The color vectors are a group of 3 that ideally take the place of the RGB values. These values do not necessarily add up correctly in the case of the Brightfield(Other) image type, or if you assign all three vectors, as normally the third "residual" vector is calculated based on the other two.
The best way I have found to handle 3+ colors is to do my best to isolate the color I am interested in, apply measurements to the cells based on that color vector set, then change to focusing on another color vector. For example, when dealing with just H-DAB-AP, I would set one color vector to AP (red) and the second would be a mix of H-DAB, with the residual balancing everything out. I would then calculate what features I wanted to study for each cell (frequently Analyze->Calculate Features->Add Intensity Features) before changing the first color vector to DAB, the second to a mix of H-AP, and leaving the third to again balance the calculations. It was very useful to use the 1-2-3-4 keys during this process to quickly check how well I was isolating my dye of interest. DAB was, of course, frequently a problem I had to work around since dark brown is also most colors. You can try assigning all three color vectors to try to pin down your color of interest for a given Add intensity features run, but expect... odd behavior if you do that. I am also not 100% certain what the data that results from this actually means. Pete probably knows more.
Exporting each cell to ImageJ in a macro might also give you access to a greater variety of color deconvolution or thresholding tools.
Some references:
http://www.mecourse.com/landinig/software/cdeconv/cdeconv.htmlhttps://petebankhead.gitbooks.io/imagej-intro/content/chapters/colors/colors.html