I agree but not fully. This would be helpful when you get a poorly designed ambiance sound and/or have no time to clean it. But, this is not that difficult to take a badly designed loop and make a perfect one with no bad looping sound… Especially if you can make a very long file in whatever sound editing software you use. Here is how I do it (within pro-tools but should doable in any other daw) :
Let's say you have a bad looping ambiance of 300sec and you can have a clean transition with a 20 sec crossfade. Then, your perfect to be ambiance loop would be 280sec. If you have 2 occurrences of you ambiance with a 20sec crossfade, if you make a loop of 280sec including the entire crossfade, then, if you have a no-time loop (like QLab), you'll have no looping sound. This is because the first sample value (the digital value at this time) is exactly the same as the one which is just after the last one of your loop (because, we are at the same position in you original sound). I'll try a visual example :
Here is you original sound : aaabbbccc which is 9 letter length
Let's say the crossfade will be 3 letters length and ccc crossfaded with aaa will result in cda (or whatever it is) :
Loop 1 : aaabbbccc
Loop 2 : aaabbbccc
Result : aaabbbcdabbbccc
You perfect loop will then be 9-3 = 6 letter length and you have to include the crossfade within it so, let's start on the 4th letter : bbcdaab
But it will work with the 3,5 or 6th letter also…
The only "problem" is that you'll have to use a Qlab readable position if you intend to include your loop with slices which means it should be EXACTLY the time you'll set in QLab (Seconds, …). And to be able to add precise slices, you'll have to use the "load to time" in QLab 3. (My first test-loop was sample accurate length instead of 100th of seconds length accurate and it was not good)
So, my point is that a crossade with slices may be really usefull when you have no control on the sound design or when you have no time. But it may be really confusing speaking in total length of the loops or when used on a musical loop (which will not be tempo-accurate) instead of a simple ambiance. But if you design your sound with the idea of looping it, then, you should not rely on QLab to do it and make it loopable from the start instead of cheating.