Maxwell Song Download

[Silvana Fleischacker]

Maxwellhas won three Grammy Awards, six Soul Train Music Awards and two NAACP Image Awards. He was the recipient of the Lifetime Achievement Award by the Congressional Black Caucus Foundation and Congressional Black Caucus in 2019 for "his innovative contributions to the music industry as a singer, songwriter, and producer".[10]

Maxwell was born in Brooklyn, New York, the son of a Haitian mother and a Puerto Rican father. His mother grew up in a devout Baptist household in Haiti.[11][12][13] Maxwell's father died in a plane crash when Maxwell was three years old.[14] Maxwell grew up in the Brooklyn neighborhood of East New York.[15]

After receiving a low-cost Casio keyboard from a friend, Maxwell began composing music at age 17.[14][16] Already a fan of what he described as "jheri curl soul", which was the trademark of early 1980s R&B acts such as Patrice Rushen, S.O.S. Band and Rose Royce, Maxwell began to teach himself to play a variety of instruments.[16] According to him, the R&B of the early 1980s contained "the perfect combination of computerized instrumentation with a live feel", and that the genre's dynamics later became lost due to the influence of hip hop on R&B.[17] Despite facing ridicule from classmates for being shy and awkward, he progressed and continued to develop his musical abilities, and he also adopted the look of a more bohemian style outwardly in his clothing, growing long sideburns and letting his hair grow out wildly and combed in an extreme style, or sometimes putting his hair in long thin braids.[14]

Initially influenced by early-1980s urban R&B, Maxwell progressed rapidly, and by 1991 he was performing on the New York City club scene. Maxwell was able to gain access to a 24-track recording studio and started to record songs for a demo tape, which he circulated among his friends.[17] The demo engendered interest, and his official debut concert performance at Manhattan nightclub Nell's drew a crowd.[17] During the next two years, Maxwell wrote and recorded over three hundred songs and played frequently at small venues throughout New York City.[16] Maxwell's performances continued to draw interest and increase the buzz about him, and he was called "the next Prince" by a writer from Vibe magazine who attended one of his shows.[17] After earning a considerable reputation, Maxwell signed a recording contract with Columbia Records in 1994. He adopted his middle name as a moniker out of respect for his family's privacy.[14]

Maxwell began working with songwriter Leon Ware and noted guitarist Wah Wah Watson to record his debut Maxwell's Urban Hang Suite in the mid 1990s. Recording sessions for the album took place in 1994 and 1995 at Electric Lady Studios, RPM Studios, Sorcerer Studios and Chung King Studios in New York City, and at CRC recording studios in Chicago, Illinois.[16][18]After production for the album was completed in 1995,[16] the finished product was presented to Columbia Records in Spring of that same year.[19] However, it was shelved for nearly a year,[20] due to issues with Columbia's management, the label's extensive reorganization and record executives' doubts of the album's commercial potential.[14][16]

Initially, the album was slow to obtain commercial interest.[19] On April 20, 1996, the album made its chart debut at number 38 on the Top R&B/Hip-Hop Albums chart.[21] From August to October 1996, Maxwell's Urban Hang Suite experienced chart growth on both the Top R&B/Hip-Hop Albums and Billboard 200,[21] peaking at number eight on the former and at number 36 on the latter.[22] It spent seventy-eight weeks on the Billboard 200 chart.[23] It became a Top 30 hit in the United Kingdom.[24]The album was later ranked as one of the year's top-10 best albums by Time, Rolling Stone and USA Today.[25] and was also nominated for a Grammy Award for Best R&B Album at the 39th Grammy Awards,[18] losing the award to The Tony Rich Project's Words.[26]

The album spawned four singles. The first single released, "...Til the Cops Come Knockin'", debuted on the Hot R&B/Hip-Hop Singles & Tracks at number 87 in May 1996. Peaking at number 79, the single spent 12 weeks on the chart.[27] The second single, "Ascension (Don't Ever Wonder)", debuted on the Hot R&B/Hip-Hop Singles & Tracks in August 1996 at number 11, eventually peaking number eight.[28] It spent eighteen weeks on the Billboard Hot 100, peaking at number 36 on September 28, 1996.[29] The third single, "Sumthin' Sumthin'", peaked at number 22 on the Hot Dance Music/Maxi-Singles Sales.[30] The album's fourth single, "Suitelady (The Proposal Jam)", entered the Hot R&B/Hip-Hop Airplay component chart in May 1997, peaking at number 64.[31] (Maxwell contributed the song "Segurana (Security)" to the AIDS-benefit album Red Hot + Rio, produced by the Red Hot Organization.)

Maxwell released a series of EPs featuring different versions of his songs from Maxwell's Urban Hang Suite, including "...Til the Cops Come Knockin'", "Ascension (Don't Ever Wonder)", "Whenever Wherever Whatever" and "Sumthin' Sumthin'". These EPs were re-released in 2019.[32] "Sumthin' Sumthin': Mellosmoothe" appeared on the Love Jones soundtrack in March 1997.

Despite Maxwell's having released only one album, the music video television channel MTV saw his burgeoning popularity and asked him to tape an episode of the concert series MTV Unplugged in New York City. The show was taped live on June 15, 1997, and he performed his own songs as well as covers of songs by Kate Bush ("This Woman's Work") and Nine Inch Nails ("Closer").[33] (Maxwell clashed with his label about the release of a full album of his session, resulting in the release of only an extended play, or EP instead,[34] containing seven songs.) The MTV Unplugged performance of "...Til the Cops Come Knockin" was included as a bonus track on the international release. The episode of MTV Unplugged first aired on the network on July 22, 1997.[35]

Maxwell's second studio album, Embrya, was released on June 30, 1998, and upon its release it was panned by contemporary music critics.[36] The album received mixed criticism for its more "indulgent sound."[14] With its internal focus and esoteric grooves, the album served as a departure for Maxwell, who did not regret risking his reputation with urban listeners for a more challenging record.[36] The album experienced a critical backlash similar to that of other artists' work that broke their previous releases' successful formulas in favor of more compelling projects, now being termed "neo-soul."[37] In 1999, it won the Soul Train Music Award for Best Male Soul/R&B Album.[38] In a retrospective review for Allmusic, Stephen Thomas Erlewine wrote that Maxwell "overstuffs his songs with ideas that lead nowhere" and called Embrya "a bit of a sophomore stumble, albeit one with promising moments." Arion Berger, writing in The Rolling Stone Album Guide (2004), found the songs monotonous and called the album "unfocused and pretentious ... full of overwrought, underwritten songs with obscure, fancy titles revolving around a sort of sexual gnosticism."[39] Critics have since reappraised Embrya as a groundbreaking forerunner to later trends in Alternative R&B, and Columbia Records reissued the album in 2018 on its 20th anniversary.[40]

Despite the negative press, the album sold more than one million copies and garnered Maxwell a new alternative fanbase, but confounded the traditional urban consumers.[36]On May 26, 1999, the album was officially certified platinum by the Recording Industry Association of America (RIAA).[41] Embrya was nominated for a Grammy Award for Best R&B Album, losing to fellow neo-soul artist Erykah Badu's Baduizm (1997).[42]Later in the year he released "Fortunate", a single written by R. Kelly and featured on the soundtrack for the 1999 film Life. The single peaked at number one on Billboard magazine's Hot R&B/Hip-Hop Singles and Tracks chart. To date, the song is Maxwell's most successful single and was Billboard's number-one R&B single of 1999.

Maxwell's third studio album, Now, was released by Columbia Records on August 14, 2001, in the United States. Following the lukewarm radio success of his previous album, Maxwell stated he felt more comfortable with his artistic direction in the creation of this album, which does not exhibit his previous work's conceptual style.[43] The album sold over 296,000 units in the U.S. in the first week, according to SoundScan, to earn him his first-ever number one album. The album was later certified platinum by the RIAA. "Lifetime" was the second single from the album. It was a top five hit on Billboard's R&B/Hip-Hop songs chart and peaked at No. 22 on the Billboard Hot 100 chart.[44] The third single off the album, "This Woman's Work", a live staple of Maxwell's,[45] charted at number 58 on the Billboard Hot 100 and at number 16 on the Hot R&B/Hip-Hop Songs chart.[46][47] Once again, despite some criticism towards Maxwell's songwriting,[48][49][50] La Weekly stated "Now is a disappointment in the wake of 1996's Maxwell's Urban Hang Suite and its 1998 follow-up, Embrya."[48] Now received generally positive reviews from music critics, based on an aggregate score of 78/100 from Metacritic.[51]The album was Maxwell's last release before he took a lengthy hiatus from performing.

Recording sessions for a new album took place during 2007 to 2009 at Chung King Studios, Bowery Digital, and Platinum Sound Recording Studios in New York City.[52] The album was produced entirely by Maxwell and musician Hod David.[52] The album was to serve as the first part of his scheduled trilogy of albums.[53]

During this time, and after seven years of not performing, he appeared as a surprise musical guest on the 2008 BET Awards, where he performed the song "Simply Beautiful" in a tribute to soul singer Al Green, shocking fans and the audience alike with his ability to still perform well, but also with his new look, his trademark afro and pork-chop sideburns gone, replaced with a more relaxed and subdued look.[54][55][56]

3a8082e126