Sarah Chang (Korean: 장영주; born Young Joo Chang; December 10, 1980) is a Korean American classical violinist. Recognized as a child prodigy, she first played as a soloist with the New York Philharmonic and the Philadelphia Orchestra in 1989. She enrolled at Juilliard School to study music, graduated in 1999, and continued university studies. Especially during the 1990s and early to mid-2000s, Chang had major roles as a soloist with many of the world's major orchestras.
Chang was born in Philadelphia, Pennsylvania, and raised in Cherry Hill and Voorhees Township, New Jersey.[3][4] Her mother Myoung-Jun Chang is a composer and her father Min-Soo Chang was a violinist and music teacher.[5] Chang's parents moved to the United States from South Korea in 1979 for her father's advanced music degree at Temple University. Her mother took composition classes at the University of Pennsylvania. Chang has said that although she "never actually lived in Korea... I do still feel very strongly it's where my roots are."[6] Her younger brother Michael (born 1987) has a degree from Princeton University.[7][8]In 1986, when Chang was 5 years old, she auditioned for and was accepted to the Juilliard School by performing the Bruch Violin Concerto No. 1 in G minor.[9] Chang spent her weekends attending music classes at Juilliard and shopping in New York City with her parents.[10][11] When Chang was 6 years old, she started studying with Isaac Stern outside school.[12] In 1989, she began working with Dorothy DeLay at her studio in New York[13] where her father had received his musical lessons, and at the Aspen Music Festival and School.[14] A former student and assistant to DeLay, Hyo Kang, also provided training to Chang.[15][16]
Her mother trained her to play one-finger melodies on the piano at age 3. For her fourth birthday, she was given a 1/16-sized violin. Upon hearing her play at a dinner party, Philadelphia Orchestra concertmaster Norman Carol asked music director Riccardo Muti to listen to her. At age 8, she auditioned alongside Muti and Zubin Mehta, who was the music director of the New York Philharmonic. Both granted her immediate engagements.[22][23][24]
In 1991, when Chang was 10 years old, she recorded her first album, Debut;[25] it was released by EMI Classics on August 18, 1992 and quickly reached the Billboard chart of classical best-sellers.[26] Chang quickly rose to fame and became known on an international scale, performing up to 150 concerts a year. In 2006, Newsweek ranked her as one of the Top Eight Achieving Females in the United States. In the interview accompanying the feature, she said: "I think having a career at such an early age kept me focused. We schedule at least two to three years in advance in the classical industry. I felt so grounded and so grateful to already know what it was that I wanted to do with my life."[27]
In 2002, Chang performed in Pyongyang, North Korea. She said: "The concert was full of government officials. Every single last seat. It was invitation only, but it was an unbelievable experience. Frightening and exhilarating at the same time. And I just thought about how lucky I am. I am so fortunate to be a musician, and at that moment, I genuinely felt that music is the one and only universal language."[27][28]
Chang took part in watchmaker Movado's global advertising campaign "The Art of Time" with Pete Sampras and composer Wynton Marsalis. For the 2004 Olympics, she was selected to carry the Olympic torch in New York.[29] In 2005, the Yale School of Music dedicated a chair in Sprague Hall in Chang's name.[29] After that, Chang toured for a year with the Berlin Philharmonic and the Royal Concertgebouw Orchestra in a Sextet program of summer festivals leading to a concert at the Berlin Philharmonie.[30][31]
Chang played a recital at Carnegie Hall on April 7, 2007, accompanied by the British pianist Ashley Wass.[32] She continued to perform with the Los Angeles Philharmonic and Esa-Pekka Salonen and appear with the former at the Hollywood Bowl and Walt Disney Concert Hall throughout 2008.[33] On March 27 and 28, 2008, she played for San Antonio, Texas audiences at the Majestic Theater, a performance preceded by an appearance (to meet and inspire young as well as seasoned musicians at no charge) at Antonio Strad Violin in the same city.[34] From May 2009 to June 2010, she held recital tours across Europe, North America, and Asia with pianist Andrew von Oeyen; a July 2010 recording of the two was eventually released.[35] On February 12, 2010, she gave a recital at the Barbican Hall in London.[36] Chang made an appearance at the University of Southern California in March 2010, playing Max Bruch's Violin Concerto No. 1 in G minor, Op. 26. She performed at the Hollywood Bowl in August 2010.[37][38]
Sarah Chang owns several violins.[39] Her main instrument is the 1717 Guarneri del Gesu by the Cremonese luthier, Giuseppe Guarneri del Ges which she purchased from her mentor, Isaac Stern.[21][40][12]
Chang has performed with the New York Philharmonic, the Philadelphia Orchestra, the Chicago Symphony, the Boston Symphony, the Cleveland Orchestra, the Montral Symphony Orchestra, the Berlin Philharmonic, the Vienna Philharmonic, orchestras in London, England, and the Royal Concertgebouw Orchestra of Amsterdam, the Netherlands. Additionally, she has performed with the Los Angeles Philharmonic, the NHK Symphony Orchestra of Tokyo, the Hong Kong Philharmonic Orchestra, the Bayerische Rundfunk Orchestra, the Washington National Symphony Orchestra, the Oslo Philharmonic, the Pittsburgh Symphony Orchestra, the Melbourne Symphony, Orchestre de la Suisse Romande, Orchestre Philharmonique de Luxembourg, the San Francisco Symphony Orchestra, the Orchestre National de France, the Honolulu Symphony, the St. Olaf Orchestra, and the Netherlands Radio Philharmonic Orchestra amongst others.
Chang has also been a soloist under the baton of conductors Mariss Jansons, Daniel Barenboim, Sir Colin Davis, Charles Dutoit, Bernard Haitink, James Levine, Lorin Maazel, Kurt Masur, Zubin Mehta, Riccardo Muti, Andr Previn, Sir Simon Rattle, Wolfgang Sawallisch, Leonard Slatkin, Michael Tilson Thomas, Plcido Domingo, David Lockington, David Zinman, Gustavo Dudamel, Valery Gergiev, Esa-Pekka Salonen, Jaap van Zweden, John Williams, Steven Amundson, and others.
As a chamber musician, Chang has collaborated with Pinchas Zukerman, Wolfgang Sawallisch, Vladimir Ashkenazy, Yefim Bronfman, Martha Argerich, Leif Ove Andsnes, Stephen Kovacevich, Yo-Yo Ma, Lynn Harrell, Lars Vogt, and the late Isaac Stern. She has made several chamber recordings with current and former members of the Berlin Philharmonic, including the Sextet and Piano Quintet of Dvořk and the Souvenir de Florence of Tchaikovsky.
In January 2011, Chang disclosed in an interview with Evan Solomon of Power & Politics (CBC) that President Obama had appointed her to the Presidential Commission on Russian Relations and that she was taking on a new role as State Department Special Cultural Envoy.[9] She had already been promoting and supporting childhood musical education for many years. She has also been a cultural ambassador for the U.S.; for instance, she was invited to play in Pyongyang, North Korea, with a South Korean orchestra in 2002.[28]
The Harmonium was first used by Radiohead for the track Thinking About You, on which an unknown person(probably Thom or Jonny) played the instrument, which was in the studio in which they were recording.
With The Smile, Thom plays the Rhodes piano on Just Eyes and Mouth and Open the Floodgates. He also plays it briefly during Under Our Pillows at shows in 2022, recording a few notes into a Soma Labratory Cosmos looper.
A screenshot of Thom playing the Vox organ during the Motion Picture Soundtrack at Air Studios in late-November 2000 (youtube). Officially, footage of Motion Picture Soundtrack at at that session is only available within the Kid A Mnesia Exhibition video game.
Thom can be seen playing this keyboard in pictures on DeadAirSpace from during the recording of In Rainbows, and then later in photos from rehearsals in 2011 for the The King of Limbs tour. It is possible that it initially intended to be used on touring for The King of Limbs, but was replaced when Thom acquired the Prophet 08. As such, it may have been used on the recordings of songs from The King of Limbs recording sessions on which the Prophet 08 is used live, namely Lotus Flower and Supercollider. Colin played the same Nord on a few 2007 and 2008 performances of Videotape
A photo which Nigel posted on his twitter account on March 25, 2013, after purchasing Native Instruments Komplete 9 (twitter). The Crumar Orchestrator can be seen behind the Korg Poly-Ensemble P PE-1000, to the right of the Sequential Circuits Prophet 5. Nigel joked that he was selling all of these keyboards after purchasing the software, but the use of the Prophet 5 on A Moon Shaped Pool and the Crumar on the 2016 tour shows clearly that he was just poking fun.
Radiohead started using this synth circa 2011. It is unknown if it was used on The King of Limbs, though I suspect that it was not acquired until the rehearsals for 2011/2012 shows and so was not used on the album.
Photos from the recording of A Moon Shaped Pool show the Prophet 08 alongside a Sequential Circuits Prophet 5, Sequential Circuits Prophet 10, and a Roland Juno-60. The Prophet 08 is likely layered with these other keyboards on the recordings of Ful Stop and Identikit.
Thom first performed with a Poly-Ensemble in 2009, using it for Harrowdown Hill at the Latitude Festival. He subsequently brought it to his solo shows in 2010, playing it on Harrowdown Hill at the Cambridge Corn Exchange, the Big Chill festival, and the Glastonbury festival.
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