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His many contributions to printing include the invention of a process for mass-producing movable type; the use of oil-based ink for printing books;[4] adjustable molds;[5] mechanical movable type; and the invention of a wooden printing press similar to the agricultural screw presses of the period.[6] Gutenberg's method for making type is traditionally considered to have included a type metal alloy and a hand mould for casting type. The alloy was a mixture of lead, tin, and antimony that melted at a relatively low temperature for faster and more economical casting, cast well, and created a durable type.[7] His major work, the Gutenberg Bible, was the first printed version of the Bible and has been acclaimed for its high aesthetic and technical quality.
Gutenberg is often cited as among the most influential figures in human history and has been commemorated around the world. To celebrate the 500th anniversary of his birth in 1900, the Gutenberg Museum was founded in his hometown of Mainz. In 1997, Time Life magazine picked Gutenberg's invention as the most important of the second millennium.[8]
Nothing is now known of Gutenberg's life for the next fifteen years, but in March 1434, a letter by him indicates that he was living in Strasbourg, where he had some relatives on his mother's side. He also appears to have been a goldsmith member enrolled in the Strasbourg militia. In 1437, there is evidence that he was instructing a wealthy tradesman on polishing gems, but where he had acquired this knowledge is unknown. In 1436/37 his name also comes up in court in connection with a broken promise of marriage to a woman from Strasbourg, Ennelin.[34] Whether the marriage actually took place is not recorded. Following his father's death in 1419, he is mentioned in the inheritance proceedings.
"What was written to me about that marvelous man [Gutenberg] seen at Frankfurt [sic] entirely true. I have not seen complete bibles but only a number of quires of various books [of the Bible]. The script is extremely neat and legible, not at all difficult to follow [You] would be able to read it without effort, and indeed without glasses"
Around 1439, Gutenberg was involved in a financial misadventure making polished metal mirrors (which were believed to capture holy light from religious relics) for sale to pilgrims to Aachen: in 1439 the city was planning to exhibit its collection of relics from Emperor Charlemagne but the event was delayed by one year due to a severe flood and the capital already spent could not be repaid.
Until at least 1444 Gutenberg lived in Strasbourg, most likely in the St. Arbogast parish. It was in Strasbourg in 1440 that he is said to have perfected and unveiled the secret of printing based on his research, mysteriously entitled Aventur und Kunst (enterprise and art). It is not clear what work he was engaged in, or whether some early trials with printing from movable type were conducted there. After this, there is a gap of four years in the record. In 1448, he was back in Mainz, where he took out a loan from his brother-in-law Arnold Gelthus, possibly for a printing press or related paraphernalia. By this date, Gutenberg may have been familiar with intaglio printing; it is claimed that he had worked on copper engravings with an artist known as the Master of Playing Cards.[36]
By 1450, the press was in operation, and a German poem had been printed, possibly the first item to be printed there.[37] Gutenberg was able to convince the wealthy moneylender Johann Fust for a loan of 800 guilders. Peter Schffer, who became Fust's son-in-law, also joined the enterprise. Schffer had worked as a scribe in Paris and is believed to have designed some of the first typefaces.
Gutenberg's workshop was set up at Humbrechthof, a property belonging to a distant relative. It is not clear when Gutenberg conceived the Bible project, but for this, he borrowed another 800 guilders from Fust, and work commenced in 1452. At the same time, the press was also printing other, more lucrative texts (possibly Latin grammars). There is also some speculation that there were two presses: one for the pedestrian texts and one for the Bible. One of the profit-making enterprises of the new press was the printing of thousands of indulgences for the church, documented from 1454 to 1455.[38]
Some time in 1456, there was a dispute between Gutenberg and Fust, in which Fust demanded his money back, and accused Gutenberg of misusing the funds. Gutenberg's two rounds of financing from Fust, totaling 1,600 guilders at 6% interest, now amounted to 2,026 guilders.[41] Fust sued at the archbishop's court. A legal document, from November 1455, records that there was a partnership for a "project of the books," the funds for which Gutenberg had used for other purposes, according to Fust. The court decided in favor of Fust, giving him control over the Bible printing workshop.[42]
Thus, Gutenberg was effectively bankrupt, but it appears he retained, or restarted, a printing shop and participated in the printing of a Bible in the town of Bamberg around 1459, for which he seems at least to have supplied the type. But since his printed books never carry his name or a date, it is difficult to be certain. It is possible the large Catholicon dictionary, printed in Mainz in 1460 or later, was executed in his workshop, but there has been considerable scholarly debate.[43]
In 1462, during the devastating Mainz Diocesan Feud, Mainz was sacked by Archbishop Adolph von Nassau. On 18 January 1465, Gutenberg's achievements were recognized by Archbishop von Nassau.[44] He was given the title Hofmann (gentleman of the court). This honor included a stipend and an annual court outfit, as well as 2,180 litres of grain and 2,000 litres of wine tax-free.[45]
In 1504, he was mentioned as the inventor of typography in a book by Professor Ivo Wittig. It was not until 1567 that the first portrait of Gutenberg, almost certainly an imaginary reconstruction, appeared in Heinrich Pantaleon's biography of famous Germans.[45]
Gutenberg's technique of making movable type remains unclear. In the following decades, punches and copper matrices became standardized in the rapidly disseminating printing presses across Europe. Whether Gutenberg used this sophisticated technique or a somewhat primitive version has been the subject of considerable debate.
In the standard process of making type, a hard metal punch (made by punchcutting, with the letter carved back to front) is hammered into a softer copper bar, creating a matrix. This is then placed into a hand-held mould and a piece of type, or "sort", is cast by filling the mould with molten type-metal; this cools almost at once, and the resulting piece of type can be removed from the mould. The matrix can be reused to create hundreds, or thousands, of identical sorts so that the same character appearing anywhere within the book will appear very uniform, giving rise, over time, to the development of distinct styles of typefaces or fonts. After casting, the sorts are arranged into type cases, and used to make up pages which are inked and printed, a procedure which can be repeated hundreds, or thousands, of times. The sorts can be reused in any combination, earning the process the name of "movable type".[49]
The invention of the making of types with punch, matrix and mold has been widely attributed to Gutenberg. However, recent evidence suggests that Gutenberg's process was somewhat different. If he used the punch and matrix approach, all his letters should have been nearly identical, with some variation due to miscasting and inking. However, the type used in Gutenberg's earliest work shows other variations.[50]
In 2001, the physicist Blaise Agera y Arcas and Princeton librarian Paul Needham, used digital scans of a Papal bull in the Scheide Library, Princeton, to carefully compare the same letters (types) appearing in different parts of the printed text.[50][51] Gutenberg's type had irregularities, particularly in simple characters like the hyphen. These variations could not have been caused by ink smears or wear on the metal pieces. Detailed image analysis suggests the variations could not have come from the same matrix. Examination of transmitted light pictures of the page revealed substructures, in the type, that could not have been made using traditional punchcutting techniques.
Based on these observations, researchers hypothesized that Gutenberg's method involved impressing simple shapes in a "cuneiform" style onto a matrix made of a soft material, such as sand. Casting the type would then destroy the mold, necessitating the recreation of the matrix for each additional sort. This hypothesis could potentially explain both the variations in the type and the substructures observed in the printed images.
Thus, they speculated that "the decisive factor for the birth of typography", the use of reusable moulds for casting type, was a more progressive process than was previously thought.[52] They suggested that the additional step of using the punch to create a mould that could be reused many times was not taken until twenty years later, in the 1470s. Others have not accepted some or all of their suggestions, and have interpreted the evidence in other ways, and the truth of the matter remains uncertain.[53]
A 1568 book Batavia by Hadrianus Junius from Holland claims the idea of the movable type came to Gutenberg from Laurens Janszoon Coster via Fust, who was apprenticed to Coster in the 1430s and may have brought some of his equipment from Haarlem to Mainz. While Coster appears to have experimented with moulds and castable metal type, there is no evidence that he had actually printed anything with this technology. He was an inventor and a goldsmith. However, there is one indirect supporter of the claim that Coster might be the inventor. The author of the Cologne Chronicle of 1499 quotes Ulrich Zell, the first printer of Cologne, that printing was performed in Mainz in 1450, but that some type of printing of lower quality had previously occurred in the Netherlands. However, the chronicle does not mention the name of Coster,[54][55] while it actually credits Gutenberg as the "first inventor of printing" in the very same passage (fol. 312). The first securely dated book by Dutch printers is from 1471,[55] and the Coster connection is today regarded as a mere legend.[56]
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