Doors Soundtrack Download
Hadda Condino
In previous versions of DOORS, an inaccessible void area existed beside The Reception of the Hotel, with a neon white block emitting this soundtrack. Unlike other soundtracks, this was not composed by Lightning_Splash, but is rather APM Music uploaded by Roblox.
These soundtracks were made exclusively to promote different media that directly relates to the game. These media include major updates and plushies. None of the soundtracks below can be found in the game through normal means.
The Doors: Original Soundtrack Recording is the soundtrack to Oliver Stone's 1991 film The Doors. It contains several studio recordings by the Doors, as well as the Velvet Underground's "Heroin" and the introduction to Carl Orff's Carmina Burana. None of Val Kilmer's performances of the Doors' songs that are featured in the movie are included in the soundtrack.
The cover for the album is of Jim Morrison as portrayed by Val Kilmer. It is a photo of Kilmer looking straight in the camera's lens. His face is in black and white and his hair has the color of burning flames, it is the same effect created on the movie's posters and advertising material.
The French release of the soundtrack features Jim Morrison walking in a hallway towards the viewer; he's also portrayed by Kilmer, and the photograph was also part of the advertising material especially in France.
The When You're Strange soundtrack features 13-songs chronicling The Doors' six landmark albums with studio versions of classic tracks mixed with legendary live cuts including performances from The Ed Sullivan Show and The Isle Of Wight Festival.
ABOUT THE FILM: 'WHEN YOU'RE STRANGE' uncovers historic and previously unseen footage of the illustrious rock quartet and provides new insight into the revolutionary impact of its music and legacy. Directed by award-winning writer/director Tom DiCillo and narrated by Johnny Depp, the film is a riveting account of the band's history. The film reveals an intimate perspective on the creative chemistry between drummer John Densmore, guitarist Robby Krieger, keyboardist Ray Manzarek and singer Jim Morrison - four brilliant artists who made The Doors one of America's most iconic and influential rock bands. Using footage shot between the band's 1965 formation and Morrison's 1971 death, 'WHEN YOU'RE STRANGE' follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.
Located in the heart of Center City Philadelphia, there are a lot of options for getting to and around the theater. Strong dining options are close by and plentiful and accommodations are also convenient. View the following links for more information:
The Academy of Music opened its doors in 1857 and has been showcasing some of the world's best artists and performers. Today the theater is widely used for a variety of performances from Broadway to comedians, musicians and orchestras.
The hall was built in 1855-57 and is the oldest opera house in the United States that is still used for its original purpose. Known as the "Grand Old Lady of Locust Street," the venue is the home of the Pennsylvania Ballet and Opera Philadelphia. It was also home to the Philadelphia Orchestra from its inception in 1900 until 2001, when the orchestra moved to the new Kimmel Center for the Performing Arts. The Philadelphia Orchestra still retains ownership of the Academy.
Burnout Revenge's soundtrack contains over 40 songs from some of the most popular musicians around the time of release. The track listing features artists such as The All American Rejects, Bloc Party and We Are Scientists. It also contains some remixes of songs by other bands such as Infusion, Mindless Self Indulgence and The Doors. In addition, the soundtrack features video game regular Junkie XL.
Some songs featured in the game's soundtrack have been censored to conform with the games young age rating (PEGI:3+ ESRB:E10+).The soundtrack also features some songs that have appeared in the Burnout Legends Soundtrack.
Lee Barron teaches in the Department of Media at Northumbria. His writings have appeared in Postcolonial Studies, The Journal of Popular Culture, Nebula, Fashion Theory, Chapter and Verse, International Review of the Aesthetics and Sociology of Music and Disability & Society and in a number of books, including Popular Music and Film (2003), Speak To Me: The Legacy of Pink Floyd's Dark Side Of The Moon (2005), Terror Tracks: Music, Sound and Horror Cinema (2009), The Tube Has Spoken: Reality TV and History (2010) and Illuminating Torchwood (2010).
Christine Cornea is a lecturer with the School of Film and Television at the University of East Anglia. Christine has published extensively on sf film and television, including Science Fiction Cinema: Between Fantasy and Reality (2007), and on screen performance, including the edited collection Genre and Performance: Film and Television (2010). She is currently working on Post-Apocalypse on the Small Screen.
Rebecca Coyle is Research Director for the School of Arts & Social Sciences, and teaches in the Media studies program at Southern Cross University, Australia. She is currently coordinating an Australian Research Council Discovery Project on Australian film music production and innovation. She has published two anthologies on Australian feature film music, and an anthology of essays on animation film music Drawn to Sound: Animation Film Music and Sonicity (2010). She is editor of Screen Sound: The Australasian Journal of Soundtrack Studies, an Associate Editor for Convergence journal and has guest edited special issues of a range of other journals.
Mark Evans is the Head of Media, Music, Communication and Cultural Studies at Macquarie University, Sydney. He is the author of Open Up the Doors: Music in the Modern [End Page 339] Church (London) and Executive Editor of The Encyclopedia of Film Music and Sound, to be released in three volumes (2012-15).
Lincoln Geraghty is Principal Lecturer in Film Studies and Subject Leader for Media Studies in the School of Creative Arts, Film and Media at the University of Portsmouth, and an editorial advisor for The Journal of Popular Culture, Reconstruction and Atlantis. He is the author of Living with Star Trek: American Culture and the Star Trek Universe (2007) and American Science Fiction Film and Television (2009), the editor of The Influence of Star Trek on Television, Film and Culture (2008) and Channeling the Future: Essays on Science Fiction and Fantasy Television (2009), and a coeditor of The Shifting Definitions of Genre: Essays on Labeling Film, Television Shows and Media (2008). He is currently editing Directory of World Cinema: American Hollywood and a collection on Smallville.
Philip Hayward is director of research training at Southern Cross University, Lismore, Australia. He edited the anthology Off the Planet: Music, Sound and Science Fiction Cinema (2004) and recently completed a two part study of soundtracks of sf sex films included in Bruce Johnson's anthology Earogenous Zones Sound, Sexuality and Cinema.
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