Born in San Miguel de Allende, he was schooled in music and has worked with many stars, in training or backing vocals. He is a master of the stage having a number of years gaining experiences
throughout the Latin and US communities. Enrique's new concept is 'Flamenco meets Opera' = "FlamencOpera".
His six member local band with one guest has studied this combination of Latin and Opera for several months and everyone seemed pleased with the results in our ears. The tightly firm band was Roberto Falcon on bass, Jaír and Nacho guitars, Luis Rascón on chelo [cello], Gary Flores percussion, Eugenia violin and solo guitarist Caleb.
Enrique breezed into "A Mi Manera", delivering this masterpiece of Frank Sinatra confidently in Spanish. In ending, he concluded [I did it] "My Way" in English. The blood of Mexico flowed through him as he soared to the highest notes flawlessly sung, certain of himself. His presentation was so impressive that he blew the audience toward the darkening sky. "Viva México!"
Hacienda Palo Maria is a stunning boutique hotel a mere miles south of Puerto Vallarta. The enormous area was arranged with socially distanced tables. A live DVD was being recorded throughout the singing and music. Care was taken to remain still so there was no background clutter noise. Four sets were arranged, each with three songs presented. A drone flew overhead recording the event for release in two to three months. Phil Stewart of Arizona arranged his lodging and huge outdoor areas for tonight's musical event.
Our headliner was joined by Branden & James, the local favorite pairing of with Branden's delicious tenor voice arising from a pop/rock background and James, classically trained and adoring his cello. Setting their own course of live performing, they chose the stunning "Hallelujah" from Leonard Cohen accompanied by Nathan on piano.
Another smash hit from the States, made famous by many artists including Elvis Presley was "It's Now or Never" ["Es Ahora o Nunca"]. Enrique delivered the ballad in soft Spanish. Shoulders swayed to its sweetness. Agustin Lara's smooth and lilting "Granada" was given the traditional Latin interpretation in mood but Enrique arched his trained vocals operatically higher. One could hear male Latin opera singers projecting a sincere aria for decades. His six-piece band played their usual Latin rhythms and beats but classical opera was an added factor in their arrangements.