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In electronic communications, an endec is a device that acts as both an encoder and a decoder on a signal or data stream,[5] and hence is a type of codec. Endec is a portmanteau of encoder/decoder.
A coder or encoder encodes a data stream or a signal for transmission or storage, possibly in encrypted form, and the decoder function reverses the encoding for playback or editing. Codecs are used in videoconferencing, streaming media, and video editing applications.
In the mid-20th century, a codec was a device that coded analog signals into digital form using pulse-code modulation (PCM). Later, the name was also applied to software for converting between digital signal formats, including companding functions.
An audio codec converts analog audio signals into digital signals for transmission or encodes them for storage. A receiving device converts the digital signals back to analog form using an audio decoder for playback. An example of this is the codecs used in the sound cards of personal computers. A video codec accomplishes the same task for video signals.
In addition to encoding a signal, a codec may also compress the data to reduce transmission bandwidth or storage space. Compression codecs are classified primarily into lossy codecs and lossless codecs.
Lossless codecs are often used for archiving data in compressed form while retaining all information present in the original stream. If preserving the original quality of the stream is more important than eliminating the correspondingly larger data sizes, lossless codecs are preferred. This is especially true if the data is to undergo further processing (for example, editing) in which case the repeated application of processing (encoding and decoding) on lossy codecs will degrade the quality of the resulting data such that it is no longer identifiable (visually, audibly, or both). Using more than one codec or encoding scheme successively can also degrade quality significantly. The decreasing cost of storage capacity and network bandwidth has a tendency to reduce the need for lossy codecs for some media.
Many popular codecs are lossy. They reduce quality in order to maximize compression. Often, this type of compression is virtually indistinguishable from the original uncompressed sound or images, depending on the codec and the settings used.[7] The most widely used lossy data compression technique in digital media is based on the discrete cosine transform (DCT), used in compression standards such as JPEG images, H.26x and MPEG video, and MP3 and AAC audio. Smaller data sets ease the strain on relatively expensive storage sub-systems such as non-volatile memory and hard disk, as well as write-once-read-many formats such as CD-ROM, DVD, and Blu-ray Disc. Lower data rates also reduce cost and improve performance when the data is transmitted, e.g., over the internet.
Two principal techniques are used in codecs, pulse-code modulation and delta modulation. Codecs are often designed to emphasize certain aspects of the media to be encoded. For example, a digital video (using a DV codec) of a sports event needs to encode motion well but not necessarily exact colors, while a video of an art exhibit needs to encode color and surface texture well.
Audio codecs for cell phones need to have very low latency between source encoding and playback. In contrast, audio codecs for recording or broadcasting can use high-latency audio compression techniques to achieve higher fidelity at a lower bit rate.
There are thousands of audio and video codecs, ranging in cost from free to hundreds of dollars or more. This variety of codecs can create compatibility and obsolescence issues. The impact is lessened for older formats, for which free or nearly-free codecs have existed for a long time. The older formats are often ill-suited to modern applications, however, such as playback on small portable devices. For example, raw uncompressed PCM audio (44.1 kHz, 16-bit stereo, as represented on an audio CD or in a .wav or .aiff file) has long been a standard across multiple platforms, but its transmission over networks is slow and expensive compared with more modern compressed formats, such as Opus and MP3.
Many multimedia data streams contain both audio and video, and often some metadata that permits synchronization of audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data streams to be useful in stored or transmitted form, they must be encapsulated together in a container format.
Lower bitrate codecs allow more users, but they also have more distortion. Beyond the initial increase in distortion, lower bit rate codecs also achieve their lower bit rates by using more complex algorithms that make certain assumptions, such as those about the media and the packet loss rate. Other codecs may not make those same assumptions. When a user with a low bitrate codec talks to a user with another codec, additional distortion is introduced by each transcoding.
Audio Video Interleave (AVI) is sometimes erroneously described as a codec, but AVI is actually a container format, while a codec is a software or hardware tool that encodes or decodes audio or video into or from some audio or video format. Audio and video encoded with many codecs might be put into an AVI container, although AVI is not an ISO standard. There are also other well-known container formats, such as Ogg, ASF, QuickTime, RealMedia, Matroska, and DivX Media Format. MPEG transport stream, MPEG program stream, MP4, and ISO base media file format are examples of container formats that are ISO standardized.
A codec can consist of two parts: an encoder that compresses the media file (encoding) and a decoder that decompresses the file (decoding). Some codecs include both parts, and other codecs only include one of them.
In the About Windows Media Player dialog box, select Technical Support Information. Your web browser will open a page that includes a lot of detailed info about the related binary files, codecs, filters, plug-ins, and services installed on your PC. This info should help you troubleshoot problems.
There are hundreds of audio and video codecs in use today. Some have been created by Microsoft, but the vast majority of codecs were created by other companies, organizations, and individuals. By default, the Windows operating system and the Player include a number of the most popular codecs, such as Windows Media Audio, Windows Media Video, and MP3.
However, there might be times when you want to play content that was compressed by using a codec that Windows or the Player doesn't include by default. In many cases, you can download the necessary codec from the web for free or for a fee. And, in some cases, the Player can automatically use the codecs installed by other digital media playback and creation programs on your computer.
If you know the name of the codec or its ID (known as a FourCC identifierfor video codecs or a WaveFormat identifierfor audio codecs), try searching the internet for it. You can often go to a codec manufacturer's website to download the most recent version of a codec. If you don't know the missing codec's name or ID, see How do I tell which codec was used to compress a file and what format a file is in?
Use caution when installing codecs that you find on the internet, particularly some of the free codec packs that claim to include codecs from a wide variety of companies or organizations. There are known compatibility issues with some of the components in these codec packs, and these can trigger serious playback problems in Windows Media Player and other players, cause system corruption, and make it difficult for Microsoft Support to diagnose and troubleshoot playback issues.
Therefore, we strongly discourage you from installing these codec packs and recommend that you remove them if you have installed them and are having problems with the Player. Install codecs, filters, and plug-ins only from trusted sources, such as the provider's official website. Even then, use caution: some codec providers offer minimal customer support. Before installing any digital media components, set up a system restore point. This lets you return to your original system configuration, if necessary.
To determine what codec was used with a specific file, play the file in the Player, if possible. While the file is playing, right-click the file in the library, and then select Properties. On the File tab, look at the Audio codec and Video codec sections.
You might be able to tell the format of a file by looking at the file name extension (such as .wma, .wmv, .mp3, or .avi). However, there are limits to this approach. Many programs create files with custom file extensions. And it's possible for anyone to rename a file without changing the file's format. A file with an .mpg or .dvr-ms extension, for example, is usually just an AVI file that's been compressed by using some version of an MPEG video codec.
A DVD decoder is another name for an MPEG-2 decoder. The content on DVD-Video discs is encoded in the MPEG-2 format, as is the content in DVR-MS files (Microsoft Recorded TV Shows) and some AVI files. To play these items in the Player, you need to have a compatible DVD decoder installed on your computer.
If your computer has a DVD drive, it probably already has a DVD decoder installed on it. However, if you receive an error message that indicates that you're missing a compatible DVD decoder, select the Web Help button in the error message dialog box to determine how to obtain one.
For example, if you're trying to play a DVD-Video disc or a DVR-MS file on your computer at work, and that computer doesn't have a DVD decoder installed on it, you won't be able to play that item until you install a compatible DVD decoder on your work computer.
Codecs can be written for 32-bit or 64-bit operating systems. If you're running a 64-bit version of Windows, you need to install 64-bit codecs. For example, if you install a 32-bit codec on a 64-bit operating system, the Player might not be able to play any files that require that codec.
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