The firm's notable current work includes the new headquarters for The Walt Disney Company,[1] the global headquarters for Citigroup,[2] Moynihan Train Hall and the expanded Penn Station complex,[3] and the restoration and renovation of the Waldorf Astoria in New York City;[4] airport projects at O'Hare International Airport,[5] Kansas City International Airport,[6] and Kempegowda International Airport; urban master plans for the Charenton-Bercy district in Paris, New Covent Garden in London, Treasure Island in San Francisco, the East Riverfront in Detroit; P.S. 62, the first net-zero-energy school in New York City;[7] and the design of the Moon Village, a concept for the first permanent lunar settlement, developed with the European Space Agency and Massachusetts Institute of Technology.[8] Notable for its role as a pioneer of modernist architecture in America and for its groundbreaking work in skyscraper design and construction, SOM has designed some of the world's most significant architectural and urban projects including several of the tallest buildings in the world: John Hancock Center (1969, second tallest in the world when built), Willis Tower (1973, tallest in the world for over twenty years), One World Trade Center (2014, currently the seventh tallest in the world), and Burj Khalifa (2010, currently the world's tallest building).[9]
SOM's multidisciplinary practice works across a range of scales and project types, providing services in architecture, building services/MEP engineering, digital design, graphics, interior design, structural engineering, civil engineering, sustainable design and urban design & planning.[10]
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The firm's first influential project was Lever House, completed in 1952 to become the first International Style office building in New York City. Constructed of glass and steel at a time when Park Avenue was lined with masonry buildings, Lever House introduced a modernist aesthetic that embodied the spirit of the times and influenced an entire generation of high-rise construction. As architectural historian Reyner Banham wrote in 1962, "It gave architectural expression to an age just as the age was being born ... Lever House was an uncontrollable success, imitated and sometimes understood all over the Americanized world, and one of the sights of New York".[11] In 1982, the New York City Landmarks Preservation Commission designated Lever House an official landmark.[12]
SOM's work in New York City included the Manufacturers Trust Company Building, completed in 1954 as the first International Style bank building in the United States,[13] and the Pepsi-Cola World Headquarters, completed in 1960. Architectural historian Henry-Russell Hitchcock called the Pepsi building "the ultimate in refinement of proportion and elegance of materials," while New York Times critic Ada Louise Huxtable placed it "at the top of the list, with Seagram and Lever House, of the city's few modern landmarks."[12] The following year saw the completion of One Chase Manhattan Plaza (later 28 Liberty Street), the first International Style building to rise in New York City's Financial District.[14] The project is noted for helping to turn the tide of a corporate exodus to Midtown Manhattan and the suburbs and reasserted Lower Manhattan as a viable business district after years of decline.[15] SOM's design for 28 Liberty Street also transformed the crowded streetscape of the Financial District by creating a plaza surrounding the tower, a novel concept that would be adapted in many future projects.[16]
Another example of SOM's modernist works is found in Colorado Springs, Colorado, where SOM planned a campus for the U.S. Air Force Academy. Built between 1958 and 1968, the campus broke from the traditions of West Point and Annapolis to become the first U.S. military academy designed in the modern style.[17] The centerpiece of the campus is the Cadet Chapel, designed by architect Walter Netsch. The American Institute of Architects awarded the building with its prestigious Twenty-five Year Award, conferred onto "a building that has set a precedent for the last 25 to 35 years and continues to set standards of excellence for its architectural design and significance" .[18]
SOM has a long history in sustainable architecture and design. In 1969, SOM founder Nathaniel Owings wrote, "Civilizations leave marks on the Earth by which they are known and judged. In large measure, the nature of their immortality is gauged by how well their builders made peace with the environment." (source: Nathaniel Owings, "The American Aesthetic," Harper & Row, 1969) This ethos has shaped the firm's journey into sustainable practices. An early example is the corporate headquarters it designed for timberland company Weyerhaeuser, completed in 1971, which has been called the "original green building" not only for its integration into the surrounding landscape, but also for its use of efficient building systems. Another milestone in large-scale sustainable architecture was the completion of the U.S. Census Bureau Headquarters in 2007, the first federal office building to receive LEED certification. Like Weyerhaeuser, the design of the campus works in concert with its natural surroundings and incorporates a range of design strategies to reduce its environmental impact.
In 2015, SOM completed the first net-zero-energy school building in New York City and one of the first worldwide. The Kathleen Grimm School for Leadership and Sustainability at Sandy Ground, Staten Island,[19] has been awarded for its sustainability performance by organizations including the American Institute of Architects, the Municipal Art Society, and Urban Land Institute. SOM has been recognized for its research and experimentation with new energy-saving and carbon-reducing technologies, such as a timber tower[20] and a modified concrete slab design.[21]
In the 1970s, SOM pioneered a new era of skyscraper design with its work in Chicago, including the John Hancock Center (completed 1970) and Willis Tower (formerly Sears Tower), which became the world's tallest structure upon its completion in 1973 and remained so for more than 20 years. Both towers are the result of collaboration between architect Bruce Graham and engineer Fazlur Rahman Khan, who is often considered to be the greatest structural engineer of the 20th century.[weasel words] Khan invented a tubular framing system that made it possible to build higher than ever before. This system has been adapted and is still used today for some of the world's most recent tallest buildings, including the 828-meter-tall Burj Khalifa, designed by SOM and completed in 2010.
In the 1960s and 1970s, SOM was an early leader in computer-aided design, developing in-house digital tools that preceded the CAD systems used widely today. This work quickly proved valuable in the generation of structural analysis tools that were embraced by Fazlur Khan and his engineering team, aiding the design of projects such as the John Hancock Center.
The activity of an experimental research group at SOM known as the Computer Group exemplifies a particularly productive effort within the firm to incorporate technological research into its practice. Through the 1970s and 1980s, members of the relatively small, dedicated group pushed to integrate the computer's enhanced data-storing and analytical abilities into various phases of the design process. Through these initiatives, SOM was able to identify the potential of the computer to not only expedite necessary calculations but also introduce new ways of representing and sharing information. Just as structural engineering came to be seen early on at SOM as a means of generating rather than simply realizing architectural ideas, with concerted effort, computers gained credence at the firm, and eventually throughout the industry, as a catalyst for architectural innovation. In 1980, an in-house team at SOM created Architecture Engineering Systems, a computer program that was used to study complex structural systems and energy demands.[22] This program is regarded as a precursor to the array of building information modeling (BIM) tools now used by the profession.[citation needed]
SOM is structured as a partnership. The current partners and consulting partners are: Mustafa Abadan, William Baker, Thomas Behr, Keith Boswell, Carrie Byles, Larry Chien, Leo Chow, Brant Coletta, Chris Cooper, Paul Danna, Michael Duncan, Scott Duncan, Laura Ettelman, Xuan Fu, T.J. Gottesdiener, Gary Haney, Craig Hartman, Kent Jackson, Colin Koop, Kenneth Lewis, Mark Sarkisian, Adam Semel, Jonathan Stein, and Douglas Voigt.
Gordon Bunshaft, who thrived as a design leader at SOM for more than 40 years, received the profession's highest honor, the Pritzker Architecture Prize, in 1988.Notable architects who are associated with SOM include: T. J. Gottesdiener, Edward Charles Bassett,[23] Natalie de Blois,[24][25] Gordon Bunshaft,[26][27] David Childs,[28][29] Robert Diamant,[30] Philip Enquist, Myron Goldsmith,[31][32] Bruce Graham,[33][34] Gary Haney, Craig W. Hartman,[35] Gertrude Kerbis,[36] Fazlur Rahman Khan.[37] Lucien Lagrange,[38] Walter Netsch,[39][40] Larry Oltmanns,[41] Eszter Pcsi,[42] Brigitte Peterhans,[43][44] Norma Merrick Sklarek, Adrian Smith,[45] and Marilyn Jordan Taylor[46]
Architect Sally Harkness, a founding partner at The Architects Collaborative in 1947, was interviewed at the firm during World War II along with her husband Chip Harkness, but only her husband received a job offer. In an interview later in life, Sally Harkness explained that she was told the firm did not believe in hiring women.[47] Norma Merrick Sklarek, an African-American, was hired by SOM in 1955 after having been previously rejected by 19 other firms. She stayed there for 5 years, eventually starting her own firm.[48] Patricia Weston Swan spent her 30-year career with SOM including many leadership roles but never achieved partner status, perceived by a colleague in the Denver officer as evidence of the "glass ceiling" that was in place at that time at SOM[49]
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