Kawaii Download
Geri Cutcher
In the 1970s, the popularity of the kawaii aesthetic inspired a style of writing.[5] Many teenage girls participated in this style; the handwriting was made by writing laterally, often while using mechanical pencils.[5] These pencils produced very fine lines, as opposed to traditional Japanese writing that varied in thickness and was vertical.[5] The girls would also write in big, round characters and they added little pictures to their writing, such as hearts, stars, emoticon faces, and letters of the Latin alphabet.[5]
Tomoyuki Sugiyama (杉山奉文, Sugiyama Tomoyuki), author of Cool Japan, says cute fashion in Japan can be traced back to the Edo period with the popularity of netsuke.[8] Illustrator Rune Naito, who produced illustrations of "large-headed" (nitōshin) baby-faced girls and cartoon animals for Japanese girls' magazines from the 1950s to the 1970s, is credited with pioneering what would become the culture and aesthetic of kawaii.[9]
Because of this growing trend, companies such as Sanrio came out with merchandise like Hello Kitty. Hello Kitty was an immediate success and the obsession with cute continued to progress in other areas as well. More recently, Sanrio has released kawaii characters with deeper personalities that appeal to an older audience, such as Gudetama and Aggretsuko. These characters have enjoyed strong popularity as fans are drawn to their unique quirks in addition to their cute aesthetics.[10] The 1980s also saw the rise of cute idols, such as Seiko Matsuda, who is largely credited with popularizing the trend. Women began to emulate Seiko Matsuda and her cute fashion style and mannerisms, which emphasized the helplessness and innocence of young girls.[11] The market for cute merchandise in Japan used to be driven by Japanese girls between 15 and 18 years old.[12]
In Japan, being cute is acceptable for both men and women. A trend existed of men shaving their legs to mimic the neotenic look. Japanese women often try to act cute to attract men.[14] A study by Kanebo, a cosmetic company, found that Japanese women in their 20s and 30s favored the "cute look" with a "childish round face".[8] Women also employ a look of innocence in order to further play out this idea of cuteness. Having large eyes is one aspect that exemplifies innocence; therefore, many Japanese women attempt to alter the size of their eyes. To create this illusion, women may wear large contact lenses, false eyelashes, dramatic eye makeup, and even have an East Asian blepharoplasty, commonly known as double eyelid surgery.[15]
Japanese idols (アイドル, aidoru) are media personalities in their teens and twenties who are considered particularly attractive or cute and who will, for a period ranging from several months to a few years, regularly appear in the mass media, e.g. as singers for pop groups, bit-part actors, TV personalities (tarento), models in photo spreads published in magazines, advertisements, etc. (But not every young celebrity is considered an idol. Young celebrities who wish to cultivate a rebellious image, such as many rock musicians, reject the "idol" label.) Speed, Morning Musume, AKB48, and Momoiro Clover Z are examples of popular idol groups in Japan during the 2000s & 2010s.[16]
Lolita fashion is a very well-known and recognizable style in Japan. Based on Victorian fashion and the Rococo period, girls mix in their own elements along with gothic style to achieve the porcelain-doll look.[17] The girls who dress in Lolita fashion try to look cute, innocent, and beautiful.[17] This look is achieved with lace, ribbons, bows, ruffles, bloomers, aprons, and ruffled petticoats. Parasols, chunky Mary Jane heels, and Bo Peep collars are also very popular.[18]
Sweet Lolita is a subset of Lolita fashion that includes even more ribbons, bows, and lace and is often fabricated out of pastels and other light colors. Head-dresses such as giant bows or bonnets are also very common, while lighter make-up is sometimes used to achieve a more natural look. Curled hair extensions, sometimes accompanied by eyelash extensions, are also popular in helping with the baby doll look.[19] Another subset of Lolita fashion related to "sweet Lolita" is Fairy Kei.
Themes such as fruits, flowers, and sweets are often used as patterns on the fabrics used for dresses. Purses often go with the themes and are shaped like hearts, strawberries, or stuffed animals. Baby, the Stars Shine Bright is one of the more popular clothing stores for this style and often carries themes. Mannerisms are also important to many Sweet Lolitas. Sweet Lolita is sometimes not only a fashion but also a lifestyle.[19] This is evident in the 2004 film Kamikaze Girls where the main Lolita character, Momoko, drinks only tea and eats only sweets.[20]
Decora is a style that is characterized by wearing many "decorations" on oneself. It is considered to be self-decoration. The goal of this fashion is to become as vibrant and characterized as possible. People who take part in this fashion trend wear accessories such as multicolor hair pins, bracelets, rings, necklaces, etc. By adding multiple layers of accessories to an outfit, the fashion trend tends to have a childlike appearance. Some individuals may find the exaggerated childlike elements of the kawaii aesthetic to be off-putting or inauthentic. Others, however, appreciate the positivity, innocence, and lightheartedness associated with the kawaii style. It also includes toys and multicolor clothes. Decora and Fairy Kei have some crossover.[citation needed]
Fairy Kei is a youthful style based on 1980s fashion that evokes a dreamy, nostalgic feeling. Outfits are made up of pastel colors, angels, toys and generally cute motifs and elements and accessories from Western toy lines of the 1980s and early 1990s, such as Polly Pocket, My Little Pony, Strawberry Shortcake, Rainbow Brite, Popples, Lady Lovely Locks, Barbie, Wuzzles, and Care Bears. Pastel-colored hair is common, although natural hair is also popular, and hairstyles are usually kept simple and decorated with anything cute or pastel; bows are a common theme. Some common items used in a Fairy Kei coordinate include vintage sweaters, cardigans, varsity jackets, tutus, mini skirts, tights, over-the-knee socks, sneakers, and tea party shoes. The term "Fairy Kei" originated from the magazine called Zipper (despite a common belief that Sayuri Tabuchi [Tavuchi], the owner of Tokyo fashion store Spank!, was the accidental creator of the style).[citation needed]
Kimo-kawaii, also known as "creepy-cute" or "gross-cute" in Japanese, has a unique look by combining Kawaii aesthetics with stylistic elements of horror and macabre. The style emerged in the 1990s when some people lost interest in cute and innocent characters and fashion. It is usually achieved by wearing creepy or gross clothes or accessories with a stronger emphasis on dark themes and colors.[21] Yami-kawaii or "sickly-cute", emerged in the mid-2010s to emphasize themes of mental health, vulnerability, and emotional darkness through fashion. In contrast to Kimo-kawaii, the style uses black, deep purple, and gray colors on teardrops, broken hearts, pill capsules, and other melancholic motifs.[citation needed]
Although typically a female-dominated fashion, some men partake in the kawaii trend. Men wearing masculine kawaii accessories is very uncommon, and typically the men cross-dress as kawaii women instead by wearing wigs, false eyelashes, applying makeup, and wearing kawaii female clothing.[22] This is seen predominately in male entertainers, such as Torideta-san, a DJ who transforms himself into a kawaii woman when working at his nightclub.[22]
The concept of kawaii has had an influence on a variety of products, including candy, such as Hi-Chew, Koala's March, and Hello Panda. Cuteness can be added to products by adding cute features, such as hearts, flowers, stars, and rainbows. Cute elements can be found almost everywhere in Japan, from big business to corner markets and national government, ward, and town offices.[14][24] Many companies, large and small, use cute mascots to present their wares and services to the public. For example:
Cute can be also used to describe a specific fashion sense[27][28] of an individual, and generally includes clothing that appears to be made for young children, apart from the size, or clothing that accentuates the cuteness of the individual wearing the clothing. Ruffles and pastel colors are commonly (but not always) featured, and accessories often include toys or bags featuring anime characters.[24]
There have been occasions on which popular Western products failed to meet the expectations of kawaii, and thus did not do well in the Japanese market. For example, Cabbage Patch Kids dolls did not sell well in Japan, because the Japanese considered their facial features to be "ugly" and "grotesque" compared to the flatter and almost featureless faces of characters such as Hello Kitty.[4] Also, the doll Barbie, portraying an adult woman, did not become successful in Japan compared to Takara's Licca, a doll that was modeled after an 11-year-old girl.[4]
Kawaii has gradually gone from a small subculture in Japan to an important part of Japanese modern culture as a whole. An overwhelming number of modern items feature kawaii themes, not only in Japan but also worldwide.[29] And characters associated with kawaii are astoundingly popular. "Global cuteness" is reflected in such billion-dollar sellers as Pokmon and Hello Kitty.[30] "Fueled by Internet subcultures, Hello Kitty alone has hundreds of entries on eBay, and is selling in more than 30 countries, including Argentina, Bahrain, and Taiwan."[30]
Japan has become a powerhouse in the kawaii industry and images of Doraemon, Hello Kitty, Pikachu, Sailor Moon, and Hamtaro are popular in mobile phone accessories. However, Professor Tian Shenliang says that Japan's future is dependent on how much of an impact kawaii brings to humanity.[31]
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