Exportar De Photoshop A Pdf
Annice Hemmerling
creo que el responsable del proyecto de las ultimas versiones de Photoshop o es un demente o no se explica como puede ser que no se pueda exportar una imagen al color que toca y que cada vez tenga que perder horas para ver tutorial de como cambiar los perfiles de color. Y tengo 20 aos de experiencia en diseo!
I need to save each layer of my psd document as a page in a multi-page PDF file (or as a single-page PDF file each as I can combine them later). File->save as->PDF works for 1 layer at a time, but I don't fancy doing this for all 150 pages of the document.
I also tried the File->Scripts->Export layers to files, but it runs incredibly slowly (actually slower than me doing it manually) and I also have to output them to images, then re-import them in acrobat which doesn't allow me (or I haven't found the option anyway) to save the document in the PDF/X-1a:2001 format I require (which is an option from the photoshop file->save as dialog).
As far as being slow... Don't know how big your image is or how many layers there are, but on an old (2008) MacBook Pro it exported a 2848x4288 pixel image's four layers in less than 30 seconds. I can't speak to your configuration. But at least it can run without having to convert the results from images to PDFs.
I try to wrap my head around the thought processes where someone builds 150 Photoshop files that are destined for print production. If it's a book, manual, catalog, or something similar you sort of created way more work for yourself by not using proper tools from the start. But then again, maybe there's some reason, I'm not considering, in which you had to use Photoshop for every page.
But in any event, use Adobe Indesign. Place all the Photoshop pages into an Indesign document. Note, for press you'll need 148 or 152 pages - 150 pages will not work for printing (assuming it's a book or similar).
@0xFK - yes, in newer Creative Cloud programs, I agree that Export > Layers to Files from Photoshop is a great option. That command will provide you with many image files. If you have Adobe Acrobat, moving out of Photoshop at this point is ideal. In that case, you could quickly create a pdf combining those many image files using Adobe Acrobat's File > Combine Files into a Single PDF command.
I have a web layout that I've created using Affinity Designer and I want to export it as a PSD with layers (preferrably editable where possible) so someone I'm working with who only has and knows Photoshop can make changes.
However, when I export the layout no matter which preset I choose (even PSD preserve editability) it always exports flattened to one pixel background layer. I'm opening the result in Photoshop CC 2018.
I am not sure about this but I do not think that is necessarily true, at least with the PSD preserve edibility preset. I don't have PS to test with but opening a test PSD file exported from Affinity Designer that has just 2 simple curve layers but no enclosing "(Layer)" in Apple's Preview app shows it has 3 layers, one with an (I assume) default 'background" name & either 2 more with no names or with the custom names I give those curve layers.
This appears to be due to the Threshold filter you have clipped to the top of your ArtBoard if you bring it outside of the ArtBoard it should work fine. I have spoken to our QA team regarding this and they seem to think this behaviour is by design.
By the way, I think that a hidden Threshold layer would cause the export into a layered format to be flattened sounds very unintuitive to me and I would have expected to just be exported like any other layer in a hidden state
Hi MrDuffy,
Welcome to Affinity Forums
If you are referring to text layers currently those are always rasterised on export. If any other layer type to you mind attaching the PSD here so we can take a look? I can provide an upload link if necessary.
Hi Safia,
Welcome to Affinity Forums
I believe you are referring mostly to text layers correct? Currently Affinity doesn't export text layers as editable text layers to Photoshop. They are rasterised (converted to images/pixels) on export. This is something we would like to implement but due to the closed nature of the PSD format/lack of documentation is not something easy to achieve, sorry. If that's not the case do you mind attaching the original affinity document/file you are trying to export as PSD? I can provide an upload link if you wish to keep the file private or are having trouble uploading it to the forums.
While I understand about the photoshop thing, this printing issue of not being able to print to 100% K is really bad. This has cost my client around 8 hours of work trying to work this out and now I can't even fix it in Photoshop. Now I have to go back to Adobe (this still may be true).
Hi @JutGent18,
Welcome to Affinity Forums
Here's an upload link as requested. Note that Affinity doesn't support export text layers as editable text layers to PSD (all text layers are rasterised on export).
Hi JutGent,
Thanks for the file. I confirm some elements were rasterised on export (adjustments + headshots) as well as editable text layers as i mentioned above. All the rest was exported as editable shape layers. I'm sending a screenshot via PM comparing part of the files (layers) in Designer and Photoshop (just in case you wanted to keep it private). It this what you are getting too?
I copy paste my 200x200 square that failed to a new 3dm file and this also then fails.
Open the copy pasted square onto tower and export as ai, still it fails,
yet a new file with 200 x 200mm square from tower rhino V5 works.
Couple of ways around this.
1/. Put objects you want to export so that their bounding box is at 0,0
2/. Do a round trip via Corel Draw. Import your AI file into Corel. Then export selected as EPS. Then create PS file that is bigger than the object and Place Embedded. It WILL scale correctly.
Hi,
I dont own Illustrator or Corel and cant afford them for this purpose. I just wish Rhino exported as eps as that was how I exported from Freehand Vector graphics prog to Photoshop. Worked a treat. Vital was the ability to colour items as cmyk and open as such. There is no cmyk colour palette in Rhino which enables easy altering of all instances of a cmyk colour by alterijg the layer colour and this is the big problem when needing to create a cmyk raster image in photoshop from Rhino.
I export various parts of the drawing, open each into photoshop and assemble as one psd file these as layers in photoshop. The export box preserves scale for the exported items, they must all be within it.
Can't be done; once you open a CR2 file in Photoshop it becomes a bitmap and cannot be resaved as a raw file. Your best option would be to save the panos as 16-bit TIFFs since that would reain the most data.
You need to understand the concept of what RAW files are. They only contain raw data from the camera sensor, they are not image files and need to be processed by your camera firmware or a raw processing software. Once processed to a tiff, psd or jpeg file (image files) they are no longer raw.
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Denis de Gannes
There is one possibility, and that is to save the panorama as a TIFF and then convert to a DNG file which is a raw file of sorts. In fact if you've saved a panorama that you have merged in Photoshop (or any other program I would think) it won't be a raw file now. It may be a tiff, a PSD or some other file type. While converting from a Tiff to a dng wouldn't gain you any extra information, the file size may be smaller.
You can convert directly from Lightroom or by using the Adobe Dng Converter. Lightrom is probably easier, I find, especially if you are converting other raw files because you can use a Hierarchy plugin that preserves your folder structure, too.
How about using 'match total exposures' in lightroom? Its in the settings menu in the develop module. If you select a series of images in lightroom, then select match total exposures, then open 'Edit In' and 'Merge to panorama in photoshop' it should make the panorama with all images averaged.
I wouldn't, that has nothing to do with raw relating to digital photography. It's a little used and not widely supported format used for specific tasks. OP could try it of course, but it would get them nowhere fast. To quote Adobe:
In my opinion, that is definitely the way to go. Lightroom is good at adjusting several Raw based images all to the same optimal processing. It's easier and the quality of the end result tends to be better if you do it this way round - rather than converting using the "wrong" WB etc, and then trying to recover from that later using, necessarily, destructive techniques.
I would also give some attention to noise reduction, together with low-level (conservative) sharpening, at this stage. Once these aspects have been muddled and pulled around during stitching, it is too late to do the best job of them IMO.
If you want to be able to reprocess your images, why don't you import those raw files as 'Smart Object' into photoshop, and do your stitching using masks? If you want to edit one of the pictures you open it up in ACR by doubleclicking it. ACR has the same correction functionality als LR.
Adobe recommends that you keep Photoshop set to ProPhoto color space so that it will match the color space of Lightroom. Do this with the Photoshop Edit/Color Space command. To save the TIFF or PSD file in Photoshop and return the TIFF/PSD image to Lightroom for any further work simply use the Ctrl-S command.
I'm with Joey_B, send them to Photoshop as Smart Objects, then they will remain as encapsulated raw files in Photoshop and you can edit them in Camera Raw as raw files. Then if you change the white balance in the Camera Raw Smart Object in Photoshop, you can go back to Lightroom and make the exact same change. (There are actually some ways to make the changes in Lightroom and re-export in a manner that will replace the one in Photoshop, but much pain is involved. Hint, use the Replace Contents command for Smart Objects in Photoshop.)
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