《宝亀五年(七七四)六月壬申【五】》○壬申。奉幣於山背国乙訓郡乙訓社。以犲狼之怪也。」
Hōki 5.6.5 (July 17, 774)
Mitegura were presented to the Otokuni Shinto Shrine of Otokuni District in Yamashiro Province. This was because of the uncanny appearance of wild wolves.2024/09/15 午前7:25、Mikael Bauer, Dr. <mikael...@mcgill.ca>のメール:
To view this discussion on the web visit https://groups.google.com/d/msgid/pmjs/YQXPR01MB65571C424EB5614E269377CB9E662%40YQXPR01MB6557.CANPRD01.PROD.OUTLOOK.COM.
After a quick dive into the history of the weird I found the following. My impression, as I noted before, is that the Heian period was when uncanny things really exploded in the “Japanese popular imagination,” to quote Noriko Reider. In the later years covered by the Shoku Nihongi chronicle, this tendency is seen to be emerging. (The attached bibliography, which aided me in finding this material, is courtesy of Mr. Leonardo Wolfe.)
Ross Bender
Kyoko Motomochi Nakamura. Miraculous Stories from the Japanese Buddhist Tradition: The Nihon Ryōiki of the Monk Kyōkai (1973, Harvard)
“In the Heian period the belief in spirits of the dead grew into a morbid fear of evil and vindictive spirits, but the Nihon Ryōiki already exhibits such a tendency. It was believed that, after a violent death, often as a result of political intrigue, the spirit would not leave the body but would linger in this world to haunt the living.” (p. 82)
Noriko T. Reider [Asian Folklore Studies 66:1 (2007)]
Onmyōji Sex, Pathos, and Grotesquery in Yumemakura Baku’s Oni
“The Heian period … was when the oni’s influence on the Japanese popular imagination was at its peak.”
Elizabeth Oyler [Harvard Journal of Asiatic Studies 68:2 (2008)]
The Nue and Other Monsters in Heike Monogatari
“In Japanese, monsters generally fall under the rubric of yōkai, the word that Inoue Enryō utilized when coining the term yōkaigaku….Yet this term is imbricated with many other terms describing the strange or unusual….The semantics of all the Japanese terms used generally signal the quality of being unusual.”
Noriko T. Reider [Japanese Journal of Religious Studies 36:2 (2009)]
Animating Objects: Tsukumogami ki and the Medieval Illustration of Shingon Truth (with translation of Tsukumogami ki, Muromachi period)
“Although animate tools appear sporadically in the late Heian period, the application of the name tsukumogami to animate objects is largely a medieval phenomenon…”
Elizabeth Lillehoj [Asian Folklore Studies 54:1 (1995)]
Transfiguration: Man-Made Objects as Demons in Japanese Scrolls
“The Shinju-an scroll is the oldest surviving hyakki yakō emaki and is thought to have been painted in the first half of the sixteenth century.”
--
PMJS is a forum dedicated to the study of premodern Japan.
To post to the list, email pm...@googlegroups.com
For the PMJS Terms of Use and more resources, please visit www.pmjs.org.
Contact the moderation team at mod...@pmjs.org
---
You received this message because you are subscribed to the Google Groups "PMJS: Listserv" group.
To unsubscribe from this group and stop receiving emails from it, send an email to pmjs+uns...@googlegroups.com.
To view this discussion visit https://groups.google.com/d/msgid/pmjs/1ef4686a-3668-433b-8ac6-a6c9aed4069dn%40googlegroups.com.