The Man from U.N.C.L.E. is a 2015 spy film directed by Guy Ritchie and written by Ritchie and Lionel Wigram. It is based on the 1964 MGM television series of the same name, which was created by Norman Felton and Sam Rolfe. The film stars Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, and Hugh Grant. The film was produced by RatPac-Dune Entertainment and Davis Entertainment while Turner Entertainment Co., the original TV series current holder, was also involved.
In 1963 CIA-Agent Napoleon Solo extracts Gaby Teller, daughter of nuclear scientist Dr. Udo Teller. Solo and KGB Agent Illya Kuryakin are ordered to team up and stop Alexander and Victoria Vinciguerra, Nazi sympathizers using Teller to build their own private nuclear weapon.
The men travel to Rome with Gaby, whose uncle Rudi works for the Vinciguerras. Muggers take Kuryakin's father's watch, but Kuryakin does not react in order to maintain his cover. Solo and Kuryakin break into a Vinciguerra shipping yard and find traces of uranium. While escaping into the water Kuryakin nearly drowns, but Solo saves him.
The following day, Gaby meets with Rudi and Alexander and betrays Kuryakin and Solo to them. Rudi tortures Solo, but Kuryakin rescues him and tortures Rudi. Rudi reveals the weapon is hidden in an island fortress where Gaby has been reunited with her father. Teller completes the weapon, and Victoria kills him.
Kuryakin confronts Solo in his hotel room, and Solo returns the stolen watch. Kuryakin admits his assignment was to kill Solo and take the disc for his government. Solo replies that he knew this, and had the same orders. They instead burn the contents of the disc, to give neither side the upper hand in the arms race. Reuniting with Gaby and Waverly, the trio have been reassigned to Waverly's international organization. Waverly gives them a new mission under a new codename: U.N.C.L.E.
Producer John Davis optioned the film rights to the 1960s TV series in 1993, setting up a development deal for an adaptation with Warner Bros. and series producer Norman Felton. Davis has estimated that he commissioned 12 or 14 different scripts over the course of 20 years, with writers Jim and John Thomas, John Requa, Glenn Ficarra, and Scott Z. Burns. Quentin Tarantino was briefly attached following the success of Pulp Fiction, but opted to make Jackie Brown instead. The Man from U.N.C.L.E. continued to labor in development hell with directors Matthew Vaughn and David Dobkin.[7] Steven Soderbergh was attached to direct Scott Z. Burns' screenplay, with production slated to begin in March 2012. Executives from Warner Bros. wanted the budget to stay below $60 million, but Soderbergh felt that amount would not be adequate to fund the 1960s-era sets, props, and international settings required for the film.[8] Emily Blunt was nearly cast as the female lead,[9] but she left the project shortly after Soderbergh departed in November 2011.[10]
Guy Ritchie signed on in March 2013.[11] On July 31, 2013, it was announced that Ritchie's adaptation would start filming in September 2013 in London and Italy.[12][13] The final production budget was approximately $75 million US.
Principal photography on the film commenced on September 9, 2013.[30] In October 2013, filming was being under way at the Old Royal Naval College in Greenwich, Royal Victoria Docks, London and Goodwood Motor Racing Circuit in West Sussex, UK.
Two locations stood in place for Berlin sites on either side of the wall: the public toilet fight between Solo and Kuryakin was shot in Regent's Park in London, while the car chase during the movie's first act was shot in Chatham Historic Dockyard, Kent UK.[31][32][33]
Director Guy Ritchie finalized the script throughout production: "He's quite intuitive and tends to constantly rewrite stuff, which he does even when they're shooting. He'll rewrite things in the morning if they're shooting that day, working with the actors if something doesn't feel right." says long-term collaborator David Allcock.[34]
The musical score for The Man from U.N.C.L.E. was composed by Daniel Pemberton.[35] A soundtrack album was released by WaterTower Music on August 7, 2015.[36] A behind the scenes video was also released.[37] The musical score received many glowing reviews with the LA Times noting "it is composer Daniel Pemberton who in some ways seems to understand the idea of the movie even better than Ritchie, his score featuring breathy flutes, twangy guitar, spooky harpsichord and pounding drums and organ capturing the mixture of pastiche, homage and a twist of the new in a way the rest of the film rarely matches."[38]
On Rotten Tomatoes, the film has an approval rating of 68% based on 291 reviews, with an average rating of 6.20/10. The site's critical consensus reads, "The Man from U.N.C.L.E. tries to distract from an unremarkable story with charismatic stars and fizzy set pieces, adding up to an uneven action thriller with just enough style to overcome its lack of substance."[41] On Metacritic, the film has a weighted average score of 56 out of 100, based on 40 critics, indicating "mixed or average reviews".[46] On CinemaScore, audiences gave the film an average grade of "B" on an A+ to F scale.[3]
A 3D action game based on the film titled Mission: Berlin was released on iOS and Android. It featured sneaking, shooting, and getting in and out of drivable vehicles in the style of open world games. The player can choose to play as Solo or Kuryakin. There was also a multiplayer death match. As of December 2018, the game has been removed from both marketplaces.[50]
The Man from U.N.C.L.E. is an American spy fiction television series[1] produced by Metro-Goldwyn-Mayer Television and first broadcast on NBC. The series follows secret agents Napoleon Solo, played by Robert Vaughn, and Illya Kuryakin, played by David McCallum, who work for a secret international counterespionage and law-enforcement agency called U.N.C.L.E. (United Network Command for Law and Enforcement). The series premiered on September 22, 1964, and completed its run on January 15, 1968. The program was part of the spy-fiction craze on television, and by 1966 there were nearly a dozen imitators. Several episodes were successfully released to theaters as B movies or double features. There was also a spin-off series, The Girl from U.N.C.L.E., a series of novels and comic books, and merchandising.
With few recurring characters, the series attracted many high-profile guest stars. Props from the series are exhibited at the Ronald Reagan Presidential Library and Museum and at the museums of the Central Intelligence Agency and other US intelligence agencies. The series won the Golden Globe Award for Best TV Show in 1966.
The series consists of 105 episodes originally broadcast between 1964 and 1968, produced by Metro-Goldwyn-Mayer and Arena productions. The first season was produced in black-and-white, the remaining in color.
Ian Fleming contributed to the series after being approached by co-creator Norman Felton.[5] According to the book The James Bond Films, Fleming proposed two characters, Napoleon Solo and April Dancer (later appearing on the spin-off series The Girl from U.N.C.L.E.). The original name for the show was Ian Fleming's Solo.[6] Robert Towne, Sherman Yellen, and Harlan Ellison later wrote scripts for the series. Author Michael Avallone, who wrote the first original novelization based upon the series (see below), is sometimes incorrectly cited as the show's creator.
The series centered on a two-man troubleshooting team working for multi-national secret intelligence agency U.N.C.L.E. (United Network Command for Law and Enforcement): American Napoleon Solo (Robert Vaughn), and Russian Illya Kuryakin (David McCallum). Leo G. Carroll played Alexander Waverly, the British chief of the organization. Barbara Moore joined the cast as Lisa Rogers in the final season.
The series, though fictional, achieved such cultural prominence that props, costumes, documents, and a video clip are in the Ronald Reagan Presidential Library and Museum's exhibit on spies and counterspies. Similar exhibits are held by the museum of the Central Intelligence Agency.[8]
U.N.C.L.E.'s primary adversary was Thrush (named WASP in the pilot film). The original series never divulged whom or what Thrush represented, nor was it ever used as an acronym. The novels written by David McDaniel explain that it stands for "Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity",[9] described as having been founded by Colonel Sebastian Moran after the death of Professor Moriarty at the Reichenbach Falls in the Sherlock Holmes short story "The Final Problem". But in a second season episode, guest star Jessie Royce Landis plays a character who claims that she founded Thrush. Producer Felton always insisted that Thrush was not an acronym and stood for nothing.
Filmed in color from late November to early December 1963, with locations at a Lever Brothers soap factory in California, the television pilot made as a 70-minute film was originally titled Ian Fleming's Solo and later shortened to Solo. However, in February 1964 a law firm representing James Bond producers Harry Saltzman and Albert R. Broccoli demanded an end to the use of Fleming's name in connection with the series and an end to the use of the name and character "Solo", "Napoleon Solo" and "Mr. Solo". At that time filming was underway for the Bond film Goldfinger, in which Martin Benson was playing a supporting character named "Mr. Solo", being an American Mafia boss murdered by Auric Goldfinger. The claim was the name "Solo" had been sold to them by Fleming, and Fleming could not use it again. Within five days Fleming had signed an affidavit that nothing in the Solo pilot infringed any of his Bond characters, but the threat of legal action resulted in a settlement in which the name Napoleon Solo could be kept but the title of the show had to change. Coincidentally, the TV series debuted only a few days after the Sept. 17, 1964 U.K. release of the Goldfinger movie with its "Mr. Solo" character, though U.S. release would not occur until 1965.
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