Dear all,
I have been so into the controversy, at least in the Spanish-speaking world, since my field is Japan-Europe contact in the 16th and 17th centuries, and it’s been crazy since the day they published the first trailer. I made a short video on Twitter the next day, just clarifying some stupid things I read from the thousands of sudden-experts-on-the-topic, and it had 500k views in just a couple of days. As usual, it's been all about racism. They say they are just angry because of the lack of historical accuracy, but it's just racism. If you have played some AC games, you know they have never cared about historical accuracy... and they shouldn't, because it's a video game, not a history book. But this time, all of a sudden, there are thousands of angry defenders of historical accuracy. And it's so funny, because the other main character in the game is a ninja, and that doesn't seem to raise any problems related to historical accuracy for them.
On the other hand, I have not read Lockley's book, but when I learned about it, I was so surprised, because we have so few sources about Yasuke. With the few documents we have, there is plenty of room for movies, video games, etc., since he's such an amazing character, for sure, but I don't think there's enough to write a good history book on it.
So, maybe it could be interesting to summarize what we know about Yasuke. We know he arrived in Japan with Jesuit visitor Alessandro Valignano in 1579, after joining his party in Mozambique as a slave, in the Jesuit documents, they are called "criados", but they were slaves. We know they went to Kyoto in 1581, and we know his presence caused such a commotion that Oda Nobunaga, as always, full of curiosity for anything new and different, asked the Jesuits to pay him a visit and bring this strange person with them. So they did, and then we have this famous scene of some maids trying to wash Yasuke's color with different oils, soaps and ointments. And then, when Nobunaga was sure that Yasuke was not painted, he was so happily surprised, also because of his tall size, that he asked the Jesuits for the boy to remain with him. And the Jesuits were so interested on pleasing him that they accepted his demand. So, from this moment on, Yasuke was not a slave anymore but a retainer, and he was given a stipend, a house and swords. He became something like a bodyguard for Nobunaga, and sometimes Nobunaga even invited him to eat at his table. I'm sure the reason was that Nobunaga thought it was so cool to have this exotic, big black guy with him, just like he loved his Portuguese chair and velvet hat, because he just loved foreign and new stuff. So, we know Yasuke was in the Honnō-ji Incident and that Akechi Mitsuhide decided to pardon his life out of racism, because he said he was not a man but a beast, so he didn't have any responsibility. And that's all we know, then we assume he went back to Nagasaki with the Jesuits and that, at some point, he returned to Mozambique, but that's not 100% sure.
We have this information in some reports written by the Jesuits –Luís Fróis, Lourenço Mexia– and also in Ōta Gyūichi's chronicle, the "Shinchō kōki" –some parts in the most common version and some other parts only in the one kept in the Sonkeikaku library, owned by the Maeda Ikutokukai.
And I'd say that's all, but in case someone has more information about all this topic, I'll be so happy to know about it... the game will be published in November and I guess there will be more controversy about it, so, information is always useful.
Best,
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Robert Tuck, PhD
Associate Professor of Modern Japanese Literature and Culture
School of International Letters and Cultures
Arizona State University
405 C Durham Hall
MA Co-ordinator, AY 2023-24
Hello everyone,
First off I want to say, purely based on the Japanese sources the
answer to the question of whether Yasuke was a samurai is that by
any reasonable definition Yasuke was. I can only read the Jesuit
sources in translation, but unless every translator who has worked
on this in English or Japanese has erred badly, they also support
this. This has been borne out in previous emails in this chain.
I read African Samurai perhaps 3 or 4 years ago in
search of a book that could be assigned to undergraduates, and I
think Professor Tuck has more or less nailed it. I also think that
this tendency to look for an entertaining way to tell the story
colors the argument such that Yasuke's narrative is always the
most interesting, rather than most fitting the evidence (scant
though it may be). There were also some arguments that I found
problematic, notably where the use of visual evidence were
concerned.
I do think that a potential good outcome of this controversy
could be an easily accessible English-language collection of
sources on Yasuke. Even including the "possibly Yasuke" sources,
this probably would be a small pamphlet, but it could be
interesting and useful for teaching.
Regards,
Dan Sherer
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Hello Or,
Happy to clarify my position:
1. What term is used to describe "Yasuke" in the Sonkeikaku variant of Shinchō kōki? Is he referred to as a bushi, samurai, or something else? The version I found does not indicate he was a warrior at all. Dan Sherer claims the other way around, so I’d be interested in an clarification.
The Sonkeikaku variant includes the following text not present in other variants:
然に彼黒坊被成御扶持、名をㇵ号弥助と、さや巻之のし付並私宅等迄被仰付、依時御道具なともたさせられ候
So he is made a vassal of a military family, given a stipend and
a sword (さや巻之のし付) and a house and carries Nobunaga's (military)
equipment. So while we don't have Gyuichi giving us a specific
title, the suggestion is that he is being treated as a member of
the samurai class, such as it was in the late 16th century. This
tracks with Ietada Nikki (the other Japanese language
source that describes him) and with the Jesuit sources, at least
in translation.
I should note, there's is no indication in any source that he was
involved in any fighting except when he fought at Nobutada's last
stand during the Honnoji no hen, so I am not arguing that he was
expected to lead men into battle.
2. Where does the name "Yasuke" come from? Is it mentioned in any credible sources? From the little I know, it is made up.
In terms of whether they actually called him that name, yes, the
name appears in the above source as well as the Ietada Nikki.
In terms of why he was given that name, there is no evidence
as to why. I believe some have suggested that it is an attempt to
render his original name, either a name in an African language, or
even the name Ishak (with the suggestion that Yasuke was
originally part of Mozambique's Muslim community). Personally, I
suspect that Nobunaga gave him a common Japanese name to make life
easier (How common? I have documentation of at least one other
Yasuke in Nobunaga's service!). The Jesuits did not bother to
record the name as far as I can tell.
Hope that helps,
Dan
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Or Porath, Ph.D.
Assistant Professor
Department of East Asian Studies
Max Webb Building, Room 517
Tel Aviv University
P.O. Box 39040
Tel-Aviv, 69978, Israel
Vice-President, Society for the Study of Japanese Religions
Japan’s Forgotten God: Jūzenji in Medieval Texts and the Visual Arts
Dear all,
In light of the overall need for clarity on this topic, about which we have received some inquiries to the Moderation Team, I think it is important to trace several intertwined threads that have led to this moment, including many prejudiced and racist responses. Please allow me to tease this apart a little, as I believe it in many ways helpfully shows why scholarly knowledge about premodern Japan and its accessibility to the public is indeed important. Apologies in advance if anything is in error or unclear, this is a complex series of events.
Lockley’s Yasuke: The True Story of the Legendary African Samurai was released in 2019, and I admit that as a historian of medieval Japan I gave it only a cursory look and found it to be more historical fiction-oriented than aimed at a scholarly audience. But aside from several people asking me about it, it did not make that big of an impact in scholarly circles to my knowledge. There was a bit of hubbub about it in 2019, partly because the actor Chadwick Boseman (of Black Panther fame) was slated to play Yasuke in a film adaptation of the story before his death in 2020.
Meanwhile, there is the extremely popular Assassin’s Creed video game series, an action role-playing game by Ubisoft, which is known for its mix of fictional characters with historical events, including settings from ancient Egypt to the French Revolution and 16th century Italy. Despite having plenty of ahistorical vignettes you would expect in video games (plenty of Illuminati and Knights Templar lore, fighting mythological Greek creatures, etc.), fans have overall been particularly pleased with the amount of research and paired historical commentary that goes into the games to give it a historical feel. In fact, it has been reviewed in the American Historical Review more than once over the last decade (see here and here, for examples).
In 2022, it was announced that their Sengoku Japan game would be released in 2024. When released, the game appeared to depart somewhat from previous ones in foregrounding ninja and less historically grounded information. The game also included a Black lead characters inspired by the historical Yasuke. Responses included displeasure at the Japan-focused game drawing from Orientalist tropes and being “so much lazier,” as one colleague and player noted, than other games in the series in its attention to the complementary historical information. There was also a racist and gendered response to the appearance of a Black lead.
The focus on the Black lead and an upswelling of responses can be seen in a Reddit thread earlier this summer, when a subreddit on Asian masculinity included a post claiming that a Black main character was “Asian emasculation” and supposedly robbed Asian men of opportunities to be represented. These comments were woven into commentary by some Youtubers about how Ubisoft had “gone DEI.” As a result of these online pile-ons, our colleague Sachi Schmidt-Hori (Dartmouth), who was a consultant on the game, received thousands and thousands of hate messages and threats. Her department released a statement in support of her, and Ubisoft also condemned the online harassment. The harassment received (and still happening in many online forums) became entangled in a storm of current dog whistles in global politics and extremist communities, making accusations about racism (while exhibiting it), claiming the game reflects trends of “going woke,” and even, particularly in light of Dr. Schmidt-Hori’s research on sexuality, chigo, etc. making outlandish claims about the game’s consultants and creators condoning pedophilia. I can personally attest to the fact that online harassers dug through years-old posts on Twitter to leave hateful messages on tweets I made congratulating Dr. Schmidt-Hori on her book release, etc. These events are very much a product of online extremism and broader racist, misogynist, and homophobic rhetorics circulating in our present moment far beyond the context of Japan Studies.
We can NOW add to this the more recent outbursts that have gained a great amount of attention on the Japanese side. The central issue that has emerged among many Japanese users, but particularly right-wing netizens (neto uyo) is whether or not Yasuke was a samurai. Jeffrey Hall (Kanda University of International Studies) pointed out a few days ago on Twitter that a great deal of internet rage was stirred up after Japanese posts about Lockley went viral, claiming Lockley spread the idea of Yasuke = samurai via Wikipedia editing. As Paul Liu noted in an earlier reply, there have been historians like Oka Mihoko (U Tokyo), Goza Yūichi (Nichibunken), and Hirayama Yu (Health Science University, Yamanashi) who have weighed in on the debate about Yasuke having samurai status from the perspective of historical documents (Dr. Hall translated a number of these here and here, for those interested).
In this segment of the controversy, responses are focused on anti-Blackness and nationalist claims about race and ethnicity; to be a samurai, one must, they argue, be “Japanese.” There are also claims that Japan never had slaves of any kind. Tied up in these claims is also much anti-foreign sentiment about who gets to write about Japan, which is exacerbated by the questions of whether what Lockley has written is strictly true. This recent post that has been circulating, for example, on “Perfidious Historian, Thomas Lockley” is an excellent example of a lengthy bilingual examination that frames the controversy around Lockley purportedly attempting to deliberately trick or insult Japanese people, along with many other dubious statements interlinked with some legitimate critiques.
This is not an issue confined to premodern history or even video games/popular media–with the steam this has gained from extremist conservative communities online, who are pushing politicians and political offices to make statements. This kind of online protest (often by a small group of very vocal netizens) is commonly seen among neto uyo. Enough urgings from this vocal minority have taken place that Ubisoft has released renewed statements in English and Japanese as of yesterday and some politicians have made personal statements on Twitter. This is a prime example of intersections between modern social and political movements and the role of history and public intellectual engagement. Those following only the premodern history side of this (and who are not on social media) may not have noticed, but many neto uyo invested in historical denialism have linked this to the Ramseyer comfort women controversy (my article on this and its role in the social media sphere can be found here) and are now drawing connections between those issues and Lockley’s Yasuke depictions to support further criticisms of “woke Western academics” while championing Ramseyer’s work. These connections resulted in a curious resurgence of uyo in my feed. At the height of the online harassment I and my colleagues experienced in relation to comfort women, I personally received many harassing messages about the illegitimacy of ancient female emperors (a topic I presented on in our “Teaching Against Modern Myths: Premodern Japan in the Classroom” at the American Historical Association this year along with Nadia Kanagawa and Elijah Bender).
All of this to say: the premodern past, and claims to who was a part of it, who gets to write it, who gets to assert racial or ethnic identities in light of it, and who it belongs to, are all intimately and irrevocably entangled with our contemporary moment, and the Yasuke controversy in its many threads over the last several years is part of that tapestry. I hope this overly-long explanation has clarified more than it has muddled and provided some perspective on where the distortions of history and authorial intent are occurring across temporalities.
Best,
Paula
PS: A recommended reading to follow this thread would be John G. Russell’s “Excluded Presence: Shoguns, Minstrels, Bodyguards, and Japan’s Encounters with the Black Other.”:
https://repository.kulib.kyoto-u.ac.jp/dspace/bitstream/2433/71097/1/40_15.pdf
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まずは、根拠となった史料を提示する。太田牛一の『信長公記』には、複数の別本が存在し、その集成と紹介はいまだに実現していない。全文が公開されていない尊経閣文庫本には、世間に流布しているものとは別の記述が存在している。(1)『信長公記』(陽明文庫本)天正九年二月廿三日条きりしたん国より黒坊主参り候、年の齢廿六・七と見えたり、惣の身の黒き事牛のごとく、彼男健やかに器量なり、しかも強力十の人に勝たり、伴天連召列れ参り、御礼申上ぐ、誠に御威光を以て、古今承り及ばざる三国の名物、か様に希有の物共細々拝見有難き御事なり(2)『信長記』(尊経閣文庫本)同右条きりしたん国より黒坊まいり候、齢廿六・七と相見へ、惣之身之黒キ事牛之ことく、彼男器量すくやかにて、しかも強力十人に勝れたる由候、伴天連召列参、御礼申上候、誠以御威光古今不及承、三国之名物、かやうに珍寄之者拝見仕候、然に彼黒坊被成御扶持、名をハ号弥助と、さや巻之のし付幷私宅等迄被仰付、依時御道具なともたさせられ候
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まずは、根拠となった史料を提示する。太田牛一の『信長公記』には、複数の別本が存在し、その集成と紹介はいまだに実現していない。全文が公開されていない尊経閣文庫本には、世間に流布しているものとは別の記述が存在している。(1)『信長公記』(陽明文庫本)天正九年二月廿三日条きりしたん国より黒坊主参り候、年の齢廿六・七と見えたり、惣の身の黒き事牛のごとく、彼男健やかに器量なり、しかも強力十の人に勝たり、伴天連召列れ参り、御礼申上ぐ、誠に御威光を以て、古今承り及ばざる三国の名物、か様に希有の物共細々拝見有難き御事なり(2)『信長記』(尊経閣文庫本)同右条きりしたん国より黒坊まいり候、齢廿六・七と相見へ、惣之身之黒キ事牛之ことく、彼男器量すくやかにて、しかも強力十人に勝れたる由候、伴天連召列参、御礼申上候、誠以御威光古今不及承、三国之名物、かやうに珍寄之者拝見仕候、然に彼黒坊被成御扶持、名をハ号弥助と、さや巻之のし付幷私宅等迄被仰付、依時御道具なともたさせられ候
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