Love And Basketball 2000 Full Movie
Gundenia Ransbottom
Love & Basketball is a 2000 American romantic sports drama film written and directed by Gina Prince-Bythewood in her feature film directorial debut. The film is produced by Spike Lee and Sam Kit and stars Sanaa Lathan and Omar Epps. It tells the story of Quincy McCall (Epps) and Monica Wright (Lathan), two next-door neighbors in Los Angeles, who are pursuing their respective basketball careers before eventually falling for each other.
The story is divided into four quarters, each one representing a different period in the lives of the protagonists. The first quarter takes place in 1981, when Monica and Quincy are children and become friends due to their shared love for basketball. Monica proves to be an excellent player, beating Quincy in their first game of one on one. However, their friendship is threatened when Quincy knocks Monica down during a game, accidentally cutting her face. They reconcile and share their first kiss, but their relationship is complicated.
The second quarter is set in 1988 when Monica and Quincy are attending Crenshaw High School. Quincy is a star basketball player, and Monica is the leader of the girls' basketball team. Quincy is popular and dates the prettiest girl in school, while Monica struggles to control her emotions on the court and harbors feelings for Quincy. However, they manage to connect romantically and make love after both being accepted at the University of Southern California.
The third quarter begins when they start college, and Quincy is a promising player on the court while Monica frequently has run-ins with her head coach Ellie Davis and struggles to get playing time on the women's team. Quincy struggles to deal with the media attention and discovers his father's infidelity. The pressures of their athletic and academic commitments, coupled with their deteriorating relationship, cause them to break up.
The fourth quarter follows the plot to 1993, a few years before the establishment of the WNBA. Monica and Quincy are both professional basketball players. Monica plays for an International Women's Basketball Association (IWBA) team in Barcelona while Quincy is in his fifth year as a player for the Los Angeles Lakers. After visiting Quincy in the hospital following a devastating knee injury, Monica learns he is engaged to be married. She also confronts her mother, Camille, about their troubled past. Quincy recovers from his injury and his wedding draws closer, while Monica quits basketball to work at a bank. Camille encourages Monica to pursue her dreams and Quincy and Monica play a high stakes one-on-one game, with Quincy agreeing to call off the wedding if he loses. Although Quincy wins, he realizes he can't live without Monica and chooses her instead. The two get married and have a daughter. Monica later plays in the WNBA.
In writing the semi-autobiographical film, Prince-Bythewood said her goal was "to do a black When Harry Met Sally." She has credited executive producer Spike Lee with enabling the production of the film and the opportunity to direct her own script. Gabrielle Union, who wound up playing Quincy's high school love interest, originally auditioned for the lead role of Monica. Prior to playing Monica, Sanaa Lathan had never played basketball. Unbeknownst to Prince-Bythewood, stars Lathan and Omar Epps had started dating prior to the film's production.[8]
This was the second film to feature both Epps and Dennis Haysbert; prior to this, they played teammates on a fictitious version of the Cleveland Indians in the 1994 baseball movie Major League II.
Love & Basketball is the soundtrack to the film, released April 18, 2000, on Overbrook Entertainment and Interscope Records.[9] Production for the album came from several recording artists, including Raphael Saadiq, Angie Stone, Zapp, and Steve "Silk" Hurley.[10] In the US, the album peaked at number 45 on the Billboard 200 and number 15 on R&B/Hip-Hop Albums.[11] Stacia Proefrock of Allmusic gave the album a three-of-five star review, saying, "Songs like Meshell Ndegeocello's 'Fool of Me' help punctuate this story of childhood friends who love each other almost as much as they love the game of basketball. Other highlights of the soundtrack include songs from MC Lyte, Al Green, and Rufus."[12]
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 85% based on 113 reviews, with an average rating of 6.9/10. The site's critics consensus reads: "Confident directing and acting deliver an insightful look at young athletes."[13] At Metacritic, the film has a weighted average score of 70 out of 100, based on 28 critics, indicating "generally favorable reviews".[14] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[15]
Rachel Deahl of AllRovi gave the film 3.5 out of 5 stars. In her review she complimented Epps and Lathan on their performances, and said, "Love & Basketball serves as a somber reminder of how few films exist (much less love stories, much less ones that focus on the female perspective) about multi-dimensional African-American characters outside the ghetto."[17] Film critic Desson Thomson of The Washington Post wrote, "Love and Basketball had moments of such tenderness and sophistication, complimented [sic] by such romantic dreaminess between lead performers Omar Epps and Sanaa Lathan. First-time filmmaker Gina Prince-Bythewood's film joins such films as The Best Man and The Wood, which look for the class, not the crass, in African American life."[18]
New York Post critic Jonathan Foreman gave the film a mixed review; he appreciated how the film "effectively conveys the excitement of basketball from a player's point of view", but opined the film is "filled with fake-sounding dialogue you only find in the cheesiest TV movies."[19] Roger Ebert, film critic for the Chicago Sun-Times, wrote, "The film is not as taut as it could have been, but I prefer its emotional perception to the pumped-up sports clichs I was sort of expecting. It's about the pressures of being a star athlete; the whole life, not the game highlights. I'm not sure I quite believe the final shot, though. I think the girl suits up for the sequel."[20] Ebert gave the film three out of four stars.[20] Robert Wilonsky of the Dallas Observer gave the film a negative review, saying "[it] is a film built upon transitions so weak and obvious it's astonishing the entire thing doesn't collapse on itself. You want to root for it, as you would any rookie underdog, but it offers nothing to cheer for."[21] Of the acting, he stated, "Omar Epps possesses a chiseled body and a blank stare [...] Lathan is only slightly better, but she's stuck in a hollow role."[21]
A 2015 review of the film by The A.V. Club praises it as a "nearly perfect modern romantic drama", and notes that it is an impressive debut for writer-director Gina Prince-Bythewood. The review highlights the film's focus on the protagonist, Monica, and her coming-of-age story as a female basketball player who is constantly told that her body type and attitude are unacceptable. The review also notes the film's respect for Monica's athleticism, which is captured in every frame, and praises the director's tender and celebratory gaze towards her female lead.[22]
Throughout the film, there are connotations of the Western stereotypes about females in sports. Participation in sports is often characterized by what is culturally perceived as masculine and male characteristics such as strength and aggression. Female athletes have a major dilemma because they are forced to succeed in their sport while at the same time balancing a sense of femininity (Paloian). This is the battle that the character Monica has to deal with throughout the movie. At the beginning it would seem that the real title of the movie should be Love or Basketball. However, in the end Monica is able to find this balance and gets both love and basketball.
I have not seen this movie yet, but I like that you point out that she does not have to make the choice between love and basketball. It is often portrayed that women must choose between two things and your reflection that women can have both by achieving balance is intriguing.
A lot of my friends love this movie. A lot of them because of this tomboy figure. I think this could relate to my argument that Suzy is also not a traditional female character. LOVE the creativity in coming up with Love or Basketball. Choosing between love and personal interests, careers or passions is a big issue for women even today.
Did Monica need to balance? Could she have just continued on as she was? Did the people around her need to adjust their opinions or did she need to adjust her behavior? As with any film where a character changes themselves, there are lingering questions of if they should.
I thought the blog post was done really well, without revealing to much about the film since not everyone has viewed it. I liked how you broke down the gender roles then looked at active vs passive and how you mentioned that it appeared in the movie each female character had a choice of whether to be masculine or feminine.
Your personal experience/take on the film at the end of this post was interesting. I almost wonder if it would work better within the introduction of your post. It sort of allows more perspective to your voice. You could still tie it up using personal reflection. Just a thought!
I liked your idea on this movie of different types of roles that females can play or be depicted as. I feel like it is somewhat related to my idea as well. I thought you did a great job in explaining gender roles.
I like the organization you used for this post because it was really easy to understand your argument. Although I have not seen Love and Basketball, your analysis will make viewing the film more meaningful.
ok so yes my name is monica, i do LOVE basketball, and i love this post ! hahaha Great organization of thoughts, it really help me, the reader, zone in on your ideas. The only thing i suggest is what kind of impact this movie had on its audience when it was first released and what deeper messages the director/screenwriter may have been trying to convey
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