Post Natyam in September

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Aug 31, 2005, 1:54:57 PM8/31/05
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PostNatyam Collective - September Newsletter

Dear friends,


After a little break in August, all three of us are currently on a retreat together in Los Angeles making new work!! So, stay tuned for more of Post Natyam...

In the meantime, we are also doing some exciting work individually: Anjali is working with choreographer David Roussève, Shyamala is co-curating a show for TeAda (see below), and Sandra is writing her dissertation!


Post Natyam Performances:

In September, you can see Shyamala in the following event:

Sunday, September 11, 2005, 2 p.m.:
"What's 9/11 got to do with it? :  Women of Color create alternative responses to the post 9/11 fear machine"
TeAda Works 2005 (Series #1).
Highways Performance Space
1651 18th Street, Santa Monica, CA
www.highwaysperformance.org
Reservations: 310/315-1459



Post Natyam Pointers:
If you want to receive more info like this, a well as add to the flow of information, please join the Post Natyam Network (postnatyam-net...@googlegroups.com ).

1. Assorted Upcopming Events
2. Publication
3. Call for
Perfomances/Papers/Artists

1. Assorted Upcoming events, all Los Angeles:

  • THIRD WORLD FESTIVAL OF SACRED MUSIC - LOS ANGELES (WFSM-LA).
    September 17- October 2, 2005 Los Angeles, CA
     
    The 16-day multidisciplinary festival will share music and movement in places large and small, sacred and secular, public and private - crossing neighborhoods, cultural, religious, and ideological boundaries. 
    For more information, contact:  
    World Festival of Sacred Music – Los Angeles 
    UCLA Center for Intercultural Performance 
    120 Westwood Plaza, Suite 188, Box 957173 Los Angeles, CA 90095-7173 
    T: 310-825-0507 - F: 310-825-5152

    E: in...@festivalofsacredmusic.org   

2. Publication


  • Re-Presenting Indian Dance: Dance Research Journal 36/2  

It is a publication of CORD, an American dance research organization with a worldwide membership of dance scholars. (see www.cordance.org) This special issue addresses Indian classical dance from a global perspective.  Contributors from around the world and writing from diverse places and disciplines, discuss 

Issues in Teaching and Researching Bharatanatyam 
Living History, Performing Memory 
The Sanskritized Body in dance today
Dance Reconstruction, Karana-s as dance text in cross cultural context....
Dance as Cultural Understanding … 
Dola goes my Diasporic Heart - Hindi Film Dance 
In Search of a Secular in Contemporary Indian Dance ...
Report on Current research in South Asian Performing Arts 
Review of a European-intercultural production 
Seeing postmodern dance via rasa theory

Contributors include: 
Ann Cooper Albright, Preethi Athreya, Ananya Chatterjea, Uttara Asha Coorlawala, Allessandra Lopez y Royo, Avanthi Medhuri, Purnima Shah, Sangita Shresthova, Gregory Sporton. 
 
Uttara Asha Coorlawala is honored to have served as the Guest Editor of this exceptional issue. She is Adj. Professor, Dance at Long Island University – C W Post and Barnard College. Email: Uttara.C...@liu.edu / Ucoo...@barnard.edu 

Price
Support Indian dance research at the subsidized price of only $15.00 and postage (postage cost varies according to location).  

Please send your order to
The Congress on Research in Dance
Department of Dance
State University of New York, College at Brockport
350 New Campus Drive
Brockport, NY 14420-2939

Phone: 716-395-2590
Fax: 716-395-5413
E-mail: gcar...@brockport.edu  

3. Calls for Performances/Papers/Artists

  • PACT ZollVerein/Germany

Ateliers 2005
the platform for new art. the salon for topics and ideas.

With its Atelier series, PACT Zollverein offers an evening-long platform in which professional artists from diverse art forms have room to present sketches, projects and ideas. Works considered can originate from all contemporary art forms. Ateliers are open to the public.

All public spaces in our building may be used. The stage is generally reserved for live performance work, which should not exceed 10 minutes so that more than one Atelier participant may benefit from it. PACT provides full technical assistance, but set-up and equipment requirements should be kept as simple as possible.

In addition to this, Atelier participants are also warmly invited to meet and exchange with audience members in our new informal post-programme Salon.

ATELIER
PLATFORM FOR NEW ART
More Information
Anke Müller,
Fon: +49 (0)201 289 4712
Fax: +49 (0)201 289 4701

Dates
Atelier October Saturday, 29. October 2005 (deadline passed)
Atelier December Friday, 02. December 2005

Applications:
Application material
1. please fill out the application form
2. and send it to the address below together with a Videotape (PAL) or DVD
3. applicants living in Germany should include a stamped addressed envelope if they wish to have their application material returned.

Call for entries
Application form PDF

Postal address:
PACT Zollverein
"Atelier"
Anke Müller
Bullmannaue 20
D-45327 Essen

  • Performance Studies International #12  
Queen Mary, University of London, in collaboration with East End Collaborations and the Live Art Development Agency (UK)
14-18 June 2006
PSi #12: PERFORMING RIGHTS What can performance do for human rights, and human rights for performance?
www.psi12.qmul.ac.uk
PSi #12: Performing Rights will be a gathering of artists, activists and  academics who are making and 
researching performance that declares its interest and intent within the field of Human Rights.

PSi #12 is being approached as a festival of creative dialogues investigating the boundaries and relationships
between Human Rights and performance and will present an integrated schedule of conference and contextualising events.

The PSi #12: Performing Rights contextualising programme will include research and resource materials, performances,
interventions, new media presentations, installations, screenings, displays, artists led laboratories and spontaneous interactions.

These will attempt to create a context for exploring the role of performance and the responsibilities of artists in effecting political, social
and cultural change. We aim to illuminate the creative strategies that artists and activists use to communicate issues of human rights and to empower artists, activists and audiences to be able to make a difference.

The contextualising activities for PSi #12 will include the following strands: A Library of Materials: A space housing resource and
research materials including publications, videos, DVDs, CDROMs, brochures, digital and web based initiatives, and real and
virtual archives. Through these, and other new media, the Library will explore and enable the documentation and transmission of
performance in relation to human rights.
 
A Manifesto Room and Library of Materials: A 24 hour a day space in which interventions, interactions, experimentations, activations,
declarations and polemics will be presented, performed and posted and where new media and web based interventions and international
input will be actively solicited. The space will house resource and research materials including publications, videos, DVDs, CDROMs,
brochures, digital and web based initiatives, and real and virtual archives. Through these, and other new media, the Library and

Manifesto Room will explore and enable the documentation and transmission of performance in relation to human rights. The Manifesto Room
and Library of Materials will form the centrepiece of PSi #12: Performing Rights and will continue to exist as an active and generative resource
after its launch in London at PSi#12.

Call for Proposals and Ideas


PSi #12 Performing Rights are inviting proposals, recommendations and ideas for all aspects of the contextualising programme
from artists, activists, curators and commentators throughout the world. We are interested in receiving recommendations and
proposals about performance and new media projects, initiatives, publications, videos, websites, events, networks, organisations
that are concerned with, or informed by, issues of Human Rights. We particular welcome information about artists, projects and
initiatives that may it not be possible to research through
conventional channels.

Proposals, ideas and recommendations should be forwarded to:

ps...@qmul.ac.uk
or in...@thisisliveart.co.uk or to:
PSi #12/Contextualising Events,

School of English and Drama,
Queen Mary, University of London,
Mile End Road, London, E1 4NS, UK
For more information on Performance Studies International #12: PERFORMING RIGHTS visit www.psi12.qmul.ac.uk

  • Resource for Musicians
The Los Angeles Theatre Community is assembling a database of musicians interested in having their music as part of theatre productions in the greater Los Angeles area. If you are interested, please read on or send to your friends who are musicians. Rather than using "famous" music, the theatre artists are excited to create opportunity for other art forms inside our own artistic endeavors.

BEGIN
This is a weekly reminder that the BCT list has a Database section for your use.

Tables have been set up for musicians/composers, sound/stage/set/graphic/costume designers, spaces available forrentals,
freelance consultants, theatre companies, and equipment.

The URL:
http://groups.yahoo.com/group/bigcheap/database

The Skinny: Have a yahoo i.d. and go to the webpage immediately above. After logging in, you can enter your data into the musician/composer database. People who are not members or don't have/want YahooGroups IDs can email Jason Waters at:artis...@gmail.com.He's graciously offered to input your information

Ravi Narasimhan
BCT List Maintainance

Kathi O'Donohue
Lights Fantastic

Jason Waters
Artist Salon

--
www.postnatyam.org

If you would like to be informed about the activities and events of South Asian artists/activists and post your own activities and events, please join the Post Natyam Network: postnatyam-net...@googlegroups.com; http://groups-beta.google.com/group/postnatyam-network
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