Toontrack Presets Torrent
Nettie Rosier
? Get ready to be inspired ? Over 150 insane drum sounds, crafted to give you that powerful punch you're lookin' for! These presets are inspired by the greats, so you know they'll make your tracks come alive.
Elevate your music with our Superior Drummer 3 presets, designed to deliver that sought-after studio-quality sound. Join the ranks of thrilled producers who have harnessed the power of our presets to take their music to new heights!
Secure your Superior Drummer 3 presets TODAY and transform your rock and metal tracks into awe-inspiring symphonies! Your music deserves nothing but the finest sound, and we're committed to helping you achieve that!
Don't buy direct from toontracks before checking out audiodeluxe.com. I suspect that TT charges more to try support their resellers. AD is great for a broad range of audio software BTW and no, not affiliated with them, just a satisfied customer.
Thank you for your answers. I am looking for presets like they exist for Superior Drummer.
Those presets help you to get the maximum out of a certain set. Many come with the programs but they are alway too special for me and too difficult to really adjust well.
I got many of em for instance for Nashville and Rock or Metal, but with EZD 1 you could buy presets by pros for the mixing chain which were quite good.
But for EZD 2 i cannot find them, maybe they changed their policy and think that those delivered with the sets are sufficient?
The reason that there are no artist presets packs for EZDrummer is because of the limitations of EZDrummer itself. Only Superior has all the independant samples for all those mic postitions. This is also why the libraries are so much bigger. EZDrummer simply does not provide such detailed mixing possibilities because the samples are already mixed together to some degree or some mics are simply missing.
Also, I just did some Googling, and I can't find anything that suggests buying presets for EZDrummer 1 except for this thread. Maybe a dumb question, but are you sure that's what you were buying? EZD1 didn't have a mixing chain at all, from what I remember. Just your faders, pan knobs, and outputs.
Q1,2,3,5
SD2 combined presets can be loaded in SD3 and that goes for factory
presets, producer presets and user presets alike. The result of importing
SD2 presets like that varies but usually they sound the same or very
similar in SD3. There are exceptions, of course. Sometimes because
the new FX cannot fully replicate the SD2 one and sometimes because
the MidiNodes in SD2 can do something that SD3 stacking cannot.
Toontrack Kit Compatibility: While these beats were designed attempting to ensure the greatest compatibility with other Toontrack kits, some beats may still have to be modified to work with other kits as not every kit in the ToonTrack lineup has been tested. There are 4 presets available for the most popular kits. These presets are designed as starting places, but may suffice for end use by novice users.
Each preset has a link to a video on my YouTube channel (so you can check it out), I'm adding at least one new drum track a week so be sure to check out this page regurarly (and subscribe to my channel)! My presets are all project files, for the Toontrack Expansion SDX please consider this:
The central feature of the new interface is a browser, which breaks down the various presets according to criteria such as instrument, placement in the signal chain, effect type and musical genre. You can also search for terms of your choice, if you can't find what you're looking for directly. The various categories are broken down into multiple preset types where, for example, the drums section might offer different treatments suited to snare drums, kick drums and overheads. Some presets are designed for use as inserts on tracks, buses or master buses, and others for send/return operation. The Browser and Preset Filters section includes a favourites section to which you can add presets that you use regularly. Any tweaks you've made to the controls are stored with your favourite, though the original preset will remain unchanged, even if you keep the same name.
The functions of the two knobs varies quite a bit depending on the preset. Sometimes they simply give you more or less of something (or a combination of somethings), while in other presets, they may emphasise a different effect at each extreme of the range with various blends in between. Sometimes the right control knob is used as a wet/dry mix control, or it might not even be used at all. Either way, there's no deep edit mode to get at the separate parameters directly, as the whole ethos of EZmix is simplicity of operation.
Send effects can be set up by using one of the presets that has a wet/dry balance control, which you'd normally set to 100 percent wet for use in an aux bus. The input and output gain controls both have level meters, so it is easy to maintain a healthy signal level without overcooking the signal, and all the controls, including input and output levels, can be automated in the host DAW.
Although the new version looks quite different, little has changed about the way EZmix 2 operates compared with the original, which is a good thing given its simplicity. Clearly, its powers have been developed further 'under the hood', though, and the new separate input and output level controls are very welcome. I wasn't quite sure what to expect from such a simplified interface, but working with EZmix 2 turned out to be a bit of a guilty pleasure, and had me wondering what it might be like to try to pull off a Mix Rescue using nothing else! One thing to be wary of is that when the processor is switched in, the source immediately sounds bigger and more full-on, but this is often because many of the presets increase the apparent level when first called up. The only way to be sure that your choice of preset is doing the right kind of thing is to first balance the levels so they're subjectively the same with the plug-in switched in or out.
The down side of EZmix's simplicity is that those who know what they want from their effects and processors may well feel frustrated by the restrictive nature of the controls. Personally, I often felt that having four effect parameter knobs rather than just two would have given me the flexibility I needed without making the product over-complicated. As an example, a vocal processor might benefit from separate knobs for dynamics, tonal colour, effect tweak (reverb/delay balance, perhaps) and effect level. I would also have liked to see a gain-reduction meter for presets that include dynamics processing: ears can get tired, but meters never do! A switch to lock/unlock delay tempos to the host DAW tempo would also have been useful.
As it stands, though, EZmix 2 makes it very easy for less experienced recording musicians to come up with a 'produced'-sounding mix very quickly, even to the extent of having presets with parallel compression built in, which many novices find difficult to master. For the more serious user, I think the restrictions often outweigh the convenience, but EZmix 2 was built for musicians, not engineers, and you really can't knock what it does when you take into account its target market.
EZKeys Grand Piano comes with fourteen presets, from very realistic-sounding grand piano sounds to off-the-wall effects and everything in between. In addition, you can save user presets once you dial in that perfect tone.
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