Amorous Character Creator

[Marquez Feliciano]

FursonaMaker is intended to be a simple beginners tool for making your very own fursona. Mix and match parts from several different species, doodle your own custom markings and take a screenshot to kick off your very first reference sheet!

You can use screen capture to get image. And ask a friend who familiar with edit image (Photoshop would be great) or an artist friend to recolor the part you wanted to. This applied if you want to use it as a ref sheet or some sort like that. It won't change ingame however. You can try fumble around with the program yourself too. Ibispaint for mobile and paintnet for PC. If you feel like it, you can use Photoshop, Paint Tool SAI or Clip Studio Paint.

Lacks Templates, hard to see options in selection area, lack of adjustable stomache, breasts and genitalia frequently float off the character when adjusted, glitches when head is flipped, most faces smirking, can't adjust individual parts, overall quite buggy.

guys guys calm down android and apple are very similar but in there own ways android is a ez os to get and can be easily moded to your likings unlike apple where thay are a powerful company and offer only official software with security updates esc...

btw i have 2 phones at the time i have a Motorola edge 5 2021 (i think) and i use that as a gaming phone and a iPod. the software is a good os in my opinion it runs google play so i can download goofy ahh games

The customization options are very limited. We have not ways to make beyomd a canime,dragon, avian, or bovine! In Amofous we had more species for cnoose. And i know programming is hard, but c'mon, would kill if you have made some clothes to insert in the characters?! For me, it's the laziest char creator I played at my life

First time playing, wasn't bad at all, although I did encounter a bug that was easily fixed by reloading the character, all the parts were off to the side of the head, and I can't say it wasn't funny!

When you click new, Starts to crash, Windows here, Would anyone must fix the new furry game? It called Team amorous that is for adults, But i said i really don't see anyone gets replying to the comments of itch. io

Thrust yourself to the front of the line of Amorous, a bustling furry night club that invites you to explore it's neon lights and eccentric characters. Immerse yourself with a fleshed out character creator and treat yourself to a varied cast of potential dates to explore!What makes Amorous special?Amorous is a furry dating simulator which aims to provide a high quality graphic novel experience for free. Shake up the formula with animated NPCs, sandbox environments, real choices and interactive mini-games to keep you engaged. Avoid the normal pitfalls of dating games with an incredibly varied roster. Ranging from foxes to felines, male to female and everything in-between.So what's in it for me?9 fully datable characters

Thousands of lines of dialogue with branching trees for replayability

Several mini-games and novelties

Fursona Maker / Character Creator with content for all gender, body-type and personality preferences.What does the Steam version offer me?Steam Achievements

Steam Cloud (Coming soon)

Originally, we had Steam Trading Cards in this list too, but we were attended at the fact pure free games don't get that option.How can this be free? There must be a catch!No catch! No depleting in-game currency every time you attempt to date a character, no in-game shop prompting you to buy more parts for your character. It's all there for you to enjoy for free.

This game has seen many years of spare-time development, and all of it wouldn't have been possible without the support of our loyal Patrons. A free release on Steam is our way of thanking them and making sure the game will always remain available for everyone to enjoy.

Thrust yourself to the front of the line of Amorous, a bustling furry night club that invites you to explore it's neon lights and eccentric characters. Immerse yourself with a fleshed out character creator and treat yourself to a varied cast of potential dates to explore!

Amorous is a furry dating simulator which aims to provide a high quality graphic novel experience for free. Shake up the formula with animated NPCs, sandbox environments, real choices and interactive mini-games to keep you engaged. Avoid the normal pitfalls of dating games with an incredibly varied roster. Ranging from foxes to felines, male to female and everything in-between.

9 fully datable characters

Thousands of lines of dialogue with branching trees for replayability

Several mini-games and novelties

Fursona Maker / Character Creator with content for all gender, body-type and personality preferences.

The paper aims to discuss some aspects of heterodiscourse from two books commonly referenced as Don Quixote de La Mancha. Based on Cervantes's text, we argue that Bakhtin's notion of heterodiscourse encompasses different phenomena: (i) diversity of voices, (ii) plurality of styles, and (iii) varieties of speech genres, which comprise novelistic prose.

Prope-se neste artigo abordar alguns aspectos do heterodiscurso, a partir dos dois livros comumente referenciados como Dom Quixote de La Mancha. Ilustrando-se com base no texto cervantino, argumenta-se que a noo bakhtiniana de heterodiscurso abarca diferentes fenmenos: (i) diversidade de vozes, (ii) pluralidade de estilos e (iii) variedades de gneros discursivos, que compem a prosa romanesca.

Due to these multiple possibilities of appropriation of the Russian word, it is valid to say that the new translation of the word as heterodiscourse is considered a coherent choice, since more than a plurality of voices, the Bakhtinian concept refers to voices that are different because they oppose other voices. The plurality is reached in face of the other: discourse becomes nonsimilar (not necessarily contrary) to the others around it.

Thus, in order to discuss how heterodiscourse encompasses several literary-linguistic phenomena, this study aims to analyze passages from Don Quixote that show important aspects of the concept developed by Bakhtin.

The following three sections will explore constitutive aspects of heterodiscourse. In the first one, we examine the plurality of voices that compose the narrative and analyze how the voices of the authors, narrators and characters are architectonically organized. Then, we observe how different literary and non-literary styles are represented through the voices of the participants of Cervantes's work, cooperating for the heterostylistic nature of the novel. In addition, we emphasize the importance of the diversity of discourse genres that are integrated in the novel, contributing to its heterodiscursivity, insofar as this myriad of genres adds different styles and voices to the novel.

The last section summarizes the discussions developed, pointing to the understanding that heterodiscourse is a broader concept than heteroglossia is. If the latter seems to be reduced to social languages (or varieties), the former allows us to understand the complexity of these languages, materialized in different voices, styles, and genres.

The concept of diversity of voices can be understood as the plurality of voices and, since Bakhtin carries out his studies from discourse in the novel, it is important to remember that these voices are initially from specific speaking persons in the novel: author, narrator, and characters. These Bakhtinian propositions would be, then, situated in the literary scope.

Schnaiderman (2005, p.20)SCHNAIDERMAN, B. Bakhtin 40 graus (Uma experincia brasileira). In: BRAIT, B. (Org.) Bakhtin, dialogismo e construo do sentido. 2. ed. rev. Campinas, SP: Editora da Unicamp, 2005, p.13-21. [1997]., however, opportunely warns that "despite the relevant works of literary theory based on Bakhtin's reflections and the contribution they can still make, what he has designed to be explored in other fields seems to be particularly rich in suggestions."4 4 Original text: "por mais relevncia que tenham os trabalhos de teoria literria baseados em Bakhtin, e por mais que eles ainda nos possam dar, o que ele deixou delineado para a explorao de outros campos parece particularmente rico em sugestes." Schnaiderman's position is essential, since it attests to the possibility and the importance of seeking to carry out Bakhtin's studies in other fields of knowledge.

Nevertheless, it is important to point out that some of Bakhtin's reflections use the literary prose as an object of analysis in order to develop concepts. That is the reason why the origin of these concepts should be considered when making their transposition to other spheres of communication, to texts which do not always present elements of the novel.

In Don Quixote, for instance, there are complex dialogic relationships between the voices of authors, narrators and characters, constituting a singular diversity of voices, which contributes to the heterodiscursivity of the novel. We should start with the issue of authorship, which, for many reasons, is truly complex. The first reason is that between the publication of the First Part of the Ingenious Gentleman Don Quixote of La Mancha, in 1605 and the Second Part of the Ingenious Gentleman Don Quixote of La Mancha5 5 The tomes are named according to the English translation that is being used: CERVANTES, M. Don Quixote. Translation by Edith Grossman. New York: Harper Collins Publishers Inc., 2003 [1605-1615]. in 1615, there is an apocryphal continuation of the first book, whose author would be Alonso Fernndez de Avellaneda (cf. Vieira, 2012VIEIRA, M. Apresentao segunda parte de D. Quixote. In: CERVANTES, M. O engenhoso cavaleiro D. Quixote de La Mancha: Segundo Livro [1615]. Trad. Srgio Molina. 3.ed. So Paulo: Editora 34, 2012. [2007]), although there is no agreement regarding this subject.

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