Stage star Lenore Ulric brings her signature role to the screen in this melodrama set in Canada. We have Mounties, trees and bloody revenge. The usual Hollywood Canadian wilderness picture, in other words, but we have the added bonus of a super Mountie and a location shoot in Yosemite.
Tiger Rose is an adaptation of a 1917 stage play written by Willard Mack (you can read a public domain copy here) and produced by the famed David Belasco, who had quite a number of western and wilderness pictures in his repertoire. Warner Bros. scored a casting coup when they obtained the services of Lenore Ulric, who had created the role of Rose on the stage and had not been seen in movies in six years. The film was subsequently remade as a 1929 Lupe Velez vehicle (both silent and talkie versions were released) but, alas, the remake is not on home video.
(I should note that the version of the film I saw runs for just one hour. Tiger Rose as originally released ran for eight reels, which would be eighty minutes at minimum and likely far longer. The storyline is smooth and I did not notice any particularly large holes in the plot.)
The story is about a 12-year-old boy, Rob, who stumbles upon a caged tiger one morning before school. Rob is a grieving boy who has been keeping his feelings bottled up, but when he meets his opposite in Sistine, the new girl at school, they become unlikely friends. Sistine teaches Rob to let his feelings free and then wants him to do the same for the tiger.
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The movie begins with a grandmother driving down a long bridge somewhere in Hong Kong. Her infant grandson is the backseat unaware of the black and greenish creatures that follow them. But the grandma is aware and maneuvers the vehicle with skill to avoid them before a magical group of animals come to her aid.
Suddenly, the house is attacked by the same monsters who attacked Tom and N Kua years earlier. Their shapeshifting leader called, Loo (Michelle Yeoh) appears wanting that egg with the hopes of ruling the world or destroying humanity or something terrible like that. Hu turns into a tiger to fight off the attackers, but N Kua tells him to take Tom to safety while she does battle there.
So, the remainder of the film consists of Tom training to become like the others in the back of a Chinese restaurant run by the wisecracking (and presumed comic relief) Mrs. Lee (Kheng Hua Tan) before going to an epic Avengers-esque battle against Loo to rescue the other guardians, Rav and practically everyone else living in San Francisco.
Crouching Tiger, Hidden Dragon[4] is a 2000 wuxia martial arts action adventure film directed by Ang Lee and written for the screen by Wang Hui-ling, James Schamus, and Tsai Kuo-jung. The film stars Chow Yun-fat, Michelle Yeoh, Zhang Ziyi, and Chang Chen. It is based on the Chinese novel of the same name, serialized between 1941 and 1942 by Wang Dulu, the fourth part of his Crane Iron pentalogy.[5]
A multinational venture, the film was made on a US$17 million budget, and was produced by Edko Films and Zoom Hunt Productions in collaboration with China Film Co-productions Corporation and Asian Union Film & Entertainment for Columbia Pictures Film Production Asia in association with Good Machine International. The film premiered at the Cannes Film Festival on 18 May 2000, and was theatrically released in the United States on 8 December. With dialogue in Standard Chinese, subtitled for various markets, Crouching Tiger, Hidden Dragon became a surprise international success, grossing $213.5 million worldwide. It grossed US$128 million in the United States, becoming the highest-grossing foreign produced Mandarin-language film in American history.[6] The film was the first foreign-language film to break the $100 million mark in the United States.[7][8]
The film was praised by critics for its story, direction, cinematography, and martial arts sequences. Crouching Tiger, Hidden Dragon won over 40 awards and was nominated for 10 Academy Awards in 2001, including Best Picture, and won Best Foreign Language Film, Best Art Direction, Best Original Score, and Best Cinematography,[3] receiving the most nominations ever for a non-English-language film at the time, until 2018's Roma tied this record. The film also won four BAFTAs and two Golden Globe Awards, each of them for Best Foreign Film. For retrospective years, Crouching Tiger is often cited as one of the finest wuxia films ever made[9][10] and has been widely regarded as one of the greatest films of the 21st century.[11][12][13]
In Qing dynasty China, Li Mu Bai is a renowned Wudang swordsman, and his friend Yu Shu Lien, a warrior, heads a private security company. Shu Lien and Mu Bai have long had feelings for each other, but because Shu Lien had been engaged to Mu Bai's close friend, Meng Sizhao[14] before his death, Shu Lien and Mu Bai feel bound by loyalty to Meng Sizhao and have not revealed their feelings to each other. Mu Bai, choosing to retire from the life of a swordsman, asks Shu Lien to give his fabled 400-year-old sword "Green Destiny" to their benefactor Sir Te in Beijing. Long ago, Mu Bai's teacher was killed by Jade Fox, a woman who sought to learn Wudang secrets. While at Sir Te's place, Shu Lien meets Yu Jiaolong, or Jen, who is the daughter of the rich and powerful Governor Yu and is about to get married.
One evening, a masked thief sneaks into Sir Te's estate and steals the Green Destiny. Sir Te's servant Master Bo and Shu Lien trace the theft to Governor Yu's compound, where Jade Fox had been posing as Jen's governess for many years. Soon after, Mu Bai arrives in Beijing and discusses the theft with Shu Lien. Master Bo makes the acquaintance of Inspector Tsai, a police investigator from the provinces, and his daughter May, who have come to Beijing in pursuit of Fox. Fox challenges the pair and Master Bo to a showdown that night. Following a protracted battle, the group is on the verge of defeat when Mu Bai arrives and outmaneuvers Fox. She reveals that she killed Mu Bai's teacher because he would sleep with her, but refuse to take a woman as a disciple, and she felt it poetic justice for him to die at a woman's hand. Just as Mu Bai is about to kill her, the masked thief reappears and helps Fox. Fox kills Tsai before fleeing with the thief (who is revealed to be Jen). After seeing Jen fight Mu Bai, Fox realizes Jen had been secretly studying the Wudang manual. Fox is illiterate and could only follow the diagrams, whereas Jen's ability to read the manual allowed her to surpass her teacher in martial arts.
At night, a bandit named Lo breaks into Jen's bedroom and asks her to leave with him. In the past, when Governor Yu and his family were traveling in the western deserts of Xinjiang, Lo and his bandits raided Jen's caravan and Lo stole her comb. She pursued him to his desert cave to retrieve her comb. However, the pair soon fell in love. Lo eventually convinced Jen to return to her family, though not before telling her a legend of a man who jumped off a mountain to make his wishes come true. Because the man's heart was pure, his wish was granted and he was unharmed, but flew away never to be seen again. Lo has come now to Beijing to persuade Jen not to go through with her arranged marriage. However, Jen refuses to leave with him. Later, Lo interrupts Jen's wedding procession, begging her to leave with him. Shu Lien and Mu Bai convince Lo to wait for Jen at Mount Wudang, where he will be safe from Jen's family, who are furious with him. Jen runs away from her husband on their wedding night before the marriage can be consummated. Disguised in men's clothing, she is accosted at an inn by a large group of warriors; armed with the Green Destiny and her own superior combat skills, she emerges victorious.
Jen visits Shu Lien, who tells her that Lo is waiting for her at Mount Wudang. After an angry exchange, the two women engage in a duel. Shu Lien is the superior fighter, but Jen wields the Green Destiny and is able to destroy each weapon that Shu Lien wields, until Shu Lien finally manages to defeat Jen with a broken sword. When Shu Lien shows mercy, Jen wounds Shu Lien in the arm. Mu Bai arrives and pursues Jen into a bamboo forest, where he offers to take her as his student. Jen agrees if he can take Green Destiny from her in three moves. Mu Bai is able to take the sword in only one move, but Jen reneges on her promise, and Mu Bai throws the sword over a waterfall. Jen dives after the sword and is rescued by Fox. Fox puts Jen into a drugged sleep and places her in a cavern, where Mu Bai and Shu Lien discover her. Fox suddenly attacks them with poisoned needles. Mu Bai mortally wounds Fox, only to realize that one of the needles has hit him in the neck. Before dying, Fox confesses that her goal had been to kill Jen because Jen had hidden the secrets of Wudang's fighting techniques from her.
Contrite, Jen leaves to prepare an antidote for the poisoned dart. With his last breath, Mu Bai finally confesses his love for Shu Lien. He dies in her arms as Jen returns. Shu Lien forgives Jen, telling her to go to Lo and always be true to herself. The Green Destiny is returned to Sir Te. Jen goes to Mount Wudang and spends the night with Lo. The next morning, Lo finds Jen standing on a bridge overlooking the edge of the mountain. In an echo of the legend that they spoke about in the desert, she asks him to make a wish. Lo wishes for them to be together again, back in the desert. Jen leaps from the bridge, falling into the mists below.
The success of the Disney animated feature Mulan (1998) popularized the image of the Chinese woman warrior in the west.[18] The storyline of Crouching Tiger, Hidden Dragon is mostly driven by the three female characters.[19] In particular, Jen is driven by her desire to be free from the gender role imposed on her,[20] while Shu Lien, herself oppressed by the gender role, tries to lead Jen back into the role deemed appropriate for her.[19] Some prominent martial arts disciplines are traditionally held to have been originated by women, e.g., Wing Chun.[citation needed] The film's title refers to masters one does not notice, which necessarily includes mostly women, and therefore suggests the advantage of a female bodyguard.
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