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Evaristo Nicholls

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Jul 17, 2024, 8:11:29 PM7/17/24
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SS Rajamouli's Baahubali: The Beginning (2015), Telugu language film started new wave of Pan-India films. Due to COVID-19, the Hindi industry halted, many movies got delayed and released after pandemic ended, in the meanwhile due to years lockdowns audience got confined and got exposed to World cinema through number of OTT platforms such as Netflix, Prime video, Sony LIV etc who became popular, Indian audience not only watched Hollywood movies on them but also lots of movies of South Korean, Spanish etc film industries, and their web series. According to some film critics, the test and understanding of the audience evolved, they became more content driven, they began exploring various film genres. From 2015 onwards, the position of Bollywood as the top film industry of India waned. Some directors, exhibitors, actors and producers claimed that audiences became smarter, and they wanted movies with good stories, and they do not accept mediocre films. Instead of understanding it, Bollywood's film producers continued making films on cliched, bad stories, and did not evolve with their audience. Consequently, big-budget Bollywood films ended up as Box-office disasters in recent past. Since Bahubali (2015) released, many regional language movies emerged as hits throughout India and regional film industries such as Telugu, Tamil, Kannada Film Industry etc., started giving tough competition to the Bollywood movies at the box-office. Many regional actors became known outside their state, where previously they were unknown. Rajamouli's RRR (2021), Telugu film emerged as one of the highest grossing films of Indian cinema. Many Bollywood producers and directors acknowledge the might of regional film industries. Some trade experts and critics believe that audiences eventually will return to Bollywood.[28][29][30][31] In 2022, Hindi industry released 44 movies; out of those, 4 emerged as hits and 40 flopped.[32]

Hindi Full Movies Hindustani 1080p


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Another problem facing Bollywood is widespread copyright infringement of its films. Often, bootleg DVD copies of movies are available before they are released in cinemas. Manufacturing of bootleg DVD, VCD, and VHS copies of the latest movie titles is an established small-scale industry in parts of south and southeast Asia. The Federation of Indian Chambers of Commerce and Industry (FICCI) estimates that the Bollywood industry loses $100 million annually from unlicensed home videos and DVDs. In addition to the homegrown market, demand for these copies is large amongst portions of the Indian diaspora. Bootleg copies are the only way people in Pakistan can watch Bollywood movies, since the Pakistani government has banned their sale, distribution and telecast. Films are frequently broadcast without compensation by small cable-TV companies in India and other parts of South Asia. Small convenience stores, run by members of the Indian diaspora in the US and the UK, regularly stock tapes and DVDs of dubious provenance; consumer copying adds to the problem. The availability of illegal copies of movies on the Internet also contributes to industry losses.

Hindi films have become popular in Arab countries,[260]and imported Indian films are usually subtitled in Arabic when they are released. Bollywood has progressed in Israel since the early 2000s, with channels dedicated to Indian films on cable television;[261] MBC Bollywood and Zee Aflam show Hindi movies and serials.[262]

Bollywood movies are regularly screened in Dubai cinemas, and Bollywood is becoming popular in Turkey; Barfi! was the first Hindi film to have a wide theatrical release in that country.[266] Bollywood also has viewers in Central Asia (particularly Uzbekistan[267] and Tajikistan).[268]

Bollywood films are not influential in most of South America, although its culture and dance is recognised. Due to significant South Asian diaspora communities in Suriname and Guyana, however, Hindi-language movies are popular.[269] In 2006, Dhoom 2 became the first Bollywood film to be shot in Rio de Janeiro.[270] In January 2012, it was announced that UTV Motion Pictures would begin releasing films in Peru with Guzaarish.[271]

Mother India (1957) continued to be screened in Nigeria decades after its release. Indian movies have influenced Hausa clothing, songs have been covered by Hausa singers, and stories have influenced Nigerian novelists. Stickers of Indian films and stars decorate taxis and buses in Nigeria's Northern Region, and posters of Indian films hang on the walls of tailoring shops and mechanics' garages. Unlike Europe and North America, where Indian films cater to the expatriate marke, Bollywood films became popular in West Africa despite the lack of a significant Indian audience. One possible explanation is cultural similarity: the wearing of turbans, animals in markets; porters carrying large bundles, and traditional wedding celebrations. Within Muslim culture, Indian movies were said to show "respect" toward women; Hollywood movies were seen as having "no shame". In Indian movies, women are modestly dressed; men and women rarely kiss and there is no nudity, so the films are said to "have culture" which Hollywood lacks. The latter "don't base themselves on the problems of the people"; Indian films are based on socialist values and the reality of developing countries emerging from years of colonialism. Indian movies permitted a new youth culture without "becoming Western."[198] The first Indian film shot in Mauritius was Souten, starring Rajesh Khanna, in 1983.[273]

Kishore Kumar and Amitabh Bachchan have been popular in Egypt and Somalia.[277] In Ethiopia, Bollywood movies are shown with Hollywood productions in town square theatres such as the Cinema Ethiopia in Addis Ababa.[278] Less-commercial Bollywood films are also screened elsewhere in North Africa.[279]

Many hit films of 1980s to 2000s was unofficial remakes (some argue, was adaptation or inspired movies) of Hollywood movies such as Jo Jeeta Wohi Sikandar (1992), Baazigar (1993), Ghulam (1998), which were said to be inspired by Breaking Away (1979), On the Waterfront (1954), and A Kiss Before Dying (1991), respectively.[292] Only after mid of 2000s Bollywood makers initiated legally purchasing copyrights of Hollywood and other foreign movies, such as Players (2012), Bang Bang! (2014) and Lal Singh Chaddha, which were official remakes of The Italian Job (2003), Knight And Day (2010) and Forrest Gump (1994), respectively.[293][294][295][296] Not only Hollywood but allegedly Bollywood makers copied films from South Korean and Japanese film industry also, such as Zinda (2006), an unofficial remake of Oldboy. (2003).[297][298] Some Bollywood directors and writers used plots from regional language films in other languages but did not acknowledge the original source.[296]

Odia cinema is primarily based in Odisha state producing movies mainly in the Odia language and a few movies in Sambalpuri language. The first Odia movie was Sita Vivaha which was released in 1936.

There are many patriotic movies lined up in the months ahead. What makes some of these films special is that these have the country's name right in the title itself, what with 'India' and 'Hindustan' finding prominence.

East-African Asian influence on cinema culture in the region is not often recognized, even as Indian movies shaped landscapes, fashion, popular images, and music genres over decades. From Nairobi to Kampala to Zanzibar, Indian films transmitted knowledge and united families, and offered many dreams and escapes, especially during the 60s, 70s and 80s, a period considered the golden age of Indian cinema culture in the region.

Watching Indian movies was also one way of keeping up with the latest fashions. Men and women often tried to copy the hairstyles and clothes of their favorite movie stars. When the hugely successful film Bobby was released in 1973, many girls adopted the hairstyle of the lead actress (who was barely 16 when she starred in the film) Dimple Kapadia. (I used to have a blouse at that time that was a replica of the one the actress wore in the film.) When the famous film star Sharmila Tagore dared to wear a revealing swimsuit in the 1967 film An Evening in Paris, she opened the door for many Indian women to go swimming without covering themselves fully.

Indian cinema had wide appeal not just in Kenya, but also in neighboring Zanzibar, where the urban night life was dominated by Indian movies. Many a taraab tune came directly from the hit songs of Indian movies. As opposed to Western movies (often referred to as English movies), Indian films appealed to Swahili sensibilities, with their focus on values such as modesty, respect for elders and morality.

Some of these are underrated, some very popular, but all of these films speak of something meaningful albeit in a slight dramatic way. Here we are: 10 Hindi movies that enhance your knowledge of Indian culture.

Now this movie is one that I personally have seen more than 50 times maybe. Set at the backdrop of a wedding, this is another of those movies that revolutionized Indian cinema with its large-ness. It was totally aimed at being family friendly, with a cute dog to boot! A must watch for every person in the world to understand how big weddings are in India, and all that they entail. The fun, the emotions, the family equations.

This is a list of all the Indian films available for streaming for free on Amazon Prime in the United States. Many of the movies in this list are also available for rent without an Amazon Prime subscription.

Almost all of us know that alcohol is bad for health, but then too it is consumed in large quantities all around the world. In India, it has found mention in ancient scriptures also. Indian Cinema is replete with depiction and mention of alcohol as - sharaab, daaru, whiskey, vodka etc. There have been movies made with alcohol as subject viz. Devdas, Sharabi etc. which have been massive hits.
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Similarly, hundreds of songs have been written and composed to glorify alcohol or depict a situation - sadness, party, celebration etc.

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