this one."[6]
Synopsis: A never-before-seen look into the lockdown lives of the queens of RuPaul's Drag Race UK, when they were sent home for a seven-month break in filming due to the pandemic. Through a combination of self-filmed videos diaries and interview footage, the queens give us an all-access look at their quarantine home lives, their professional struggles, emotional highs and lows, and how they got ready to return to the competition.
Synopsis: It's the Finale! The competition concludes in an all singing, all dancing extravaganza fight for the crown. Choreographer Jay Revell coaches the queens through their intense final challenge, and Michelle Visage, Alan Carr, Graham Norton and all of the eliminated queens return to witness who RuPaul awards the coveted title of UK's Next Drag Superstar to.
The film that got Spike Lee his Oscar (Best Adapted Screenplay), BlacKkKlansman was based on the absolutely true story of a black police officer who went undercover as a Klansman. Lee cast frequent collaborator Denzel Washington's son John David Washington (Ballers) as that officer in a film whose tale mirrors the current political climate we're in. Hilarious and true, this is another satire on American culture, with powerful performances from Washington and Adam Driver as his white face in the Klan. For fans of Lee's who felt like he wasn't bringing in with his last few outings, he received much acclaim for his "return to form," mixing humor with drama, using reality to expose society. The fact that he included footage from the Unite the Right rally from 2017 before the credits roll is intentional; the game may have a different name, but it's still wholly the same. And that's the quintessential truth, Ruth.
Before the French Revolution, the American Revolution changed the course of history. While many of the political theories that influenced the American Revolution also played a role in the French Revolution, the unique history of both nations led to different interpretations. The correspondence and amity between American leaders of the Revolution and their French contemporaries is well documented and much debated. In the decade of 1789-1799 American sympathies bounced back and forth between loyalty toward Britain and sympathy for the Revolution. Many Americans had an underlying belief in the British system of government and their Protestant worldview. Other Americans felt an affinity for French republican ideals and gratitude for their support during the American Revolution (ironically from the Monarch of France, Louis XVI). At the national level, the French Revolution underscored the ideological polarity between the Federalists (George Washington, Alexander Hamilton and John Adams) and the Republicans (Thomas Jefferson and James Madison). As the French Revolution became increasingly violent and anti-religious, Americans viewed it more critically and relations between France and America entered a steep decline. Although there was little interaction between the women of France and America during these years, it is worth noting the contemporary American crusaders on the other side of the Atlantic. Times of war and revolution can temporarily jumble the clear boxes in society that revolve around class, race and gender. New agendas were in play and to some extent, established boundaries were being questioned. This prompted a reevaluation (albeit Machiavellian) of groups that had been previously dismissed. In the case of enslaved men and women, the established power was purely exploitative. Men of color for example, might be offered a slippery bargain of some degree of liberation, often revolving around the notion of citizenship, in return for their support (although the American government was reluctant to arm black men). In the American Revolution the British were actually more successful than the Patriots in recruiting enslaved men (especially in the south). Although their promises of freedom were intended to disrupt the American economy rather than free slaves, they were often more generous with their terms. The situation of women would depend on their class, race and family situation. In America, white married women with children might be asked to take up employment to make ends meet while their husbands were away. If a woman did not have children she might accompany her husband to the front and serve as a kind of nurse or housekeeper doing laundry and watching over the camp. Such opportunities for African-American women were complicated by a number of factors including, most importantly, their status as free or enslaved. Native Americans, or American Indians also figured into the Revolution and were in a similarly precarious position being courted and betrayed in equal measure on all sides. Because accounts are often written by those in power, and during a time when views were less progressive, the perspective is almost always slanted to see women and minorities in a utilitarian light rather than view them as individuals- much less as equals. This presents an enormous challenge for historians and researchers who struggle to find first-hand accounts or writings by these individuals and piece together their diverse and unjust experiences. As this awareness grows, further research and new publications will follow. For example. recent scholarship by authors such as Sally Roesch Wagner has already begun to bring to light the influence of indigenous women of the Haudenosaunee (Iroquois) in the long march toward women's suffrage.
When Faile's party was attacked by the Shaido Aiel, Morgase became a captive in Malden as gai'shain. After being freed, she revealed her true identity when Perrin Aybara's forces came into a dispute with Galad's Children of the Light, and her son recognized his mother as the former queen. She sat as judge in Perrin's trial for his killing of Whitecloaks during her reign in Andor, and was later married to Martyn Tallanvor. Morgase returned to Caemlyn after Elayne had been able to secure the throne as queen, and was embraced by the court in light of her believed death and her choice to abdicate. She was given the task of promoting Andor's interests in the Two Rivers, and would go on to provide aid as a healer in the Last Battle.
After returning to Caemlyn, Morgase meets "Lord Gaebril", who is actually Rahvin, one of the Forsaken. He uses Compulsion to control the queen, and uses her to control Andor.[3] During this time, Mat Cauthon delivers her a letter from Elayne; Morgase is proud of her daughter's strong channeling abilities and the fact that she has been raised to Accepted, but angry about the lack of information, and Elayne's unwillingness to return to Caemlyn.
Morgase is beaten by Rhadam Asunawa and forced to lie with Eamon Valda after Pedron is murdered. Soon afterward, Seanchan troops attack the Fortress of the Light and defeat the Whitecloaks in their conquest of Amadicia. Morgase is taken to High Lady Suroth Sabelle Meldarath and told to either swear an oath or become a servant. Once returned to her rooms in the Fortress of the Light, Morgase decides to privately rescind all her claims to the throne while being held captive in Amadicia, believing that she can never be queen again, but hoping that it will pave the way for Elayne to become queen. Sebban Balwer arrives and helps Morgase and her followers escape from the Seanchan and leave Amadicia.