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Zoraida

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Aug 4, 2024, 9:23:45 PM8/4/24
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Inthe same opera, the role of the Comtesse de Folleville was created by Laure Cinti-Damoreau, also considered a master of Rossinian ornamentation. She wrote two treatises on that subject both of which can be found on imslp.org:

Unfortunately, by the time of their publication, the practice of improvisation and even most ornamentation was falling out of favor, especially in France. They remain, however, useful guides into how singers were trained to sing in the bel canto tradition.


This is a fascinating look at performance, improvisation and the relationship between singers and composers. The approach is interdisciplinary which adds context beyond what is found in traditional sources on these composers, singers and the various works cited. Anyone looking to empower singers and their creativity will want to read this book.

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