- new modes of research
- dance and memory - hybridization
- choreography in crisis - translations, adaptations,
and fusions
- the artist as citizen - your research interests
here
Call for participation:
Proposals are invited from current and recent graduate students for panels, presentations, workshops and
performances. We seek both finished work and research-in-process. Innovative alternatives including
site-specific and time-based events are welcome.
Presentations – 20 min max.
Workshops – 80 min max.
Saturday night performances – 15 min max.
If what you want to offer doesn't fit these frames,
your proposal is still welcome. Collaboratively,
creatively we will attempt to include your work.
Proposals should include the following:
1. Title of panel, roundtable, paper or presentation.
2. Names of all presenters, including chair &/or
organizer and discussant (for panels and roundtables).
3. Affiliation(s), mailing address, phone numbers and
email addresses of all participants.
4. Explanation of the session – 250 words max (for
panels, workshops, and roundtables); abstract of each
presentation or paper - 250 words max.
5. Two or three sentence bio for all participants.
6. Technical requirements.
Proposals should be emailed to the conference
organizers:
Mary Elizabeth Anderson and Keith Hennessy
dance_under_...@yahoo.com The deadline for submission of all proposals is
Tuesday, April 10, 2007.
In Tangible Bodies
the fine print:
Late to organize and small in scale, we envision this year's conference as a low-key event. No keynote speaker. Low-tech performances. Generous collaborative spirit.
No fee to participate. Everyone pays for (fundraises) their own transportation and hotel. We will try to reserve discounted rooms at one or two specific hotels. More info to come.
Also, Davis folks will be encouraged to host guests
for those who prefer a homestay.
Dance Under Construction
BACKGROUND
Dance Under Construction is an interdisciplinary forum for presenting graduate student work on dance, the body and performance. It originated as an initiative of the graduate students of UCLA's Department of World Arts and Cultures and has been hosted by various UC campuses. Dance Under Construction has grown to an annual student-run event for dance and performance scholars, as well as those in related disciplines. Designed for the development of intellectual inquiry in a supportive and rigorous environment, the conference offers students a chance to explore through experimental modes of research and performance. This
interdisciplinary event provides a rare and important discursive space for the stimulation and presentation of cutting-edge research in topics related to the body as a site of cultural identification. Previous conferences have addressed artistic and intellectual
exploration of themes such as Black Aesthetics, Technology and Dance, Globalization, Transnational Bodies, Gender and Sexuality, Dance and Popular culture and Postcolonialism and Performance.
9.
London, UK: JOB: women's library seeks poet to deliver project with young women.
Deadline: Friday 13 April 2007 THE WOMEN'S LIBRARY SEEKS POET TO DELIVER PROJECT WITH YOUNG WOMEN
Reply to:
joanna...@thewomenslibrary.ac.uk---
The Women's Library, London Metropolitan University is looking to
engage a performance/spoken word poet to deliver a short project with young women at a local youth club. The poet will work with the group towards a poetry performance and anthology. The project will use The Women's Library's collections to explore the way women's lives have changed over the last 120 years, and to enable the participants to reflect on their own opportunities as young women today. The project will be delivered between May and July and sessions will take place in the evening.
To apply, please send a CV with a covering letter saying why you are
interested in the project and what skills and experience you have to
offer to Joanna Ingham, Learning Co-ordinator, The Women's Library, London Metropolitan University, Old Castle Street, London E1 7NT or email it to
joanna...@thewomenslibrary.ac.uk. Applications must be received by Friday 13 April.
For further information please e-mail
joanna...@thewomenslibrary.ac.uk
.
10. Jordan: Artist Residency: Call for Applications.
Deadline 13 April 2007CALL FOR APPLICATION
Shatana International Artist Workshop, Jordan is inviting
applications for its 2-week workshop residency program in Shatana,
Jordan from the 7th until the 21st of July 2007. Shatana workshop is
part of the Triangle Arts Network of artists.
Submissions Deadline: 13, April, 2007
For more information:
http://www.makanhouse.net/shatana----------------------------------------------------------
The workshop will take place in the historic village of Shatana. The
residencies and work spaces are set in historic stone houses and
churches situated between olive and oak trees. Shatana has a
population of approximately 150. Shatana is about 70 kilometers away
from the capital Amman.
Shatana International Artist Workshop, Jordan is inviting
applications for its two-week workshop residency program in Shatana.
The workshop is process oriented, supports experimentation in all media and is targeted at emerging to mid career artists in all fields; encouraging contemporary work in painting, drawing, sculpture (or 2D and 3D work), installation, video, performance and sound. This workshop is part of the Triangle Arts Network of workshops currently active in 20 countries. The Triangle Arts Trust, established in 1982 by Robert Loder and Anthony Caro, is organised as a network of artist- led workshops that encourages experimentation, and cross-media exchange. The workshop will bring together 20-25 international artists practicing in a wide variety of media, to work among each other, and share ideas and methods for a period of two weeks in the serene village mountain setting of Shatana. At the end of the two weeks, the workshop will host an Open Day which will invite in the local public, artists, and critics to celebrate the developments and results of the workshop.
The workshop will provide the selected artist with full lodging and food, working space, local transportation and a small material stipend. Travel expenses to Jordan may also be awarded.
Application Requirements
Personal Information: name, age, nationality, contact details
(address, email and telephone number)
200 words stating interest in applying
Bio/Curriculum Vitae
10 digital images of work in JPEG formats (PC and Mac formats),
resolution 1024 x 768
Inventory list of the 10 images sent on MS Word that includes: Title
of image, date, dimensions, medium, & explanation (if documentation
of installation, performance etc.)
All 5 requirements are to be sent by email to
shatana...@gmail.com
<shatanaworkshop%
40gmail.com>
Time based work, such as performance, video, or sound can be sent by
DVD by mail to the following address:
Shatana
P.O. Box 317
Amman 11821
Jordan
Applications must be received by April 13, 2007. Late applications
can not be reviewed. Selected artist will be notified by the end of
April. Work or material sent by mail cannot be returned back by mail.
For more information please contact
Shatana workshop
Email:
shatana...@gmail.com 11.
Bangalore, India: Call for Entries: VOICES FROM THE WATERS 2007 2ND INTERNATIONAL FILM FESTIVAL ON WATER.
Deadline 15 April 2007Bangalore Film Society in collaboration with Water Journeys and CIEDS collective is organizing the second edition of the International Film Festival on Water titled 'Voices from the Water 2007'. The first edition of the festival was successfully held in April 2004 in Bangalore, India. The festival is a series of film screenings and conferences held over three days that aim to create general awareness and inspire dialogues among the general public on water- a precious, seamless natural resource that is becoming increasingly scarce and deviously comodified.
We invite you to be part of this event by contributing short, documentary and feature films (DVD/VCD formats) with English subtitles on water and related issues. Further, we would appreciate
a preview copy of any films you would wish to send so that we may place them in one of the five categories of the festival, Water Scarcity, The Dams and the Displaced, Water Harvest, Water
Struggles and Water and Life. We would duly acknowledge your participation. While there is no entry fee, 'Voices From the Waters' being a public awareness program, films for the festival will be short-listed by a committee composed of film-makers and social activists.
Should you need more information about us, please do get in touch with us. Deadline for entries is 15th April, 2007.
Looking forward to your participation.
Thanking you,
Yours Sincerely,
BFS team
Contact:-
Siddharth Pillai,
33/1-9, Thyagaraja Layout,
Jai Bharath Nagar,
M.S. Nagar P.O.,
Bangalore- 560 033,
Karnataka,
India.
Tel: 91- 80- 25493705
Email:
b...@bgl.vsnl.
net.inBangalore Film Society:-
Bangalore Film Society is a non profit membership based organization committed to explore the cultural politics and how it impacts and shapes the modern cultural practices, politics and social behaviour. We volunteer to screen feature and documentary films for the film society members, in colleges and institutions. Our aim is to introduce the contemporary socio-political- cultural concerns through cinema among the youth and initiate discussions, as also to inculcate among the youth a deep sense of humanism, pluralism, and an appreciation of diversity. We also attempt to open up pluralist cultural spaces for progressive perspectives on notions of justice, rights, racial equality and so on to enable the participants to visualise images of – a world free from intolerance, violence and injustice.
Water Journeys:-
Water Journeys is to screen films on water issues, water struggles, water conservation and related issues in schools, colleges and communities to start a dialogue on the issue of control and use of water. It aims at networking with agencies involved in the protection and preservation of lakes, rivers and other water bodies.
CIEDS collective:-
CIEDS is a thirty-year- old organization that critiques the contemporary development paradigm which has created pockets of plenty and abysmal poverty across the globe. The homocentric development paradigm treats the earth as a commodity, which will have catastrophic effects on nature and the environment. We are already victims of such an approach. CIEDS in its involvement with present socio-political issues concerning women, tribals, Dalits, environment, culture and so on, attempts a nature-centric vision and sustainable development.
Campaign for the fundamental right to water,
C/o No.33/1-9, Thyagaraj Layout,
Jai Bharath Nagar,
Maruthisevanagar P.O,
Bangalore-560 033.
"If there is magic on this planet, it is contained in water" - Loran Eisley
12. Melbourne, Australia: Call for Papers: (Un)Making Queer Worlds: Transformations in Asia-Pacific Queer Cultures.
Proposal deadline: 27
April 2007Roundtable Workshop for Postgraduate and Early Career Researchers
June 22-23, 2007
Graduate Centre, University of Melbourne
Parkville, Victoria, Australia
Call for Papers
Since 2000, intellectual interest in Asia-Pacific queer cultures has
surged. This surge responds partly to the new visibility of non-normativ sexual and gendered subjectivities in the Asia-Pacific and its multiple diasporas. Along with the new thinking around Asian/Pacific sexualities and genders come various contestations: in particular, the fine distinction between understanding A/P sexual cultures as part of an emerging 'queer globality', and the tendency to subsume them under a developmental model that places the 'West' as the vanguard of, or bad example for, the 'rest'. Collaborations between queer studies, post-colonial studies, and post-structuralist critiques have shed light on the contemporaneity and historicity of each local queer culture in the Asia-Pacific. But although such effort to carefully describe geographical or local queer particularities is invaluable, locality does not subsist in
an insular manner, but is always relational. 'Glocal' queer theory marries the specificity of locality with the context of globality. Additionally, the economic processes of globalisation have been accompanied by—indeed, in some cases actively promoted—mass migration, warm body exports and brain drains, particularly from the Asia-Pacific regions, that have temporarily and permanently dislocated individuals and families from their homelands. In such instances the ability to locate 'local sexualities' is brought to the fore just as it proposes new difficulties for the analysis of sexuality along national, regional lines, particularly in Australia. And if sexualities and genders are 'glocal', then so is capital. Understanding the nexus between glocal capital and sexual subjectivities through their localised and diasporic trajectories is, at bottom, about the political stakes of queer survival in a neoliberal world.
(Un)Making Queer Worlds tackles these important questions directly by bringing together scholars for a two-day roundtable workshop at the University of Melbourne, Australia. The workshop is particularly
interested in proposals from postgraduates and Early Career Researchers
(ECRs).
Confirmed speaker: Associate Professor Peter A. Jackson will deliver a keynote address on Friday June 22. Dr Jackson is the Deputy Convenor and Senior Fellow, Division of Pacific and Asian History at the Australian National University in Canberra. He is the author and editor of numerous publications on genders and sexualities in Thailand and elsewhere, including Lady Boys, Tom Boys, Rent Boys: Male and Female Homosexualities in Contemporary Thailand (Haworth Press, New York, 1999) and Multicultural
Queer: Australian Narratives (Haworth Press, New York, 1999).
______________________________________________
Submission of abstracts
What we're looking for:
We seek participants investigating how various Asia-Pacific constituents are (un)making trajectories of queer world and globality. We encourage papers that employ interdisciplinary approaches. We hope that (Un)Making Queer Worlds will contribute to the ongoing elucidation of constantly evolving Asia-Pacific queer cultures and their global articulations.
Workshop format:
Featured participants will be asked to circulate their papers a week in advance of the workshop. Participants will be allocated a one-hour session to present a paper (20-30 minutes) and engage in discussion. As this is a postgraduate and ECR event, registration is free of charge.
Please submit abstracts of 450-500 words to
unmakin...@unimelb.edu.au
by April 27 2007. Keep in mind that papers presented will be circulated before the workshop. Circulated papers should be no more than 6000 words in length.
Important dates:
Proposals due: 27 April 2007
Speakers confirmed: Monday May 7
Deadline for papers to be submitted: Monday June 4
Papers circulated: Monday June 11
Workshop: Fri/Sat June 22-23
For more info, to register or to submit a paper proposal, email
unmakin...@unimelb.edu.au ULR:
http://www.english.unimelb.edu.au/postgraduate/unmaking_worlds.html(Un)Making Queer Worlds is a project jointly initiated by the Cultural
Studies Program, School of Culture and Communication, University of Melbourne, and the Department of Gender and Cultural Studies, University of Sydney. We acknowledge the support of the Cultural Research Network of the ARC and the School of Graduate Studies, University of Melbourne.
13. Canada: Call for Writing: mixed-race youth in canada anthology.
Deadline: 30 April 2007HALF BRED: mixed-race youth write revolution
Hey everyone! A new anthology voicing the words of mixed youth of colour Canadians called "HALF-BRED: mixed-race youth write revolution!" is coming soon! We want this book to be a site where mixed young people can express their experiences and issues of identity while speaking to race politics in Canada.
Want to be a part of this anthology? We're looking for prose, poetry,
artwork (including photography), memoirs and essays that talk about the identity issues that come with growing up multiracial in this country.
Written submissions are to be no longer than 3000 words. Creativity of all kinds is welcomed and encouraged
We are looking for writing that speaks to race politics in Canada. That addresses multiculturalism, globalization and post)colonialism. That intersects with issues of class, sexuality, gender, disability, religion, etc.
We are two biracial young women of colour who are eager to hear the voices of other multi-racial young folks. If this sounds interesting to you, and you're between the ages of 18-29, please submit!
Deadline: April 30
Send submissions to or contact us at:
halfbreed...@gmail.com
check us out!!!
http://groups.myspace.com/halfbreedyouth
14. New York, USA: Call to Artists: Soundfest.
Deadline: 30 April 2007Call To Artists!
Asian American Arts Alliance presents
Soundfest: Asian Americans in Music
This August, the first ever Soundfest: Asian Americans in Music festival will take place. Soundfest is an all-day outdoor Pan-Asian music festival that will showcase the diversity and talent of musicians in New York City. Soundfest will bring together local artists from a broad range of diasporas, musical genres, generations, and traditions.
Soundfest is presented by the Asian American Arts Alliance (AAAA), a diverse alliance of artists, organizations, and individual supporters who believe that working together as a pan-ethnic, multidisciplinary community is essential to nurturing the development of artists and arts organizations, and to providing a political voice for the community.
Soundfest is accepting proposals from performing musical artists of Asian descent who self-identify as Asian/Asian American. Participating musicians and groups should be based in New York City (Bronx, Brooklyn, Manhattan, Queens, and Staten Island), or conduct a significant amount of their artistic activities within New York City. An independent curating panel convened by AAAA will review artist submissions, and a total of ten artists/groups will be featured during the day-long outdoor music
festival.
Those artists whose proposals are accepted and who perform at Soundfest will be paid for their work. Soundfest seeks to provide a rich sampling of the talent and diversity of Pan-Asian communities in New York City that will speak to audiences of different backgrounds and ages.
To be considered, complete the attached application and return to:
Ujju Aggarwal, Soundfest Director
Asian American Arts Alliance
155 Avenue of the Americas, 6th floor
New York, NY 10013
Deadline to apply: April 30th, 2007.
Materials must be received, not postmarked, by this date.
Include a self-addressed postcard if you want receipt confirmed.
15.
Los Angeles, USA: Call for submissions to ITCH #5: fiction and fictions.
Deadline: 1 May 2007
Fiction:
1. the class of literature comprising works of imaginative narration, esp. in prose form…
2. something feigned, invented, or imagined;
3. an imaginary thing or event, postulated for the purposes of argument or explanation.
4. "a piece of truth that turns lies to meaning" (Dorothy Allison)
As (movement) artists, practitioners, creators, and citizens of the bush administration, we experience miscellaneous forms of fiction everyday. Whether or not we recognize them as such is often a moot point. We make use fiction (ie metaphor, fantasy, illusion) as a communicative device in our work, and a way to move us smoothly through the day Fiction also helps us unwind, or cope, depending on the leg you're standing on. When we take time to recognize the amount of fictions we are immersed in everyday, we come to realize that fiction is not about varying levels of believability, nor is it the opposite of truth. It is simply a strategy, a tactic.
We'd like to collect a mélange of fiction for issue #5 of itch:
actual prose/storytelling; a (radical) faerie/fairy tale; a record of how you employ fiction in your own work or daily life; a record of how fiction is employed by another person or entity (be they a politician, an artist, your professor, your pet, a movie, a war, etc); recorded observations of your daily surroundings; or something else. tell us lies.
*Also, for our rolling dialogue section, please submit your responses to issue #4: evidence
D E A D L I N E: T U E S D A Y MAY 1, 2007 . (mayday)
send submissions to
sub...@itchjournal.org. Further questions, concerns, provocations, etc can also be send to
sub...@itchjournal.org --if you'd like to stop receiving itch emails please let us know
thanks. meg, rae, taish
16.
Queens, NY, USA: CALL FOR LGBT PERFORMERS & FILMMAKERS . Queerin Queens. DEADLINE: POSTMARK MAY 1, 2007
QUEERIN' QUEENS QUEENS PRIDE CELEBRATION, JUNE 17th @ QUEENS MUSEUM
Call for SUBMISSIONS
Queens Museum of Art and CINEMAROSA -- Queens Only Queer Film Series are seeking performers (musicians, dancers, performance artists, poets, and comedians) as well as short filmmakers to participate our 5th Annual Queerin' Queens LGBT Pride Celebration in the beautiful setting of Flushing Meadows Park and the Queens Museum of Art on Sunday, June 17th, 2007 from 3:00 - 7:00 pm. CINEMROSA queer film/video screenings will take place for the first half, followed by performances and reception from 5 - 7pm.
This FREE event brings together organizations and individuals in an afternoon of free music, dance, video, dynamic performances, food, art, and activism to celebrate and support the importance and strength of multicultural connections in our New York gay, lesbian, bisexual and transgendered communities. In the past we've had performances by Carmelita Tropicana, Imani Henry, Mahina Movement, Chaney Sims, Imani Uzuri, Emanuel Xavier, performance artist Zeena Diwani, and Sri Lankan poet Leah Lakshmi Piepzna-Samarasinha to name a few.
SUBMISSION DEADLINE: Postmark May 1, 2007
FILMMAKERS:
Send a VHS, DVD or MiniDV Tape (NTSC Format Only) along with Electronic Press Kit on a CD containing: Still pictures (300 dpi, jpg or pdf format), Synopsis and Director's Bio. Also include Printed Promotional Material (if available) along with the completed Entry Form at
http://www.cinemarosa.org/pages/pdfs/cinemarosa_entryform.pdf
to:
Canonge c/o
CINEMAROSA
Box 20850, Columbus Circle
NYC, NY 10023
17. New York, USA:
Call for artists: SAWCC Tenth Anniversary Annual Viisual Arts Exhibition. Deadline: 1 May 2007SAWCC is now accepting submissions for its Tenth Anniversary / Annual Visual Arts Exhibition to be held from August 4 – September 1st 2007 at Exit Art in New York City.
*** Submission deadline- May 1st 2007***
As other spaces in the art world present the work of women artists' this year, SAWCC will participate in a truly collective fashion in the spectacle. The women in SAWCC have worked together and influenced each other for a decade now, and we would like to make this energy manifest in the exhibition itself. The theme for our tenth anniversary exhibition is collaborative works and participatory projects. All visual media, including 2D, 3D, video and installation work that fall within the guidelines of this call for submissions will be considered. Participatory projects are being defined for the purposes of this exhibition as interactive artworks that engage the
audience through the duration of the exhibition. We are also looking for work produced through a process of dialogue between at least two South Asian women artists – across disciplines. Meaning, this year we will also be accepting projects between visual artists and writers, dancers, musicians etc. (Following from our participation in the New York South Asian and Arab Film Festival, we will consider collaborations between South Asian and Arab/Persian women.) Artists are invited to submit multiple projects with different collaborators, provided the finished products are ready in time.
If you have work that has already been produced, please send us
documentation of the project. If you are initiating a project for this
exhibition, initial sketches or jpegs and a proposal will be reviewed but are due on May 1st with other artworks. All selected projects must be completed and ready to review by July 15th 2007 for a final approval by the curators.
Entries must be original work/s completed within the last six years. Audio or video equipment required will be supplied by Exit Art. Please forward this call widely.
The show will be juried by :
Jaishri Abichandani, Founder/ Executive Director SAWCC &
Jeanette Ingberman, Co- Founder / Director of Exit Art
TIMELINE:
Entry deadline: May 1st 2007 (received)
Notification: Selected artists notified by June 1st 2007
Artist's Reception: August 4th 2007
Exhibition Dates: August 4 to September 1st 2007
PLEASE MAIL ALL MATERIALS BY MAY 1ST 2007 TO Exit Art
475 Tenth Ave_New York, NY 10018
SAWCC would like to thank the Lower Manhattan Cultural Council (LMCC) for its generous support of SAWCC's 2007 Visual Arts Show, and Exit Art, New York for hosting the exhibition at its gallery space.
18. Washington, USA: IAHHE Call for papers and Exhibits
on Hip Hop. Deadline 31 May 20071st Annual Conference 2007
Call For Papers and Exhibits
The IAHHE is hosting its first annual conference and is looking for researchers, scholars, documentary filmmakers, and artists in hip hop to present their work.
The one-day conference will take place at Howard University on Friday, September 28th.
Topics for presentation may include:
Hip Hop Pedagogy
What methodologies work in the classroom?
Successful lesson plans and activities using hip hop
Ethnography
Research on individuals and communities in hip hop
Biographies
Multimedia Presentations
Independent Films
Power Point presentations
Graphic Artists exhibits
Sociological Approaches to Hip Hop
Building Better Relationships in Hip Hop
Health and Wellness in the Hip Hop Community
How does hip hop lifestyle affect the health
and wellness of its community?
Where Do We Go From Here: Chaos or Community? (MLK 2007)
Hip Hop and Politics
(how can hip hop be used politically)
Hip Hop and Philosophy
(is hip hop a philosophical movement?)
Hip Hop Economics
(insights on the developing underground industry)
Please submit your paper, panel, workshop, film or exhibit proposal to:
IAHHE
Call for Papers 2007
3911 9th St NE #2
Washington DC 20017
The deadline for submission is May 31, 2007
•
Disclaimer: Information is not verified and included in good faith. We are not responsible for any direct of indirect damage incurred because of the information contained in this newsletter. Though we check the information, we are not responsible for the content of external announcements and links.
*