While hunting the elusive workaround for getting QLab 4 timecode behaviour on a single cue in QLab 5 (which I am coming to the conclusion might not exist), I have been struck by the magical abilities of start cues to load their targets to time even if their target cues are in a different list.
This extends to loading the start cues to time and their targets following or, if the start cue has a TC trigger, or is in a group with a timecode trigger, causing its target to also chase the timecode. The start cue also inherits the duration of the target cue although this is only visible if you load it to time (as the maximum value on the load to time slider)
This is like some other-worldly quantum entanglement and is impressively implemented, as I can't break it. It also seems to be undocumented.
It's also worth noting that this means that a start cue targeting cue "1" is not synonymous with the OSC message /cue/1/start as this will always start cue 1 from the beginning.
OSC cues also behave like MIDI cues, any cues that are in a group, that is loaded to time beyond their pre-wait times and started , will all fire together . and the behaviour is similar with chasing incoming TC.
I think MIDI and OSC cues are quite difficult to deal with in a group that chases timecode, as they in effect have an infinite duration, Whereas a still image can be given a duration so it won't start when a group with a later TC value is triggered by incoming timecode, infinitely looped cues can be changed to play x times loops, and hold at end videos can have fade and stop cues, within the group, and I can't think of a way of overriding the effective infinite duration of these cues, without an option to have them behave as in QLab 4 i.e timecode match triggering only.
The net result of this makes it difficult for users organising their cue lists as sequences or songs in timecode triggered groups at 1 hour intervals, which is a fairly common means of achieving this separation, as song 11 at 11:00:00.00 is going to trigger all the OSC and MIDI cues in songs 1 -10.
This behaviour is of course similar to what happens in a timeline group in QLab 4+5. But the effects of these OSC and MIDI storms extending through a complete cue list may well be more overwhelming for the system, and more importantly, the MIDI and network devices hanging off them .
I think a similar issue may arise with lighting cues, but I haven't fully thought that through.
Mic