Hi! Ok, so I know there has been some discussion about this topic. But I didn't find the information I want, so here we are.I'm building two surround projects right now, and while QLab will do any kind of panning that I need, sometimes it gets kind of cumbersome to move things around the 5.1 and 8.1. I'm curious, when you guys need to work intensely with surround panning, how do you do it? Thanks!!
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Hey Dan! Thanks a lot for the help, this ReaSurround plugin sounds awesome, plus you've introduced me to Reaper, which is very interesting!
But I have to say, it's still not quite what I was looking for. I wanted to be able to give position (a,b) to a sound, and then just cue it into position (c,d), and have the plugin move the sound between speakers for itself. I was able to do this with one MIDI cue for X, and one for Y. It works and sounds awesome, but it's still a little bit difficult to put together when you have a lot of sources and a lot of movement. Wouldn't it be awesome if we had this in QLab?? ;)
Bruno
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On Sun, Nov 6, 2016 at 4:39 PM, Jimmy Garver <james...@gmail.com> wrote:
Yesterday (Nov. 5 2016) I had a chance to play around with a brand new product which - I think - is going to be very very useful to the theatrical sound design community. It's a software + plugin solution that allows you to pan across up to 64 channels of audio very very simply, literally by dragging a dot across a screen, as Anthony Narciso suggested. The plugin sits in a DAW and sends control + audio information to a stand-alone program. I did this all within the Ableton Live environment (at the LOOP conference in Berlin this weekend). Next step for me is to test and see if it will work in collaboration with QLab.The product/solution is called The Sound OF The Mountain. Check it out here https://mntn.rocks and please reply to this thread with what you discover!
On Saturday, October 15, 2016 at 5:11:46 AM UTC+2, Patrick Andrews wrote:I also would LOVE this as a feature right in QLab. Have a new iPad to try out this LEMUR stuff when I get a chance. Anything to avoid the pile of individual fade cues to make something move around the room.
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