Sanjay Leela Bhansali is among the most celebrated Film Makers of the Bollywood. Having worked with the biggest stars of Indian Film Industry, Bhansali is the most sought-for director of the Bollywood. He started his career as an assistant director to Vidhu Vinod Chopra. If one has to name his 'niche' genre, it would definitely be Mega-Musicals. From Devdas to Bajirao Mastani, Hum Dil De Chuke Sanam to Saawariya, love of cinema and music, proclaims through every movie he writes or direct. His 1999 Romantic-Drama, Hum Dil De Chuke Sanam, starring heartthrob duo Salman-Aishwarya became one of the most critically cherished movies of the Genre. Amitabh Bachan, starrer Black was equally appreciated by the critics. But he made his presence felt with 2002 adaptation of the Hindi literary masterpiece, Devdas, for a silver-screen experience. He received a nomination for Best Foreign Film at BAFTA for the movie.Devdas has become a name synonymous with a passionate, intense love that does not find consummation. This similar theme has been repeated numerous time in the literary work. And one of them is Romeo & Juliet. He translated this classic tale into Indian Folk Idiom.
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Let me say something right here. Ram Leela is one of my favourite movies, no, it's not because it was a Gujarati movie, but because the plot, the dialogues, and the setting were just perfect. Sanjay Leela Bhansali is known to be the perfectionist in whichever movies he makes and for me, this movie was altogether on a different level. I have grown up watching his movies and somehow, he narrates the movie into a perfect fiction story; something rarely found in Bollywood. He has a craft and the skill to go to the depth of the story and make the audience feel as if they are transported there.
So, when I was researching for my article, 17 Mistakes In Our Bollywood Movies, I happened to watch the movie again when suddenly, I felt like I was watching the movie through the critics' point of view. As I was watching this movie, I found certain symbols that had hidden meanings that stood for more than I had originally thought.
So, when I was watching the movie, I couldn't help but notice the tiny details that went into making the movie. While it is inspired by the famous tragedy of Romeo and Juliet, the communities in the film were based on real life. I could go on and on about the movie but my article is centred on the lead characters, Ram and Leela.
When Ram goes to the Saneda community to check out the girls, that's when he first sees his lady love, Leela. She is an enigma, enthusiastic, bold and unapologetic. Do you know what's the best part of the scene? No words were spoken. It was just based on the expressions. But if you notice closely, Sanjay has brilliantly portrayed the first scene.
Cue the song Lahu Muh Lag Gaya. In the scene, Leela is wearing ghagra choli which is a combination of red and white. The white symbolises purity and young budding love and red symbolise passionate love. Like in the literature and our older movies, the girl doesn't let anyone apply colour on her apart from her lover/husband. (Apparently, the first red colour has to be applied by the lover)
The colour white is an inherently positive colour and is associated with purity, innocence. It affects the mind and body by aiding in mental clarity, promoting feelings of fresh beginnings and renewal. So, the white colour in this scene means starting afresh, something that is pure and clear. The beginnings of love.
When Leela, his love was taken away from him, he died inside. He wore black as mourning. Mourning for his love, for being unable to save them, for his own death. When he was declared the chief, he said to his Bhabhi, that the old Ram is dead. He can't mourn. But his feelings and his clothes depict otherwise.
This scene says a lot. Traditionally, the wife is supposed to put tilak on her husband's forehead. When Leela puts tilak on Ram's forehead and touches his feet, she is telling it to the whole community that this is my husband and I love him. She moreover tells her mom that he is mine as I am his. Just in one act.
After Dhankor cuts Leela's finger and she is lying in her bed, Ram comes and puts a blood-stained mark on her window. This means that he has cut his finger and is feeling the same pain as she does. It also symbolises that he is in this together. When Leela wakes up and goes out to the balcony, a peacock is seen fluttering, symbolizing that Ram is the peacock that came to visit her.
The peacock is associated with Lakshmi who is a deity representing benevolence, patience, kindness, compassion and good luck. In Bhansali's world, the peacock is a metaphor for love. His hero Ram is the peacock who spreads the message of love everywhere as at one point he says, "make love, not war."
When Dhankor gifts him the dead peacock, it is another great foreshadowing! Throughout the movie, two peacocks have been seen fluttering just like the lead characters. When Ram receives a dead peacock, it not only symbolises death of his love while giving us a small hint of the future scene.
When things started to go against them, fate once again pulled them apart, their expressions and clothes denoted so much about the tragedy that's going to strike. When they both became chiefs, they realised that whatever they do, they can't be back together. The enmity is so deeply rooted in the community, that they had to choose hate to work out. Towards the end, they realise that their love can't be kept alive, and the more they live, the more lives will be destroyed.
So when they decide to kill each other, they are dressed in black; which symbolises death. Also, if you notice, towards the end, there are no birds in the garden. The love has come to the end. Their story has to die.
We are too easy to forgive Casanova types in the movies and that somehow starts reflecting in real life.
Men are supposed to be philandering and women are supposed to be forgiving in the name of keeping the family intact. Dil dhadakne do was a good example of how we think. Shefali Chhaya stays with a Casanova husband because she has nowhere else to go!
I believe only when we start showing some positivity relating to women in movies, will the change start reflecting in society. A good example is eloping replaced by couples waiting and convincing parents after DDLJ hit theatres. Though I believe that was the only good thing out of that movie.
The said incident was in jest, but what I want to explain is that unknowingly these things are a part of my psyche, thanks to being a huge SRK fan growing up and watching those family oriented movies as a teenager. This is also the reason I believe that Cinema and Society are a reflection of each other.
Flights have been grounded; hotels and resorts have closed down, and travel plans cancelled indefinitely. The lockdown, due to coronavirus, has played the perfect spoilsport for every traveller. However, that does not mean that you have to put a full stop to your exploring! You can still visit your dream destinations, albeit virtually.
This is one of the best movies that has been filmed across Goa. Though each of us has a different reason for remembering the movie, the backdrop of beaches and the greenery makes the movie all the more appealing. The idea of chilling on the beach with friends gives us major vacation goals. It probably kicked off the trend of a mandatory road trip to Goa with friends. So if you are missing the sea, the beaches and the waves you know what movie to watch!
This is the quintessential travel movie. The rom-com starring Shahid and Kareena starts with a train journey from Mumbai. The train journey follows the strangers through Ratlam, Kota in Rajasthan to Simla and Manali in Himachal Pradesh as they get to know each other. The movie also features some of the best views of the mesmerizing Rohtang pass! The film will definitely want you to take a train journey soon as the lockdown ends!
Based on a novel, this Julia Roberts film is all about self-discovery. The country is shown through the eyes of a divorced lady who travels through India in search of peace and spirituality. It takes you from the modern setting of Delhi to the rural atmosphere of Pataudi. The movie manages to expertly capture the sights and sound and the stark differences between the urban and rural landscapes.
Not your quintessential travel movie, this is a journey of two individuals from extreme ends of the society that share an unexpected journey and end up discovering an unlikely bond. The film takes you through the salt plains of Gujarat to the Sangla valley in Himachal to the Aru valley. It explores Kashmir and Pahalgam like never before. The picturesque backdrop adds to the charisma of the movie and will leave you yearning for more!
The masala flick starring SRK opposite Deepika Padukone is a 140-minute advertisement for destinations down south. Chennai Express takes you on an unforgettable journey from the picturesque Dudhsagar falls in Goa to the green hills of Munnar. Some of the other star attractions featured in the movie include Devikulam lake and Kannimala. Though the chemistry between the lead pair makes it exciting, the scenic backdrop of Kerala is bound to be imprinted in your memory forever!
Sanjay Leela Bhansali is one of the most critically and commercially successful directors in Indian cinema, with movies ranging from passionate love stories to historical narratives. He is praised for the grandness of the visual spectacle in his movies, whose stories often push societal boundaries.
Nearly all of his works are critically acclaimed. Audiences are drawn to his opulent style and emotionally charged storylines. His signature aesthetic is undeniable as Bhansali paints his stories on a canvas rich with colour, texture, and detail. Apart from music, he is known for paying attention to costumes and set design which transports viewers into the heart of the narratives he presents on the screen.
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