Aashiqui 1990 Full Movie Hd Download 720p
Venice Sassone
Welcome to the complete cast and crew page for Aashiqui (1990) on Cinestaan.com. Here you will find the full list of cast and crew who have worked on Aashiqui (1990). You can also view the crew by department using the drop-down menu. If you are aware of any name that ought to be here but is not, please get in touch with Cinestaan.com using the Feedback link at the bottom of this page.
Rahul and Anu Verghese meet on the same day, while both are held by the police on charges of creating a disturbance, and running away respectively. They meet again, and love happens. Rahul helps Anu to be independent, and seek a job. Then Anu is discovered by a talent agent to be a model, which she accepts. Rahul wants to marry Anu, but first must establish himself.
I give it 6 out of 10, because the movie portrays two young, innocent characters, capturing their romance, strengths and weaknesses in their budding relationship. While watching this movie since 1990 and up till today, Bollywood movies today are incomparable to Aashiqui. This movie captures the romance of two innocent, young lovers...Which is why I gave additional bonus points for this classic movie. You can't find a good quality, innocent romantic movies in this generation without sex.
The music definitely makes up the flaws of this movie. It's flawless. Even to this date, there is no other music that is elegant and timeless such as the music featured in this movie. The soundtrack is what made this movie famous and a success. It had garnered bonus points, because of the soundtrack. It ranked fourth place on Planet Bollywood's Top 100 list for a reason: It's worth listening to.
On the other hand, the acting is very "bland"...I also have no words to describing the characters' enthusiasm to their skills in dancing. It was very tasteless and there was no "oomph" in their moves. It's very upsetting to see two reasonable looking actors, that fit the image of the decent characters very well, but yet their acting was below average. A disappointment on both Rahul Roy and Anu Agarwal. I could only compliment on Dipak Tijori and Reema Lagoo for their acting skills. They deserve bonus points on their supporting roles.
In addition to the disadvantages, the movie was set up in a chronological order: Boy meets girl, they fall in love, there are obstacles where they can't meet each other and they finally live happily ever after. Very traditional. Very Bollywood...With a few twists and turns. You just know what was going to happen next.
In conclusion, the high verdict is mostly based on the timeless soundtrack and the innocent romance of two young lovers that are deeply in love. If you're looking to pass time with your loved one and curling up to watch this movie or feel like falling in love all over again, watch it...But I wouldn't say it's a must-see. Skip it if you feel like it...You're not missing out on too much. But the music is very much worth listening to.
One thing that I love about this movie is the music. It is beautiful. I can guarantee you, that generations to come will be listening to this music long after we have all left this world. There is something eternal and evergreen about the soundtrack.
That being said I feel that the movie in no way reflects the sheer genius of the music. One can see tiny glimpses of coping from the movie Rebel Without A Cause throughout the entire narrative, the obvious being the scene in the police station at the being of the movie. In fact the entire narrative seems contrived and stiff.
Rahul and Anu did the best that the could do with their cardboard characters.
While the music will remain eternal, I predict that Aashqui the movie will fade into obscurity in the years to come.
Aashiqui is a musical romantic drama film directed by Mahesh Bhatt. The film stars Rahul Roy, Anu Aggarwal, Deepak Tijori, Late Reema Lagoo, Late Tom Alter, Mushtaq Khan and Avtar Gill.
Two strangers falls in love and decides to get married however they have to overcome the obstacles in the way.
We have seen many films on the similar platform and similar plot and with almost the similar execution and same is the case with this film. The execution, screenplay and the climax is predictable and apart from the melodious music nothing is that exciting in the film and only it's the soothing music which keeps the viewers engaged.
Acting is decent and one can easily guess the immaturity in the acting of Rahul Rai and this was mainly because it was his debut film. Anu Aggarwal was impressive but the most impressive of them all was Deepak Tijori, he played the character of friend of the lead hero perfectly and he was so accurate that while watching the film myself felt that I must also have such friend.
Screenplay was average and mostly predictable but the mesmerizing music on regular interval will keep you engaged. Climax of the film is predictable.
Overall a super predictable film with evergreen mesmerizing music.
She has published widely both in the field of post-colonialism and literature, as well as on feminist issues. Her books include The Colonial Rise of the Novel (Routledge, 1993) and Infinite Variety: Women in Society and Literature (University Press Limited, Dhaka, 1996). She is a contributing editor for Feminist Review, for which she has edited a special issue entitled South Asian Feminisms: Negotiating New Terrains. (March 2009). She has edited a book entitled Complex Terrains: Islam, Culture and Women in Asia (Routledge, March 2013) and co-edited several books including Infinite Variety: Women in Society and Literature (UPL, 1994) and Other Englishes: Essays on Commonwealth Writing (UPL, 1991). She is a member of the editorial board of Journal of Inter-Asia Cultural Studies as well as a member of the Board of the Inter-Asia Cultural Studies Society. Her current work is based on research and writing around the cultural history of women in Bangladesh.
Professor Sarukkai teaches Philosophy at the National Institute of Advanced Sciences in Bengaluru, India. His research interests are in histories of, conceptions of, and philosophies surrounding science in South Asia. and He has collaborated on such projects such as "Cosmopolitanism and the Local in Science and Nature, East and West," and was on the advisory board of the "Egalitarianism Project." He was the recipient of the PHISPC Fellowship from September 2003 to November 2004 and was a Homi K. Bhabha fellow from June 1997 - May 1999.
Satish Poduval is a professor and head of the Cultural Studies department at the English and Foreign Languages University (EFL) in Hyderabad, India. His research interests include Literary and Cultural Theory, Media and Film Studies and Contemporary Kerala.
Shaswati Mazumdar is a professor and head of the Germanic and Romance Studies department at the University of Delhi. From 1972-77 she studied German language and literature at Jawaharlal Nehru University and also did her Ph.D there in 1994 on Lion Feuchtwanger, Berthold Brecht, and the handling of Indian colonial history. Her main research areas are India in German-language literature, Cultural transformation processes in the German-speaking world and Europe, 20th century German literature, and the reception of the Indian uprising of 1857 in the German-speaking world and Europe.
Janaki Abraham, M.A, M.Phil, Ph.D. (Delhi) is Associate professor in Sociology at the University of Delhi. Her research interests include the study of kinship, gender and caste, visual anthropology and gender and space, particularly the study of towns. She is finalising her manuscript entitled: Gender, Caste and Matrilineal Kinship: Shifting boundaries in twentieth century Kerala based on her doctoral research. An exhibition entitled: Exploring the Visual Cultures of North Kerala: Photographs, albums and videos in everyday life showed at the Arts and Aesthetics gallery in JNU, New Delhi and was based on her postdoctoral research.
Gautam Bhatia is a lawyer currently practicing law in Delhi, and teaching visiting courses at the National University of Juridical Sciences. He also runs the Indian Constitutional Law and Philosophy Blog and also occasionally writes expository opinion pieces for The Outlook and Scroll.
Rahul Roy film actor, producer, and former model known for his works in Bollywood, and Television.Roy began his acting career with the 1990 blockbuster Aashiqui, as the lead actor. He then appeared opposite Karishma Kapoor in Sudhakar Bokade's romantic film Sapne Sajan Ke (1992). Roy has been honoured with life membership of the International Film And Television Club of Asian Academy of Film & Television.
Keval Arora is an actor, staff adviser to the dramatics society at Kirori Mal College, part of the University of Delhi. He appeared in the 2017 film Omerta, which screened at the Toronto International Film Festival, the Mumbai Film Festival, Florence Film Festival, Hong Kong International Film Festival and the Busan International Film Festival. Omerta is scheduled to be released in May 2018.
Kumkum Sangari is the William F. Vilas Research Professor of English and the Humanities at the University of Wisconsin- Milwaukee. She has been a Professorial Fellow at the Centre for Contemporary Studies, Nehru Memorial Museum and Library, New Delhi; a Visiting Fellow at Yale University, Delhi University and Jadavpur University; and a Visiting Professor at the University of Chicago, Central European University, University of London (SOAS), University of Erfurt and Ambedkar University. She has published extensively on British, American and Indian literature, the gendering of South Asian medieval devotional traditions, nationalist figures such as M.K.Gandhi, Bombay cinema, televisual memory, feminist art practice, and several contemporary gender issues such as personal law, widow immolation, domestic labour, the beauty industry, son selection, commercial surrogacy, and communal violence. She is the author of Solid Liquid: A Transnational Reproductive Formation (2015) and Politics of the Possible: Essays on Gender, History, Narratives, Colonial English (1999). She has co-edited several books including Recasting Women and, most recently, has edited Arc Silt Dive: The Works of Sheba Chhachhi (2016) and Trace Retrace: Paintings, Nilima Sheikh (2013).
c80f0f1006