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Demo at Easton 29" x 12" oil on canvas | ||
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For the second demo I used that red Japanese lunch box. With the orange red rose and orange warm grey back ground, the painting has a warm tone. I use to emphasize that the contrast is the key consideration to make an interesting painting, but recently I pay more attention on unification and harmony. I am back to Austin now. The Oregon + Maryland trip was enjoyable. Now I need several days to recover my "Qi" (or energy). I really wish I will sit around and do nothing for a few days. Who knows if that is possible. Last night's full moon was so beautiful. I was pondering "unification" again. It was amazing. It doesn't matter where I am, west coast, east coast, or in Texas, the moon looks the same. Perfect, and bright, shared by the whole world. Thank you for viewing my art. Qiang |
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Demo at Easton 3 |
9" x 12" oil on canvas |
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For the third demo at Easton, I did not do a high key one. I feel I have some thinking to do about my high key approach. As a matter of fact, I have a lot of thinking to do in front of my entire art career. At the time you look at my art, I look at other people's art as well. I have found that making progress in art is so difficult. So many artists (including myself) keep painting the same thing. We like their works when we at the first place, but after we saw so many similar paintings, we start to get tire of them and stop following them, because we know they don't have any thing new to offer. Why is it so hard to progress in art. There are several reasons. First of all, artists are human beings, they have their limitations. If we can do one or two things well in this short life, we should feel good about ourselves. Secondly, most of us are slaves of the all mighty dollar. We perform as puppets controlled by the market. I try my best to be mindful and live intensionally, but so many things are beyond my control. It sounds that I am complaining, but I am not. I am investigating and looking for potentials. | ||