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I am the Lord your God, who brought you out of the land of Egypt, out of the house of slavery. You shall have no other gods before me. You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth. You shall not bow down to them or serve them, for I the Lord your God am a jealous God, visiting the iniquity of the fathers on the children to the third and the fourth generation of those who hate me, but showing steadfast love to thousands of those who love me and keep my commandments.
You shall have no other gods before me. You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth.
You shall have no other gods before me. You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth. You shall not bow down to them or serve them, for I the Lord your God am a jealous God, visiting the iniquity of the fathers on the children to the third and the fourth generation of those who hate me, but showing steadfast love to thousands of those who love me and keep my commandments.
The people of Israel again did what was evil in the sight of the Lord and served the Baals and the Ashtaroth, the gods of Syria, the gods of Sidon, the gods of Moab, the gods of the Ammonites, and the gods of the Philistines. And they forsook the Lord and did not serve him.
And God spoke all these words, saying, I am the Lord your God, who brought you out of the land of Egypt, out of the house of slavery. You shall have no other gods before me. You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth. You shall not bow down to them or serve them, for I the Lord your God am a jealous God, visiting the iniquity of the fathers on the children to the third and the fourth generation of those who hate me, ...
For such men are false apostles, deceitful workmen, disguising themselves as apostles of Christ. And no wonder, for even Satan disguises himself as an angel of light. So it is no surprise if his servants, also, disguise themselves as servants of righteousness. Their end will correspond to their deeds.
Idolatry is the worship of a cult image or "idol" as though it were a deity. [1][2][3] In Abrahamic religions (namely Judaism, Samaritanism, Christianity, the Baháʼí Faith, and Islam) idolatry connotes the worship of something or someone other than the Abrahamic God as if it were God.[4][5] In these monotheistic religions, idolatry has been considered as the "worship of false gods" and is forbidden by texts such as the Ten Commandments.[4] Other monotheistic religions may apply similar rules.[6]
For instance, the phrase false god is a derogatory term used in Abrahamic religions to indicate cult images or deities of non-Abrahamic Pagan religions, as well as other competing entities or objects to which particular importance is attributed.[7] Conversely, followers of animistic and polytheistic religions may regard the gods of various monotheistic religions as "false gods" because they do not believe that any real deity possesses the properties ascribed by monotheists to their sole deity. Atheists, who do not believe in any deities, do not usually use the term false god even though that would encompass all deities from the atheist viewpoint. Usage of this term is generally limited to theists, who choose to worship some deity or deities, but not others.[4]
Judaism prohibits any form of idolatry[50] even if they are used to worship the one God of Judaism as occurred during the sin of the golden calf. According to the second word of the decalogue, Thou shalt not make unto thee any graven image. The worship of foreign gods in any form or through icons is not allowed.[50][51]
The commandments in the Hebrew Bible against idolatry forbade the practices and gods of ancient Akkad, Mesopotamia, and Egypt.[53][54] The Hebrew Bible states that God has no shape or form, is utterly incomparable, is everywhere and cannot be represented in a physical form of an idol.[55]
Idolatry not only refers to false pagan worship. It remains a constant temptation to faith. Idolatry consists in divinizing what is not God. Man commits idolatry whenever he honors and reveres a creature in place of God, whether this be gods or demons (for example, satanism), power, pleasure, race, ancestors, the state, money, etc.[80]
In her book, Islam: A Short History, Karen Armstrong asserts that the Kaaba was officially dedicated to Hubal, a Nabatean deity, and contained 360 idols that probably represented the days of the year.[111] But by Muhammad's day, it seems that the Kaaba was venerated as the shrine of Allah, the High God. Allah was never represented by an idol.[112] Once a year, tribes from all around the Arabian peninsula, whether Christian or pagan, would converge on Mecca to perform the Hajj, marking the widespread conviction that Allah was the same deity worshipped by monotheists.[111] Guillaume in his translation of Ibn Ishaq, an early biographer of Muhammad, says the Ka'aba might have been itself addressed using a feminine grammatical form by the Quraysh.[113] Circumambulation was often performed naked by men and almost naked by women.[110] It is disputed whether al-Lat and Hubal were the same deity or different. Per a hypothesis by Uri Rubin and Christian Robin, Hubal was only venerated by Quraysh and the Kaaba was first dedicated to al-Lat , a supreme god of individuals belonging to different tribes, while the pantheon of the gods of Quraysh was installed in Kaaba after they conquered Mecca a century before Muhammad's time.[114]
The Vedic period (circa 1500 - 500 BCE) is traditionally considered as the origin of Hinduism proper, but it also did not emphasize murti or vigraha worship, as the Vedic religion was mainly focused on fire sacrifices and hymns to various gods and goddesses. However, some Vedic texts do mention the use of clay or wooden images for ritual purposes, such as the Shatapatha Brahmana (circa 8th - 6th century BCE), which describes how a clay image of Prajapati (the creator god) was made and consecrated for the agnicayana ritual. Another example, is the Aitareya Brahmana (circa 8th - 6th century BCE), which mentions how a wooden image of Varuna (the god of water and law) was installed in a temple and worshipped by the king. These examples suggest that murti or vigraha worship was not unknown in the Vedic period, but it was not widespread nor dominant.[116]
The post-Vedic period (circa 500 BCE - 300 CE) witnessed the emergence and development of various religious movements and schools, such as Buddhism, Jainism, Shaivism, Vaishnavism, Shaktism and others. This period also saw the rise of murti or vigraha worship as a prominent feature of Hinduism, as evidenced by various literary and archaeological sources. For instance, the Ramayana (circa 5th - 4th century BCE) and the Mahabharata (circa 4th - 3rd century BCE) contain several references to murti or vigraha worship, such as Rama worshipping a Shiva linga at Rameshwaram, or Krishna installing an image of Vishnu at Dwarka. Another example, is the Buddhist text Lalitavistara Sutra (circa 3rd century BCE - 3rd century CE), which mentions how Buddha's mother Maya dreamt of a white elephant entering her womb, and how King Suddhodana made an image of this elephant and worshipped it. Moreover, many stone and metal sculptures of various deities and saints have been found from this period onwards, such as the famous Pancha Rathas at Mahabalipuram (circa 7th century CE), which depict five chariots dedicated to different gods and goddesses.[117]
The oldest forms of the ancient religions of India apparently made no use of cult images. While the Vedic literature leading up to Hinduism is extensive, in the form of Samhitas, Brahmanas, Aranyakas and Upanishads, and has been dated to have been composed over a period of centuries (1200 BC to 200 BC),[118] historical Vedic religion appears not to have used cult images up to around 500 BC at least. The early Buddhist and Jain (pre-200 BC) traditions suggest no evidence of idolatry. The Vedic literature mentions many gods and goddesses, as well as the use of Homa (votive ritual using fire), but it does not mention images or their worship.[118][119] The ancient Buddhist, Hindu and Jaina texts discuss the nature of existence, whether there is or is not a creator deity such as in the Nasadiya Sukta of the Rigveda, they describe meditation, they recommend the pursuit of simple monastic life and self-knowledge, they debate the nature of absolute reality as Brahman or Śūnyatā, yet the ancient Indian texts mention no use of images. Indologists such as the Max Muller, Jan Gonda, Pandurang Vaman Kane, Ramchandra Narayan Dandekar, Horace Hayman Wilson, Stephanie Jamison and other scholars state that "there is no evidence for icons or images representing god(s)" in the ancient religions of India. Use of cult images developed among the Indian religions later,[118][120] perhaps first in Buddhism, where large images of the Buddha appear by the 1st century AD.
According to Eric Reinders, icons and idolatry have been an integral part of Buddhism throughout its later history.[122] Buddhists, from Korea to Vietnam, Thailand to Tibet, Central Asia to South Asia, have long produced temples and idols, altars and malas, relics to amulets, images to ritual implements.[122][123][124] The images or relics of Buddha are found in all Buddhist traditions, but they also feature gods and goddesses such as those in Tibetan Buddhism.[122][125]
From the contemplation of images grows delight, from delight faith, from faith steadfast devotion, through such devotion arises that higher understanding (parāvidyā) that is the royal road to moksha. Without the guidance of images, the mind of the devotee may go ashtray and form wrong imaginations. Images dispel false imaginations. (... ) It is in the mind of Rishis (sages), who see and have the power of discerning the essence of all created things of manifested forms. They see their different characters, the divine and the demoniac, the creative and the destructive forces, in their eternal interplay. It is this vision of Rishis, of gigantic drama of cosmic powers in eternal conflict, which the Sthapakas (Silpins, murti and temple artists) drew the subject-matter for their work.
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