'Edm Melodic Vocals 3' is one of the most anticipated product since the huge success of the second volume. This third placement picks up where the second volume left off. Once again With top quality edm arrangements and top notch vocals. Each of these construction kits is filled with up to date sounds inspired by the top producers. With this product, all your song elements are already there waiting for you to structure them to your taste. These arrangements were inspired by Hardwell, Alesso, Tiesto, Avicii and David Guetta.For more info: -samples.com/product/edm-melodic-vocals-3/
The London based trio have a burgeoning list of co-writes to their name having scored recent cuts with numerous doyens of the dance scene. Cuts by the likes of Kideko, Mason and Tough Love have all been graced by Melody Men top lines and vocals in the last few months. The girls have had recent releases on Defected and Skint/BMG. In short the trio are working with some of the biggest and best labels out there.
Killer Club Hooks displays the length and breadth of the vocal talents of The Melody Men. A mixture of melismatic melody and pure attitude rap is to be found within, and every territory in between is also covered. You can pepper your hits with a variety of vocals, from clean and dry phrases to deeply effected versions that include reverb, delay, pitching and much more, ensuring added inspiration and variation in your arrangements.
With loops playing between 115-126bpm, this collection will be perfect in all your club tracks, with genres such as house, tech house, deep house, disco, melodic techno and many more all working synergistically!
Check out the demos above and log in to download a free taster pack now. This collection is also fully Loopcloud ready. More information can be found about Loopmasters award winning software here: loopcloud.com
"As an artist, finding the right vocal for your music can honestly be pretty tough especially if you don't have a big budget. While the OPS Vocal Pack is totally affordable, you also get a variety of vocals! Drag those in your project and start to create."
"This pack offers a huge variety of high quality vocals, suited for every producer in the harder styles! I would definitely recommend this to anyone seeking vocals for their tracks, all the seperate elements give a huge inspirational boost if needed!"
"If you're looking for a pack that pushes diversity to the limit, look no further! The range of high-quality sounds provides some great jumping-off points to kickstart the creation of your own banging Hardstyle tracks. The attention to detail and variety of samples make it a nice tool for any Hardstyle producer, ready to get inspired."
If you are struggling to find the ideal vocal for your music then this is the solution to fix more than 80% or even 100% of your problem, this vocal package will take your music to the next level new.
I like the pack a lot for the price i bought it, but the organization of the samples is a bit messy, some of them are in folders, others not
I'd preffer to have all of them if folders, one case that repeats a lot is wet/dry folders, the wet ones usually are inside a folder whereas the dry arent
That's what im talking about
One improvement that the pack could have might be have vocal leads, like vocal chops, vocal screeches....
One of the mentalities that some metalheads have that I really just cant wrap my head around is the idea that death growls and screaming is somehow more valid than clean vocals in metal. Theres been a few instances where fans of Amon Amarth have given me a little bit of a bollocking (yes I'm talking British now) because I believe that their music would sound a lot better with a vocals more akin to Bruce Dickinson or James LaBrie or Jeff Scott Soto and Mark Boals. The usual argument is "Oh well if you want clean vocals go listen to Bon Jovi or whatever fake shitty hair metal you like."
I think you're looking at a vocal minority in the metal community. Their opinions may be loud, but they are hardly representative of metal fans in general. Usually the people that prefer deathgrowls/etc usually tend to crave something really brutal. The expression through unclean vocals speaks to them in a way that it doesn't to you.
Someone who falls over himself daily trying to get people to take hair metal seriously is not really the kind of individual who is going to "get" that metal is not about sounding perfect or being pretty. Sometimes it is, but Amon Amarth are doing very well at their own thing, they don't need to change for amyone, and the fans are quite right to take umbrage are your endless whining.
He doesn't need to do himself a favour. And I have listened to every DT album and will say quite honestly there are better Amon Amarth albums than Images And Words to my ears, and you rave about Labrie but I disagree with you and think he's a borderline terrible vocalist.
You need to get it into your head that people are entitled to like what they like and you reveal yourself to be a real idiot the more you stamp your feet and complain about other aspects of metal it's obvious you don't appreciate.
There are other vocal styles in metal besides clean singing, screaming/shrieking and growling. Some metal bands use shouted vocals as a singing style as Neurosis. I like that band and don't mind their vocals.
Anyway, generally I can't stand black and death metal music(even I don't like melodic death metal)and all -core metal styles. I dig classic heavy metal, power, prog, some of thrash, folk and doom/sludge/stoner metal.
and ya know what that's the thing.....most of these guys are good singers when they go for clean vocals. i know i must sound old......"these kids and their RAWR RAWR metal" but yea i appreciate it more......but i still don't really get it......You were singing fine......why would you......never mind, lol
However, while in Reaper I do try out difference fx to see the difference. Rare for me is the vocal take that sounds awesome as-is. Its useful to see how reverb, etc. color the take, but ultimately I want all that done in Renoise.
I mostly use vocal samples, though Similarly to Neurogami I process them externally before importing into renoise. If recording vocals for a full track, I would also tend to follow a similar path as stated above. If just adding a full track length sample it can some times make it difficult to work on loops, it is easier to split it up into sections.
i just record everything directly into renoise, slice everything up in instruments, pick out the best parts and treat them as normal samples. works fine, though a better visualization/treatment of long samples in the pattern editor would be a lifesaver though.
cough audiotracksplz cough-cough
I suppose an alternative might be something like what @hcv242 seems to be indicating though - an actual audio lane/track that directly represents what will be played next to sequenced tracks - in theory, all of the same track controls could still exist under the covers to represent offset data, etc. calculated from placement of audio in that lane.
This comprehensive royalty-free vocal sample pack is one of the largest on the market, containing over 6GB of highly usable content, including a stunning collection of 23 vocal construction kits, each with corresponding FL Studio project files, MIDI files, and presets, as well as classic and exotic ad-libs, melodic vocal phrases, spoken words and phrases, single tones, breaths, vocal FX, and vocal percussion hits. This is truly a unique, yet quintessential sample library that is designed to be suitable for modern progressive, trance and related sub genres.
As a bonus, everything in the demo is included as additional project files, color-coded and grouped for usability, with the mix intact. Additionally, we have included a full PDF guide with keys, chord progressions, and lyrics.
This product includes a combination of WAV files, MIDI files and vocal construction kits (combined WAV + MIDI + FL Studio 12 project files). All the files are compatible with Image-Line Fruity Loops, Ableton Live, Apple Logic, Steinberg Cubase and any digital audio workstation (DAW) that supports WAV and MIDI files.
The included FL Studio project files require FL Studio 12.3, Sylenth1 2.221, Spire 1.1.3 and Native Instruments 1.3.0, Korg M1, ArtsAcoustic Reverb and TP-Basslane to function correctly. MIDI files, samples and presets are included for customers who wish to reconstruct the projects in the DAW of their choice.
Since the vocal construction kits are provided non-exclusively, you MUST notify any potential record label, publisher or distributor if you use any vocal construction kit content within your commercial releases.
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