Corpse Bride (also known as Tim Burton's Corpse Bride) is a 2005 stop-motion animated musical fantasy film[4] directed by Mike Johnson and Tim Burton from a screenplay by John August, Caroline Thompson, and Pamela Pettler, based on characters created by Burton and Carlos Grangel. The plot is set in a fictional Victorian era village in England. Johnny Depp leads the cast as the voice of Victor, while Helena Bonham Carter voices Emily, the title bride. An international co-production between the United States and United Kingdom and produced by Tim Burton Productions and Laika Entertainment, Corpse Bride is the first stop-motion feature film directed by Burton and his first stop-motion film distributed by Warner Bros. Pictures after previously producing 1993's The Nightmare Before Christmas and 1996's James and the Giant Peach for The Walt Disney Company.
Corpse Bride is based on a 17th-century Jewish folktale, which Joe Ranft introduced to Burton while they were finishing The Nightmare Before Christmas. Work on the film started in November 2003 when Burton was completing Big Fish (2003). He continued with production on his next live-action feature, Charlie and the Chocolate Factory, which was produced simultaneously with the film. Production of the stop-motion animation feature took place at 3 Mills Studios in East London. It was shot with Canon EOS-1D Mark II digital SLRs, rather than the 35 mm film cameras used for Burton's previous stop-motion film The Nightmare Before Christmas. Burton immediately brought regular collaborators Depp and Danny Elfman aboard. The film was dedicated to executive producer Joe Ranft, who died during the film's production.
Corpse Bride premiered at the 62nd Venice International Film Festival on September 7, 2005, and was released in theaters on September 23, 2005, in the United States and on October 13, 2005, in the United Kingdom. It received critical praise for its animation, characters, songs, and humor. The film won the National Board of Review for Best Animated Feature, and was nominated for the 78th Academy Awards for Best Animated Feature. The film won the Annie Awards Ub Iwerks Award for Technical Achievement in 2006, where it was also nominated for Best Animated Feature, Best Character Design, and Best Direction.
In an unnamed Victorian town, Victor Van Dort, the son of nouveau riche fish merchants, and Victoria Everglot, the neglected daughter of impoverished aristocrats, prepare for their arranged marriage, which will simultaneously raise the social class of the Van Dort family and restore the wealth of the Everglot family ("According to Plan"). Although the two are initially nervous, they become smitten and fall in love instantly when they meet; however, the nervous Victor ruins their wedding rehearsal by forgetting his vows, dropping the ring, and accidentally setting Lady Everglot's dress on fire. Fleeing to a nearby forest, he successfully rehearses his vows with a tree and places his wedding ring on an upturned root. However, the root is revealed to be the skeletal finger of a dead girl named Emily gowned in a wedding dress, who rises from the grave, proclaims herself as Victor's new wife, and spirits him away to the Land of the Dead, a realm far more colorful and whimsical.
After reconciling with Emily, Victor learns of Victoria's impending marriage to Barkis from his family's newly deceased coachman Mayhew. Upset over this news, Victor decides to marry Emily properly, learning that this will require him to repeat his wedding vows with her in the Land of the Living and drink the Wine of Ages, a poison, in order to join Emily in death. The dead swiftly prepare for the ceremony and head "upstairs" ("The Wedding Song"), where the town erupts into a temporary panic upon their arrival until the living recognize their departed loved ones and joyously reunite with them. The chaos causes a panicked Barkis to expose his own poor financial standing and his intentions to marry Victoria only for her supposed wealth, leading her to reject him.
The film is based on a 17th-century Jewish folktale, which Joe Ranft introduced to Burton while they were finishing The Nightmare Before Christmas.[6] The film began production in November 2003, while Burton was completing Big Fish.[7] He continued with production on his next live-action feature, Charlie and the Chocolate Factory, which was produced simultaneously with the film.[7] Co-director Mike Johnson spoke about how they took a more organic approach to directing the film, saying: "In a co-directing situation, one director usually handles one sequence while the other handles another. Our approach was more organic. Tim knew where he wanted the film to go as far as the emotional tone and story points to hit. My job was to work with the crew on a daily basis and get the footage as close as possible to how I thought he wanted it."[7]
The soundtrack was produced by Danny Elfman with the help of John August and released on September 20, 2005.[9] It contains all of the music from the film including score music and four songs with lyrics sung by voice actors.[9]
In North America, the film opened at number two in its first weekend, with $19.1 million behind Flightplan.[14] In its second weekend, the film dropped to number three, grossing an additional $10 million.[15] In its third weekend, the film dropped to number six, grossing $6.5 million.[15] In its fourth weekend, the film dropped to number nine, grossing $3.6 million.[15]
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 84% based on 197 reviews, with an average rating of 7.2/10. The website's critics consensus reads, "As can be expected from a Tim Burton movie, Corpse Bride is whimsically macabre, visually imaginative, and emotionally bittersweet."[17] Metacritic, which assigns a rating out of 100 based on top reviews from mainstream critics, calculated a score of 83 based on 35 reviews, indicating "universal acclaim".[18] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[19]
Justin Chang of Variety gave the film a positive review, saying, "This macabre musical about a young bridegroom who mistakenly weds a girl from beyond the grave is an endearingly schizoid Frankenstein of a movie, by turns relentlessly high-spirited and darkly poignant."[20] Kirk Honeycutt of The Hollywood Reporter gave the film a positive review, calling it "A wondrous flight of fancy, a stop-motion-animated treat brimming with imaginative characters, evocative sets, sly humor, inspired songs and a genuine whimsy that seldom finds its way into today's movies."[21]
Michael Atkinson of The Village Voice gave the film a positive review, saying, "The variety of its cadaverous style is never less than inspired; never has the human skull's natural grin been redeployed so exhaustively for yuks."[22] Owen Gleiberman of Entertainment Weekly gave the film a B, saying, "As an achievement in macabre visual wizardry, Tim Burton's Corpse Bride has to be reckoned some sort of marvel."[23]
Manohla Dargis of The New York Times gave the film four out of five stars, saying, "Cinema's reinvigorated fixation with the living dead suggests that we are in the grip of an impossible longing, or perhaps it's just another movie cycle running its course. Whatever the case, there is something heartening about Mr. Burton's love for bones and rot here, if only because it suggests, despite some recent evidence, that he is not yet ready to abandon his own dark kingdom."[24] Moira MacDonald of The Seattle Times gave the film three and a half stars out of four, saying, "What makes Corpse Bride sing, ultimately, is the breadth of imagination that it demonstrates; creating a cluttered, textured and mysteriously beautiful world that we're loathe to leave at the end."[25]
Liam Lacey of The Globe and Mail gave the film three out of four stars, saying, "Ghoulishness and innocence walk hand-in-hand in Tim Burton's Corpse Bride, a movie that digs into Hollywood's past to resurrect the antique art of stop-motion animation and create a fabulous bauble of a movie."[21] Jack Mathews of the New York Daily News gave the film three and a half stars out of four, saying, "Stop-motion animation may be the hardest and most tedious job in Hollywood, but the makers of Tim Burton's Corpse Bride deserve a couple of years in Tahiti celebrating their effort."[21]
Lisa Rose of the Newark Star-Ledger gave the film three out of five stars, saying, "Corpse Bride offers unclassifiable enchantment."[21] James Berardinelli of ReelViews gave the film three out of four stars, saying, "As animated films go, this is easily the best of a weak year."[26] Peter Howell of the Toronto Star gave the film four out of four stars, saying, "If his The Nightmare Before Christmas from a dozen years back was a treat for the eyes and mind, Tim Burton's Corpse Bride goes double or nothing by being a delight for the ears and also the heart."[21] Joe Williams of the St. Louis Post-Dispatch gave the film a B+, saying, "Beneath the bone pile of allusions, Corpse Bride is a darkly enchanting fable in its own right."[21]
Kenneth Turan of the Los Angeles Times gave the film two out of five stars, saying, "The film does have a fairy-tale aspect, but, like many of its characters, it is more dead and buried than fully alive."[21] Claudia Puig of USA Today gave the film three and a half stars out of four, saying, "Corpse Bride is an unexpectedly touching celebration of love told in a quirky and inventive style."[30] Peter Travers of Rolling Stone gave the film three and a half stars out of five, saying, "In the guise of a family film, Burton evokes a darkly erotic obsession that recalls Edgar Allan Poe and Hitchcock's Vertigo. It would be a test for any filmmaker, and Burton aces it."[21]
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