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Yeah, my own totally unsubstantiated hunch is that the incredible speed and efficiency of Mark Kislingbury and ED Varallo is precisely because they both built their dictionaries and theories and all their briefs from scratch, so what they gained from the process is not necessarily transferable to someone who just learns the theories and memorizes the briefs.
Stan Sakai does mostly Magnum Steno, if I remember correctly.
Stan is also based of Philly, which he uses to build his own strokes. that's another route.
Yes, I remember recommending to somebody that they could buy a copy of Mark's "StenoMaster Theory" book directly from her site, only to find that what she had told me in an e-mail was actually not the case.
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I think the key to any theory is eliminating your hesitation. If you learn the theory, then there's no hesitation when you hear the word. I don't worry about how much I have to memorize because I think that's a way to start worrying about the wrong things, like worrying how you could possibly hit 225 when you are barely doing 80, like a lot of students do, or being obsessed with how many thousands of entries you have in your dictionary. It's not important.Short answer: No, I don't think it is better to learn another theory before Magnum/Stenomaster/whatever. It's a full theory, not just a bunch of briefs put together. I think learning another theory first is unnecessary. I learned a modified Sten-ed before I started switching to Magnum.
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Hey Jessica,Interesting... I would have thought that the path you took Stened followed by Magnum would be more productive. It is nice to know that I was wrong.
When you practice the dreaded dueling digits do you write the *? or just the letters?
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Thanks. The numbers too?
Mark's program is for those who already have learned steno. I would not recommend it for a beginner, and for your purposes it wouldn't