Re: Download Toilet - Ek Prem Katha Movies 1080p Torrent
Julia Heaslet
I sincerely feel that, apart from entertaining us, movies are major tools of change management, inspiration & much more. Toilet Ek Prem Katha is one such movie. It talks about a major problem i.e Open Defecation, faced by our country today & presents us tackling of this social issue with entertainment, which by the way is uncommon these days especially in Bollywood Movies.
The movie also highlights the problems faced by women in general, especially the time when they go out for open defecation, in darkness & under cover and sometimes saving themselves from Men lurking at them. It talks about the responsibility of not just the government, but also of citizens. The movie has shown examples where the place allotted for public toilets have been used as a tailor shop; a cow shed etc. which is pretty much shameful & true.
The movie has some really funny moments, good scenes & dramatic moments too. Second part of the movie looks bit stretched with some not so required songs. In my opinion, falling in love part where stalking behaviour of both Hero & Heroine & then their eventual romance could have been avoided & instead of that; that entire process could have been presented it in a different way.
If you are still asking me whether to watch this movie or not, I would recommend you to definitely watch it. There is entertainment, social issue & its resulting problems that we all need to be aware of.
This is not a work of artistic integrity. It adds nothing to a Wikipedia page except the odd rousing monologue, 1990s Doordarshan exposition and awful lensing, idiotic songs and tough throat muscles. It might want to say relevant things about India's withering sanitation culture and gender inequality. But it says these things in a fundamentally dishonest manner. In fact, it shouts these things. Noble objectives do not automatically translate into remarkable cinema; there has to be a desire to go beyond the book and incorporate these loud philosophies in the least obvious manner possible.
Simply bringing something like this to the big screen with the widest reach possible should not be enough. Suddenly we begin to judge such movies through the "social-message" prism; political correctness takes over, and we treat them leniently with baby gloves usually reserved for low-budget independent films.
But Toilet fails on most levels. It educates, shamelessly advertises, spreads awareness and sermonizes with the violent sincerity of a mouthpiece ("If our PM could remove corruption with note-bandi, surely we can shut down our government's toilets to remove callous attitudes and ensure a cleaner India!"), but at no point does it embrace the essence of storytelling.
Simply bringing something like this to the big screen with the widest reach possible should not be enough. And unfortunately, it always has been. Suddenly we begin to judge such movies through the "social-message" prism; political correctness takes over, and we treat them leniently with baby gloves usually reserved for low-budget independent films. At least the Madhur Bhandarkar and Salman Khan philanthropy entertainers don't hold back on their unabashed dramatic language and kitschy characters. But there's zero personality to Toilet. I'm not even asking for restrained treatment or intelligent grammar; I'm just asking for more than a kindergarten-level screenplay.
This might have well been one of those tacky government-sponsored Public Service Announcements that precede real films in cinema halls. It is not written; it is merely presented. This is, for all means and purposes, perhaps PM Narendra Modi's most expensive campaign video yet. I'm not sure what it says about this current government in power, but Hindi cinema has never been populated with so many mediocre, pandering, agenda-spewing and unsubtle social dramas masquerading as "good-natured" and meaningful popcorn fare ever before.
This might have well been one of those tacky government-sponsored Public Service Announcements that precede real films in cinema halls. It is not written; it is merely presented. This is, for all means and purposes, perhaps PM Narendra Modi's most expensive campaign video yet.
His father is of the belief that only marrying a two-thumbed girl will bring luck (cue Hrithik Roshan puns). One fake thumb later, they're married, until Jaya realizes that the village has no inbuilt toilets. Her job now is to transform her husband into a progressive, chest-beating, corruption-defeating symbol of mankind. So she leaves him.
In the second half, Toilet predictably turns into a dated Peepli Live as it attempts to bring the macro picture into focus. We see shady ministers, media clips, minister reactions, public reactions, transformations, righteous ministers, villager reactions, product placements, simplistic sarkaari machinery and the whole sensationalist shebang. It's all very familiar, and absolutely devoid of ambition and colour. Every scene feels like an insert, and every face sounds like a checklist of ideologies to be ticked.
Kumar breaks into tears at one point during his speech, frustrated with the narrow-mindedness of his villagers. This is the one moment I wholeheartedly related to in this film. The myopic, compromised, limited, safe vision of this industry's "storytellers" makes me equally angry. Keshav gets me.
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