[Kops Download Di Film Mp4
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Kopps is a 2003 Swedish action comedy film which was released to cinemas in Sweden on 7 February 2003,[1] directed by Josef Fares. The name itself is a pun on pronouncing the English word "Cops" with a Swedish accent.
The film concerns the police force of a small fictional Swedish village, Hgbotrsk. The village is so peaceful that crime has become nonexistent. The police spend their shifts drinking coffee, eating hot dogs and chasing down runaway cows. This is all well and good for the village's own police, but the police management board wants to discontinue the local police force for lack of crime. This would mean the loss of income for the policemen, so they begin to stage crimes in order to preserve their jobs. This includes burning down the local hotdog stand, hiring a drunk to steal a packet of sausages, thrashing a local car, faking a shootout and staging a kidnapping using their friends as actors.
Shortly after Kopps' release in 2003, Adam Sandler and Columbia Pictures bought the rights and announced their plans to remake the comedy into an English-language release, but the project did not materialise.[2]
The idea for the Keystone Cops came from Hank Mann, and they were named for the Keystone studio, the film production company founded in 1912 by Sennett.[1] Their first film was Hoffmeyer's Legacy (1912), with Mann playing the part of police chief Tehiezel, but their popularity stemmed from the 1913 short The Bangville Police starring Mabel Normand.
As early as 1914, Sennett shifted the Keystone Cops from starring roles to background ensemble in support of comedians such as Charlie Chaplin and Fatty Arbuckle. The Keystone Cops served as supporting players for Marie Dressler, Mabel Normand, and Chaplin in the first full-length Sennett comedy feature Tillie's Punctured Romance (1914); Mabel's New Hero (1913) with Normand and Arbuckle; Making a Living (1914) with Chaplin in his first pre-Tramp screen appearance; In the Clutches of the Gang (1914) with Normand, Arbuckle, and Al St. John; and Wished on Mabel (1915) with Arbuckle and Normand, among others. Comic actors Chester Conklin,[2] Jimmy Finlayson,[3] and Ford Sterling[4] were also Keystone Cops, as was director Del Lord.[5]
The original Keystone Cops were George Jeske, Bobby Dunn, Mack Riley, Charles Avery, Slim Summerville, Edgar Kennedy, and Hank Mann.[6] In 2010, the lost short A Thief Catcher was discovered at an antique sale in Michigan. It was filmed in 1914 and stars Ford Sterling, Mack Swain, Edgar Kennedy, and Al St. John and includes a previously unknown appearance of Charlie Chaplin as a Keystone Cop.[7]
Mack Sennett continued to use the Keystone Cops intermittently through the 1920s, but their popularity had waned by the time that sound films arrived. In 1935, director Ralph Staub staged a revival of the Sennett gang for his Warner Brothers short subject Keystone Hotel, featuring a re-creation of the Kops clutching at their hats, leaping in the air in surprise, running energetically in any direction, and taking extreme pratfalls. The Staub version of the Keystone Cops became a template for later re-creations. 20th Century Fox's 1939 film Hollywood Cavalcade had Buster Keaton in a Keystone chase scene. Abbott and Costello Meet the Keystone Kops (1955) included a lengthy chase scene, showcasing a group of stuntmen dressed as Sennett's squad. (Two original Keystone Cops in this film were Heinie Conklin as an elderly studio guard and Hank Mann as a prop man. Sennett also starred in a cameo appearance as himself).
The name has since been used to criticize any group for its mistakes and lack of coordination, particularly if either trait was exhibited after a great deal of energy and activity. For example, in criticizing the Department of Homeland Security's response to Hurricane Katrina, Senator Joseph Lieberman claimed that emergency workers under DHS chief Michael Chertoff "ran around like Keystone Kops, uncertain about what they were supposed to do or uncertain how to do it."[13]
In sport, the term has come into common usage by television commentators, particularly in the United Kingdom and Ireland. The rugby commentator Liam Toland uses the term to describe a team's incompetent performance on the pitch. The phrase "Keystone cops defending" has become a catchphrase for describing a situation in an English football match where a defensive error or a series of defensive errors leads to a goal.[14] The term was also used in American Football commentary to describe the play of the New York Jets against the New England Patriots in the 2012 Butt Fumble game, with sportscaster Cris Collinsworth declaring "This is the Keystone Cops", after the Jets gave up 21 points in 51 seconds.[15]
Sennett is usually portrayed as a loud, easily bored, crude tobacco-spitting man conducting the affairs of his company from a bathtub. Sennett himself thought this was the best image ever and encouraged it with pride. However, in reality he was probably a more cultured person than is assumed, being a devoted theater-goer with a special fondness for Broadway and opera.
Why cops? In those early days of film much of the movie-going audience was made of up of the working class and immigrants. Sennett knew this and knew these blue-collar people would get a kick out of authority figures being lampooned. The most familiar authority figures of all? The police, of course!
Other Kops include: Ford Sterling, Roscoe Arbuckle, Al St. John, Joe Bordeaux, Chester Conklin, Harry McCoy and many others. Actors hoping to make it at Keystone would usually have to do their duty as a Kop first. Anyone able to tough it out through the rigorous schedule of tumbles, pratfalls and other constant threats of injury was pretty much In.
That was a good essay, Lea. I read somewhere that police departments were switching from the round helmets and long coats to short jackets and peaked caps around that time and Sennett acquired a bunch of surplus uniforms. San Francisco switched in that period.
I have a picture of of my dads grand or great grandfather pops in a duo, dressed in top hat and cane. I was told they were two of the original key stone kops. My dad immigrated from from Melbourne Australia in 1931. Im trying to learn more about my roots.
hello..in dec, 1989 I met a man named Abe Goldstein who stated he was the last of the original KEYSTONE KOPS he went with the name Korky he was born 10-14-1895. he was 95 yoa at the time. can you verify if he was indeed an original Keystone. thank you
In his new position, Kops will lead global feature film publicity on all wide theatrical releases, multiplatform releases, and catalog, through the full cycle of their campaigns; he also will oversee strategic communications for the Motion Picture Group as a whole. Kops has been unofficially serving in the role since Liston was promoted to lead the Global Marketing department last year. She previously held the job and Kops will report to Liston.
Kops has been working in entertainment marketing and publicity since 1991. He spent six years at MGM/UA, rising through the ranks to ultimately head up the department as EVP of Worldwide Publicity & Promotions. During his tenure, he oversaw the PR campaigns for films including The Thomas Crown Affair, Igby Goes Down, Hotel Rwanda, and the James Bond films starring Pierce Brosnan. He also orchestrated the PR launch of the Legally Blonde and Barbershop franchises, among other titles.
Next, he moved to Paramount Pictures, where he served as SVP Publicity, heading up U.S. publicity campaigns and working with filmmakers including Cameron Crowe on Elizabethtown, JJ Abrams and Tom Cruise on Mission: Impossible III, and Bill Condon on Dreamgirls, where he oversaw the Oscar-winning campaign for Jennifer Hudson.
Additionally, Kops produced the award-winning independent film Do You Take This Man, starring Anthony Rapp, Jonathan Bennett, Alyson Hannigan, Thomas Dekker and Mackenzie Astin. The film centers around the wedding of a gay couple; the wedding scene was shot the same day the 2015 Supreme Court decision in support of gay marriage came down.
Eric Kops BiographyWhile studying film and television at San Diego State University, Kops began his career as an intern for the San Diego Film Commission working on the film "Bugsy," which shot in the Anza-Borrego Desert. and a second internship at Paramount Pictures handing publicity and promotions on San Diego college campuses. This internship turned into a full-time position as account executive, and while still at SDSU, Kops became the local publicist for Miramax, Gramercy, Savoy and Orion in the early 1990s working on movies including "The Crying Game," "The Grifters," "Like Water for Chocolate," "The Adventures of Priscilla, Queen of the Desert," "A Bronx Tale," and "Blue Sky."Kops moved to Los Angeles as the Manager of Field Marketing for MGM/UA in 1994. Followed by stints at Columbia/TriStar and MPRM Communications (formerly the Pogachefsky company,) he returned to MGM/UA in 1998 and was named Vice President of Publicity at the age of 28. In his 6 years at MGM/UA, Kops was promoted through the ranks eventually becoming Executive Vice President of Worldwide Publicity and Promotions. During his tenure there Kops oversaw campaigns for "The Thomas Crown Affair" (1999), "Die Another Day," "Hotel Rwanda," "Igby Goes Down," "DeLovely" and the Legally Blonde and Barbershop franchises.In 2005, Kops joined Paramount Pictures as Sr. Vice President of Publicity, and oversaw the domestic earned media campaigns for "Mission Impossible 3," "Dreamgirls," "Failure to Launch," "The Weatherman," and "The Last Kiss." He also handled Jennifer Hudson's awards campaign for "Dreamgirls" which saw her win the Oscar, Golden Globe, NAACP Image Award, Broadcast Film Critics Award, NBR award and the SAG Award for supporting actress. While working at Paramount Pictures in 2006, Kops produced the short film "Last Day" which was written and directed by Joshua Tunick and starred Rebecca Gayheart, Brad Rowe and Stanley Kamel.In 2009, Kops joined Summit Entertainment as the head of Publicity, and oversaw publicity and promotions for the Twilight Saga Franchise, the Divergent series, "Source Code," "The Impossible," "Letters to Juliet, and "The Perks of Being a Wallflower," as well as the Awards campaign for "The Hurt Locker" which won 6 Oscars including Best Picture. Also during his time at Summit, Kops became a member of the Academy of Motion Picture Arts & Sciences.Kops left Summit/Lionsgate in 2014 to produce "Do You Take This Man," which was released theatrically on July 7, 2017. The ensemble indie film stars Anthony Rapp, Jonathan Bennett, Alyson Hannigan, Thomas Dekker, Mackenzie Astin, Alona Tal, Hutchi Hancock, Sam Anderson, Lee Garlington and Marla Sokoloff, and has a rotten tomatoes score of 76. He has several other film and TV projects in development.Kops founded Eric Kops Consulting, Inc. in 2014, focusing on film and TV projects, awards campaigns, as well as, media training, further details at erickops.com. In 2021, he returned to Lionsgate as SVP, Earned Media, Special Projects and Visual Communications.
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