Full Techno Jackass
Young Vadlapatla
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of under the stars, chat is this real, chuzzmaxxing, maypulcore melee, maypulcore 64, fragments, maypulcore, Late to the Party, and 5 more. , and , . Purchasable with gift card Buy Digital Discography $22 USD or more (50% OFF) Send as Gift Share / Embed 1. INTRO 00:20 info buy track 2. FLYING HIGH 02:58 info buy track 3. DEATH AND ROMANCE 02:44 info buy track 4. MC GABBER 03:33 info buy track 5. I DROPPED ALL MY GECS NOOO 03:04 info buy track 6. CALL ME RAY 03:04 info buy track 7. CHRISTIAN MOMS AGAINST MASHCORE 03:31 info buy track 8. GET REAL 12:18 info buy track about I LISTENED TO PENIS MUSIC, GOT RAILROADED INTO HARDCORE, AND NOW ALL I CAN HEAR IS THE AMEN BREAK AND KATY PERRY
A collection of my best mashcore projects over my first year of using FL Studio. I've been planning this album since March and have since scrapped every single song that was initially on there when it was gonna be a speedcore/dnb fusion album (a few are back on the b side though). I've put a lot of time and effort into this album, so I hope you can enjoy this because it's a ride.
I would also put this on spotify but I'm horrified of copyright lmao
cover art by Ti
twitter.com/MurkyChaiTi
www.instagram.com/murky_fog/ $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released January 14, 2022 license some rights reserved tags Tags drum & bass electronic experimental happy hardcore hardcore techno hyperpop bluecore breakcore digital hardcore drum and bass future bass gabber mashcore mashup Detroit Shopping cart subtotal USD taxes calculated at checkout Check out about Blue Marker Bandit Detroit, Michigan
With the other guys yelling in the background Tony had frantically flagged me into the parking lot making the "shut down" sign of drawing his hand across his throat repeatedly. At the time I didn't realize exactly how appropriate that could have been......
Over the summer, Gia and I trailered a 1996 Toyota World Sport Racer from Ohio back to California. I was looking for a counterpoint to our Nissan Tame Prototipo. The Toyota WSR seemed like the perfect ticket!
There is an enthusiastic group of people still playing with them in California and every once in a while, you might see 7 of them on the track at the same time. Most of the cars have been hopped up and make 200HP or more. Our WSR uses a 200HP Loyning built motor!
When I flew back to Cincinnati (a story all in itself) I had been led to believe the car was in "ready to race" condition. Instead, I found a car with 10-year-old fuel and brake lines, not even hooked up and car not running. Over the next couple of months, I spent evenings in the garage putting in a completely new fuel system, eliminating as much complexity as possible, switching to a returnless fuel rail setup and upgrading everything with Radium catch cans, surge tanks and Vibrant Performance fittings and lines.
We brought the car into the shop to finish buttoning things up, final mods and for some future product development. Tony did a great job replacing all the oil lines, finishing the brakes, and pulling the engine to ditch the Tilton clutch and flywheel for a Toda and Exedy unit. We also modified the headers to get rid of the 1.5" restriction in the exhaust, Toda timing belt and a host of other mods.
As Brian and The Crew have improved efficiency at the shop, my personal utility has been difficult to nail down. Morale Boosting and Cheerleading is one of my current goals and what better way to raise Morale than a little Jackassery. As I walked by the WSR I decided it was time to take it for a spin around the block. Of course, the guys hear it fire up and it was like "Voltron Force Assemble".
Most of my life, I've managed to walk that line of doing dumb things...but limiting risk just enough to not get hurt. I figured this was one of those situations. The WSR had no racing harness installed but you sit way down in it, and the thing is very wide and only 1" off the ground. Brake proportioning has not been dialed in, but the car stops fine.
I must say, my first driving experience in the car was verrryyy nice. It just felt right. It was about as quick as I expected even without really getting on it. The throttle response was nearly perfect, even with the car not entirely warmed up. Handling was responsive, tight, and precise. Seeing as I was not wearing a helmet, fire suit or even sunglasses I kept the speed down to the Squint Limit (How fast you can go and still see while squinting into the wind). Super Jackass!
At one point, a U-Turn turned into a quite surprising donut as I didn't take into account the cold tires and exceptional throttle response. I do remember specifically being pleased by the amount of steering angle the car had...and maybe I leaned into the experience a little once I figured out what was happening :-)
Ripping back up the hill, Tony is frantically waving me in and yelling to shut down. I am not aware of any problems, but a required shut down can either mean expensive....or dangerous. I think I was actually hoping for danger as I am very fond of this 4AGE and REALLY don't want to pony up for another one built like this.
Race cars catch on fire occasionally, and I've always wondered how that could happen. My assumption was if a job was done right, all would be OK. If it caught on fire, I always assumed that someone didn't do the job right. Now I get to reevaluate my judgmental nature.
When I redesigned the fuel system, I put a small Radium fuel pressure gauge at the end of the fuel rail on a T fitting with an AN-3 line to the sender unit for the Stack Dash. I knew the engine would move a tiny bit and even put a nice loop in the AN-3 line so it would have plenty of free movement. I really could not foresee any issues with the layout.
That T-fitting snapped right off and turned the fuel rail into a 45 PSI 110 octane spray gun. The guys had seen a fire hose rainbow of fuel mist behind the car as I ripped by...ughh...Over the next 24 hours it really sunk in how a little jackassery could have turned into something really sucky. I was being marginally dumb, and it unintentionally escalated to something that could have been catastrophic.
I'm not sure what the general lesson is. Maybe not assuming doing our best will cover all eventualities. Go the extra step to try and ensure our safety from things we can't foresee? I can tell you from now on I'm going to be as fireproof as possible when being a jackass.
It may seem that rap and hip-hop suffer from the same robot noise syndrome as techno, but at least rap songs often have insightful, calculated lyrics. In this sense, rap is more like real music than techno, as techno is derivative of some kind of primal experience, rather than one of art.
Hey I just discovered this article today in 2020 and I couldnt be more excited. This is like a time capsule of cringe that has aged like milk when you consider how big and all encompassing electronic music has gotten over the last 8 years. Very cool
Why am i commenting: legit was hoping to see what the author thinks today given the emergence of trap, and chopped and pitched vocals. The later being techniques derived directly from electronic music production software/equipment. The former is arguably a type of fusion of southern rap and edm musical descendants .
I feel the auther is not particularly familiar with techno beyond EDM. While the mainstream EDM craze is not popular even among most techno fans, its not exactly representative of what a majority of techno is. All this article demonstrates is how terrible mainstream EDM is, many of whose listeners would probably despise techno, especially of the European variety, which has managed to maintain some of its authentic techno and underground techno.
You are ignorant. I have played jazz guitar and drums for years now and let me tell you that creating any genre of electronic music takes more talent and knowledge than you could ever imagine. These artists are still musicians. But they use computers for complex sound design and arrangement. If you ever had tried to write any form of electronic music you would know how wrong you are
sorry to disagree but I have been listening to Techno for over 20 years, it s not an experience, it is a lifestyle. I get you guys point that techno artists are not necessarily musicians but no techno artists call themselves musicians in first place. At the end of the day it s not cause you guys don t like it no more that it is not music to others. One thing that Techno has over other genres, open mindedness.
Clearly many simple minds are infected by and ownership complex feeling a sense of high rank, wanting to cry out as to what it is that is so new and original that they alone have euphorically discovered.
Wow, what an idiot. Wherever the hell this kid is, I hope he looks back on this one day and realize how stupid he is. I am a guitar player/electronic music producer/DJ, and i can tell you that I find the composition aspect of electronic music more challenging than playing guitar in my band. Much more so, actually.
As former party person I attended all kind of edm music and i must admitt from all edm music, pop, rock, classical, dance and all subgenres most that i dislike is music without emotion or real instruments, like minimal techno or similar techno without emotion. True is that 98% of party people goes because of show , drugs and other problems (childhood,experiment,depression,etc.) and most of them are on minimal techno party or similar minimalistic sound that can make you feel like dark psycho. Who can listen music without emotion of real instrument sober, only if you are past drug party person. If you want to prove that minimal stuff have emotion then you are delusional.
Either way the person generating the music needs to be able to compose a sequence of these notes to make something that someone will appreciate. How do you think people responded to the advent of the electric guitar especially when the use of distortion became popular?
c80f0f1006