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Earlie Schwoyer
The West Wing is set to become the next big show to leave Netflix, with the seven seasons of the NBC political drama set to exit the streamer in the U.S. on Thursday, December 24. As a Christmas present to fans of the Aaron Sorkin show, however, it will head to its new streaming home the following day.
On Friday, December 25, The West Wing's 155 episodes will all come to HBO Max. As a TV show made by Warner Bros. (who also own HBO Max), it was perhaps inevitable that the show would head to the streaming service, especially after it aired a special reunion live episodes in the lead-up to the 2020 election.
For this price, HBO Max subscribers get not only The West Wing but what the streamer claims is 10,000 hours of other content, including originals like Raised By Wolves and The Flight Attendant, classic series and movies from HBO and Warner Bros. and more. On Christmas Day, the same day that The West Wing arrives, for example, viewers can watch the long-awaited sequel Wonder Woman 1984, on the same day it hits U.S. theaters.
Also streaming now on HBO Max is A West Wing Special to Benefit When We All Vote, which saw all the major cast members including Martin Sheen, Rob Lowe, Dul Hill, Allison Janney and Janel Moloney reunite for a live reading of the classic "Hartsfield's Landing" episode.
The West Wing is an American political drama television series created by Aaron Sorkin that was originally broadcast on NBC from September 22, 1999, to May 14, 2006.[1] The series is set primarily in the West Wing of the White House, where the Oval Office and offices of presidential senior personnel are located, during the fictitious Democratic administration of President Josiah Bartlet.
The West Wing has been ranked among the best television shows of all time in publications such as Time,[2] TV Guide,[3][4] Empire,[5] Rolling Stone,[6] and the New York Daily News.[7] The Writers Guild of America ranked it no. 10 in its "101 Best-Written TV Series" list.[8] It has received praise from critics, political science professors, and former White House staffers and has been the subject of critical analysis. The West Wing received a multitude of accolades, including two Peabody Awards, three Golden Globe Awards, and 26 Primetime Emmy Awards, including the award for Outstanding Drama Series, which it won four consecutive times from 2000 to 2003. The show's ratings waned in later years following the departure of series creator Sorkin after the fourth season (Sorkin wrote or co-wrote 85 of the first 88 episodes), yet it remained popular among high-income viewers, a key demographic for the show and its advertisers,[9] with around 16 million viewers.
A stage version of the season 3 episode "Hartsfield's Landing", "A West Wing Special to Benefit When We All Vote", premiered on HBO Max in October 2020, featuring the entire surviving original main cast along with key recurring cast in their original roles.
The West Wing employed a broad ensemble cast to portray the many positions involved in the daily work of the Executive Branch of the federal government. The president, the first lady, and the president's senior staff and advisers form the core cast. Numerous secondary characters, appearing intermittently, complement storylines that generally revolve around this core group.
Each of the principal actors made approximately $75,000 per episode, with the established Sheen receiving a confirmed salary of $300,000.[11] Rob Lowe left the series in the fourth season reportedly because he did not get a salary increase.[12] Disparities in cast salaries led to very public contract disputes, particularly by Janney, Schiff, Spencer, and Whitford. During contract negotiations in 2001, the four were threatened with breach of contract suits by Warner Bros. However, by banding together, they were able to persuade the studio to more than double their salaries.[11] Two years later, the four again demanded a doubling of their salaries, a few months after Warner Bros had signed new licensing deals with NBC and Bravo.[13]
John Spencer died of a heart attack on December 16, 2005, about a year after his character experienced a nearly fatal heart attack on the show.[14] Martin Sheen gave a brief memorial message before "Running Mates", the first new episode that aired after Spencer's death. The loss of Spencer's character was addressed beginning with the episode "Election Day", which aired on April 2, 2006.
In an interview on the first season DVD, Bradley Whitford said that he was originally cast as Sam, even though Aaron Sorkin had created the Josh character specifically for him. In the same interview, Janel Moloney stated she had originally auditioned for the role of C.J. and that Donna, the role for which she was eventually cast, was not meant to be a recurring character. Other actors were seriously considered for other roles, including Alan Alda and Sidney Poitier for the President, Judd Hirsch for Leo, Eugene Levy for Toby, and CCH Pounder for C.J.[15]
The series was created by Aaron Sorkin, who served as executive producer for the pilot episode alongside director Thomas Schlamme and John Wells. Kristin Harms and Llewellyn Wells were producers for the pilot. Michael Hissrich acted as a co-producer.[16]
The first season proper saw the return of all of the pilot production team along with the addition of Ron Osborn and Jeff Reno as consulting producers and Rick Cleveland as a second co-producer with Robert W. Glass as an associate producer. Glass left the production team after only five episodes. Julie Herlocker joined as Associate Producer beginning with episode six. Osborn and Reno departed after nine episodes. Paul Redford served as a story editor throughout the first season. Lawrence O'Donnell worked as executive story editor for the second half of the season.
With the second season, Kevin Falls became a co-executive producer. Cleveland left the production team and Redford and O'Donnell were promoted to co-producer. Peter Parnell and Patrick Caddell became co-producers and Julie Herlocker and Mindy Kanaskie became associate producers. O'Donnell was promoted again to producer five episodes into the season and Hissrich joined him twelve episodes into the season.
The third season saw the departure of Parnell, Caddell, and Herlocker and the temporary absence of O'Donnell. Director Christopher Misiano became a supervising producer, Patrick Ward joined the series as an associate producer, and Eli Attie joined the writing staff as a staff writer. Redford was promoted to producer. With the thirteenth episode of the third season director Alex Graves became an additional supervising producer and Attie became a story editor.
The fourth season marked the temporary departure of Hissrich. Misiano and Graves became co-executive producers alongside Falls. Attie was promoted to executive story editor and Debora Cahn became a staff writer. The fourteenth episode of the season saw Redford promoted to supervising producer and Kanaskie, Ward and Attie promoted to co-producers.
The fifth season saw the departure of both Sorkin and Schlamme as executive producers. Schlamme remained attached to the series as an executive consultant. John Wells remained the sole executive producer and showrunner. Co-executive producer Kevin Falls also left the show. O'Donnell rejoined the production team as a consulting producer. Wells also added Carol Flint, Alexa Junge, Peter Noah, and John Sacret Young as consulting producers. Andrew Stearn came aboard as a producer and Attie was promoted to producer. Cahn became story editor and Josh Singer replaced her as staff writer. With the tenth episode Flint, Junge, Noah and Sacret Young became supervising producers.
With the sixth season Misiano and Graves were promoted to executive producers. Redford and Junge left the production team and Dylan K. Massin became a co-producer. Cahn was promoted to executive story editor and Singer replaced her as story editor. Lauren Schmidt filled the staff writer role. The fourth episode saw the departure of original crew member Llewellyn Wells. Debora Cahn was promoted to co-producer with the fourteenth episode.
The seventh season saw Noah and O'Donnell promoted again, this time becoming additional executive producers. Attie became a supervising producer. Hissrich returned to his role as producer for the final season.
As with many serial dramas, multiple story arcs on The West Wing span several episodes and entire seasons. In addition to these long-running narratives, each episode contains smaller storylines that usually begin and end within a single episode.
Most episodes follow President Bartlet and his staff through particular legislative or political issues. Plots can range from behind-closed-doors negotiating with Congress to personal problems like post-traumatic stress disorder, from which Josh suffers during the second season. The typical episode loosely follows the President and his staff through their day, generally following several plots connected by some idea or theme. A large, fully connected set of the White House allowed the producers to create shots with very few cuts and long, continuous master shots of staff members conversing as they walk through the hallways. These "walk and talks" became a trademark of the show. The final two seasons presented a narrative change, with the focus of the show divided between plots in the West Wing with President Bartlet and his remaining senior staffers and plots revolving around the rest of the main cast on the campaign trail for the 2006 election.
The series developed following the success of the 1995 theatrical film The American President, for which Aaron Sorkin wrote the screenplay, and in which Martin Sheen played the White House Chief of Staff. Unused plot elements from the film and a suggestion from Akiva Goldsman inspired Sorkin to create The West Wing.[17]
According to the DVD commentary, Sorkin intended to center the show on Sam Seaborn and the other senior staff with the President in an unseen or a secondary role. However, Bartlet's screen time gradually increased, and his role expanded as the series progressed. Positive critical and public reaction to Sheen's performance raised his character's profile, decreasing Lowe's perceived significance. In addition, the storylines began to focus less on Sam and more on Josh Lyman, the Deputy Chief of Staff. This shift was one of the reasons for Lowe's eventual departure from the show in the fourth season.[18]
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