Kendrick Lamar I Love Myself

[Mickie Bottiglieri]

RENEEMONTAGNE, HOST: Let's focus now on an artist who's taking the hip-hop and some could argue, the sports world, by storm. Let our colleague Steve Inskeep take it from here.STEVE INSKEEP, HOST: Here's a song with a title one letter long.(SOUNDBITE OF KENDRICK LAMAR SONG, "I")INSKEEP: It's the letter I. The artist is Kendrick Lamar.(SOUNDBITE OF SONG, "I")KENDRICK LAMAR: (Singing) I done been through a whole lot. Trial, tribulations, but I know God.INSKEEP: I done been through a whole lot, he raps. Like many rappers, he sings of himself. But there's something different about Kendrick Lamar. When you see that one letter song title, the letter I, the first person pronoun is lowercase.(SOUNDBITE OF SONG, "I")LAMAR: (Singing) The world is a ghetto with big guns and picket signs. I love myself. But it can do what it want whenever it wants, and I don't mind. I love myself.INSKEEP: This song is catchy enough the NBA adopted it in an ad for the upcoming season. Pro-basketball is just catching up to an artist who's been building a devoted fan base for years. What draws people in is his storytelling, arguably. Think again about that lowercase I. We're going to talk about his music with the hosts of "Microphone Check," NPR's hip-hop podcast. Journalist Frannie Kelley and Ali Shaheed Muhammad, famous from, A Tribe Called Quest, welcome to you both.ALI SHAHEED MUHAMMAD, BYLINE: Hey, hey.FRANNIE KELLEY, BYLINE: Thanks, sir.INSKEEP: So what is it about Kendrick Lamar as you see it?MUHAMMAD: I think the reason why Kendrick resonates with so many people is that unlike many other rappers that brag and boast, he paints pictures that you really - you can smell the environment. You can clearly see in depth what the environment is. He doesn't just kind of like go on the surface.(SOUNDBITE OF SONG, "I")LAMAR: (Singing) They wanna say there's a war outside and a bomb in the street and a gun in the hood and a mob of police and rock on the corner and a line full of fiends and a bottle full of lean and a model on the scene. Yup. These days of frustration keep y'all on ducking...KELLEY: Yeah, sometimes the praise for a literary rapper can be a little bit overblown and even have intonations of like, you know, rap is good if it's less like rap. However the ways that Kendrick really succeeds is as a performer both on record and on the stage.MUHAMMAD: And even though some of the content is street oriented - about being the baddest rapper, about being in a position where you can't afford gas for your car, but you still want to go see a girl that has your interest - he just describes those things in a way that has more realistic feeling to it.INSKEEP: You know, when you say, can't afford gas for the car, what you're saying is he's not just proclaiming how bad he is, he's actually being vulnerable. He's admitting to his own shortcomings.MUHAMMAD: Completely, and I believe when an artist goes out and really exposes how vulnerable they are by being truthful and not trying to, you know, perpetrate something that's not true, people like that. Sometimes you can be super lyrical. Some rappers who are as poetic, they're so lyrical, and the content is over people's heads, Kendrick isn't like that.KELLEY: I agree. That's to me the most interesting part about Kendrick is his charisma and his ability to connect 'cause when he says, I, in that song, if you're familiar with his body of work, it's actually not 100 percent clear that that is him because he plays so many characters, and to do that he changes his voice. And to me the way that he's able to embody other people with his voice and really get at you is graceful. He is deft. He is superior in his ability to do this.INSKEEP: Well, let's listen to a hit of his from 2012. It's called "Good Kid" in which he raps, I got ate alive yesterday.(SOUNDBITE OF SONG, "GOOD KID")LAMAR: (Singing) I'm easily prey. I got ate alive yesterday. I got animosity building. It's probably big as a building. Me jumping off of the roof is me just playing it safe. But what am I supposed to do when the topic is red or blue, and you understand that I ain't, but know I'm accustomed to. Just a couple that look for trouble and live in the street with rank. No better picture to paint than me walking from bible study and called his homies because he had said he noticed my face from a function that token place, they was wondering if I bang. Step on my neck and get blood on your Nike checks. I don't mind because one day you'll respect, the good kid, m.A.A.d city.INSKEEP: There's another one - you talk about vulnerability - he describes someone stepping on his neck and getting his shoes bloody. I mean, this is a guy getting beat up.KELLEY: Yeah, that's another crazy part about Kendrick Lamar is his success. How is he going platinum off songs like this?INSKEEP: Well?KELLEY: I mean, I think it's partly the vulnerability. It's partly his ability. It's partly a years-long strategy laid out by his management team and partnership with now a major label. But I think maybe also it's the time. I think that there are moments in hip-hop culture and pop culture when we become ready for somebody to complicate our lives.INSKEEP: OK, going platinum and charting out a career, what has this man done to get this music before the public?MUHAMMAD: It wasn't really about, you know, a mass marketing sort of a thing. It was just sort of him and artists going in a studio and not having any molds placed on him in terms of the type of record that he had to make. You know, he was just making his music.KELLEY: He took time. He took time to get really good and to figure out what his voice would be, and while he was doing that, he built his fan base in LA.INSKEEP: So how does a guy in his mid-to-late-20s go to the next level then? What is the next level?MUHAMMAD: I think he should just consistently do what he's been doing, and that's probably not listening to the outside world and listening to himself.KELLEY: He has said in interviews since the beginning that he tries to change with every album. So I think he's probably going to switch it up for this next one, which is probably due in early 2015.INSKEEP: You know, it's really interesting to hear you talk because you talk about finding out what his voice would be, and it's a reminder that almost everybody is at least a little bit weird. And if you're going to be creative, part of the creative process is getting to the point where you can just channel your own weirdness and not be trying to replicate what else you've already heard.MUHAMMAD: I think that's the purpose of the first single. This new song, "i," is really saying just that - you know, he says to the fashion police, I'm wearing my heart. You know, so if that doesn't tell you who - that I'm really comfortable in who I am, and if you don't know or find me just too awkward or I don't fit into your program, well, then so be it.KELLEY: And that is so reinvigorating for fans of hip-hop - the parallels that are most often drawn are between Kendrick and Nas, and Kendrick and Outkast. And Nas came out at a time when it wasn't really OK to be a street kid, and he was just himself. And Outkast when they came out, they were just their own, different guys, with different priorities, and that was OK. And the way that he embraces himself is, like - that is the most hopeful sign that we have that hip-hop can have balanced.INSKEEP: Frannie Kelley and Ali Shaheed Muhammad of NPR's "Microphone Check." Thanks to you both.KELLEY: Thank you.MUHAMMAD: Thank you.(SOUNDBITE OF SONG, "I")LAMAR: (Singing) Everybody looking at you crazy, crazy what you gonna do.MONTAGNE: Fannie and Ali talking Kendrick Lamar with Steve Inskeep on MORNING EDITION from NPR News. I'm Renee Montagne.DAVID GREENE, HOST: And I'm David Greene.

Kendrick Lamar dug himself a bit of a hole on his explosive 2012 breakthrough LP, good kid, m.A.A.d city. His problem? He's a fantastic storyteller. Actually, he's likely one of the best we've ever had. In two and a half years, his "short film" album has transformed the face of the mainstream hip-hop game, with its incredibly vivid true-to-life moments, its personalization, and an unbeatable west coast cadence that felt like it had been gone for the better part of a decade. But it's not the stories Kendrick tells that are the problem - those stories are his life, his dreams, and his ongoing discoveries, put to verse. Rather, it's what the stories mean to Kendrick now, and moreover, what they mean to the millions of fans of all backgrounds and walks of life that listen to his music. With good kid, m.A.A.d city, Kendrick built himself a house, and on each of these walls is cleanly projected a separate story, a separate anecdote of himself cleanly mixed and mastered and spun and streamed in just the right light to sell you one dimension, one dimension and no more. You watch the video for "Backseat Freestyle" and you get Compton Kendrick turned up to full blast with a black and white video shot with 90s camerawork and a post-production dustiness to make it look gritty. But with "Bitch Don't Kill My Vibe", you get the smooth, conscious Kendrick, removed from Compton context in the California hills, or at a funeral, introverted, trying to explore the thoughts in his head before betting lost in them, wondering what it all means. And if, God forbid, ever the two shall mix (like on the video for "Poetic Justice") there's a big warning label across the screen telling you not to take it all literally.It's these stories that got Kendrick's foot in the door. They got Kendrick a Grammy nomination and countless award show appearances. They had him topping every festival list for two summers and counting. And the takings didn't stop with good kid, m.A.A.d city - Kendrick scored two Grammy wins for "i" and is headed into another festival season at the top of the food chain. So what's the problem here? What's wrong with embracing the fruits of hard labor? God knows everybody else is excited to hear him sing "I love myself". And yet, it's that top line we hear almost a dozen times on his good kid follow up, this week's already legendary To Pimp A Butterfly. Why is Kendrick conflicted? Why does he continuously criticize himself as a leader, as a brother, as a son, and as a human being? Why is he calling himself a hypocrite in the wake Trayvon Martin's death? Isn't this guy supposed to be Compton's human sacrifice? Isn't he the one bringing the city back to the world?

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