Hot Rape Scene 3gp Download
Kevin
I actually came along people on the internet claiming that it was great that Cassandra Clare (aka Judith Rumelt) had included an attempted rape scene in her book City of Lost Souls and that she has never shied away from difficult topics. To not bore or confuse anyone, all I am going to say is this:
One of the werewolves was bitten and changed by her boyfriend which he clearly did on purpose to literally keep her (he stated that out loud to her after the attack), ups never mind, we just do a retcon and it will all have been instinctual, all in wolf form and nothing to be rightfully angry about.
Bill McKinney was sensational in this part, so intimidating, so deranged. Powerful, physically. Unusual guy. Very good guy. He was a tree surgeon from Los Angeles. An actor, a singer, and a tree surgeon. And somehow they got him for this part.
I was living in an apartment complex. I had just pulled into the parking lot after a kung fu class and I was still in my gi. A pelting rain started so I ran toward my apartment, on a path between two of the buildings. There was a woman hurrying towards her apartment ahead of me and I was going to run around her. She heard me coming, and turned. I assume the fear of assault was intensified by my unusual attire. She stepped right in front of where I was planning to pass, and screamed. I swerved off the path and twisted my ankle avoiding her.
Great insights Sheila. I think what Beatty did in that scene was one of the more courageous things an actor has ever done. What is even more remarkable was that this was his FIRST film role. He was 33 years old, a struggling musician trying out acting, and THIS was his first gig. Took a TON of guts. And, as you say, he acted the shit out of it.
Preface: there are three main characters in the story, all three of them in their mid twenties. Two women and one man. For simplicity, lets call them Jane, Sally and John. Jane and Sally have been best friends since childhood and Jane has been in a relationship with John for a very long time. John is good friends with Sally. Even though Sally and John admit they find the other attractive, Jane is fine with it and there's no jealousy involved. Both partners are faithful to each other and would never think to do anything behind the other's back. Likewise, Sally doesn't do anything to get in-between the two, despite her feelings for John.
Somewhere half-way through the book, the big bad, a powerful spirit capable of possessing people, imprisons all three of them. He has immense hatred for all three of them as they were a massive thorn in his side up until this point in the book. He doesn't plan on killing them, however, and you can probably guess what he ends up doing based on the title. He takes control over John and not only rapes John's girlfriend (Jane), but also does the same to Sally, right in front of Jane's eyes. John is fully aware of what is going on, but can't do anything to stop it. All three of them end up deeply scarred from the experience and it influences their future actions and interactions with each other. They end up being saved from the spirit by a third party.
That's roughly what I had planned, anyway. I didn't think I would try to include a rape scene in one of my stories, but given how I characterized the big bad as an irredeemable monster who takes pleasure in causing pain, it would seem fitting for him to do something so horrible.
Rape is obviously a very risqu topic to tackle and I'm not sure if I'm equipped to handle it. The scene isn't taken very lightly: most of it isn't directly "shown", just heavily implied to have happened, and none of it is in any way eroticised. Every second of it is pure horror for all three.
Let's recap: Jane sees her loved one John have his body and his free will taken. Not only does he attack her, but her best friend as well. Both women have a man they both care about be forced on them, and it's not even his fault. He's a puppet being used for a crime, and both women are fully aware of this. Sally's body is used to spite Jane, and despite not having had a choice, feels a lot of guilt and shame for being forced into doing it with her best friend's boyfriend. Even worse, and that's a massive red flag to her, she secretly enjoyed it a bit, which makes her feel even more guilty. John meanwhile is just a tool being used, being put in a situation where he's the one doing all those heinous things against his will and effectively has a front row seat to the crimes of someone else.
Obviously, I'm a bit nervous, but also kinda excited with what kind of opportunities this would open for the plot, but I also don't want to offend anyone, especially not victims of actual sexual abuse. Obviously someone is always going to be offended, I'm just looking for a way to reduce that number. How do I tackle this topic gracefully and tactfully? What are some things I should build on / mention / focus on? How could the characters act from then on? How could they deal with such an experience?
Side note: one thing I kinda fear is that it would demean the main heroines a bit too much - even if that was kinda the goal. The big bad wants to torture them, after all. I worry especially because both of them are shown to be capable fighters, yet they still end up in a horrible situation like that, to no fault of their own.
Rape scenes require an expert hand or you could be writing a rape fantasy, which is where I think people tend to get in trouble. The trick is, to focus less on the act, and more on the horrific scenario.
I think Steig Larson handled this subject well in his best seller, 'The Girl With the Dragon Tattoo'. In chapter 13, he takes us through a vivid rape scene, which is actually the 2nd assault in the book. Although you can imagine what has happened, there is nothing offensive about the way he describes the incident.
At the point where the main character Salander goes to see Bjurman's (the antagonist/rapist) home, she is there to hurt him for a previous assault. Unfortunately, she already knows something is off by the time he opens the door.
"Come on" Bjurman said in a friendlier tone. He put his arm around her shoulders and led her down a hall into the apartment's interior. No small talk. There was no doubt as to what services Salander was expected to perform.
And he proceeds to take us through Bjurman's mood swings...first annoyed and then creepy. Taking her to the bedroom is a good indication of his intentions and expectations. You know she's not happy about the situation.
In most cases, you should use the setting to your advantage. Larson does a great job at making something as intimate and cozy as a bedroom seem like a dangerous, unforgiving space. He describes the room in detail so we get a feel of what she's seeing:
She took a quick look around. Bachelor furnishings. A double bed with a high bedstead of stainless steel. A low chest of drawers that also functioned as a bedside table. Beside lamps with muted lighting. A wardrobe with a mirror along one side. A cane chair and a small desk in the corner next to door. He took her by the and led her to the bed.
By itself, the room doesn't have any sinister qualities, but in context, says a lot. Bachelor furnishings...high bedstead of stainless steelYou can read some symbolism into that if you want: No one else will be there to save her in this cold space.
Either way, we get a good sense that this guy probably doesn't get any female visitors other than the ones he forces there through coercion. This helps heighten the possibility that bad things are going to happen. By this time, we're wondering...would he?
Larson uses dialogue to bring us into Salander's frame of mind. We know she doesn't want to do what he's expecting. They go back and forth a little as she simply asks him for money she knows he won't give her until he gets what he wants. Knowing that he has so much control over her financial welfare puts her in a position of weakness.
"Lisbeth, don't act any more stupid than you are. I want us to be good friends and to help each other out." She said nothing. ...Did you like our grown-up game last time?"
"No." He raised his eyebrows.
"Lisbeth, don't be foolish."
If you're not creeped out by this guy by now, you've got issues. Through dialogue alone, Larson paints out Bjurman's to be a vile and disgusting human being. You hate him, even before he carries out the deed. She's stalling, finding every way possible to not go through with his demand, but she knows he's got her over a barrel.
This is where you want to tread carefully. There's a fine line between writing a graphic scene and being graphic. You don't want to focus on the actual rape (as in penetration, ect). Everything up to that point can be in great detail.
The experession on Bjurman's face suddenly changed. He slapped her hard. Salander opened her eyes wide, but before she could react, he grabbed her by the shoulder and threw her on the bed. The violence caught her by surprise. When she tried to turn over, he pressed her down on the bed and straddled her.
"Like the time before, she was no match for him in terms of physical strength. Her only chance for fighting back was if she could hurt him by scratching his eyes or using some sort of weapon. But her planned scenario had already gone to hell...
Shit, she thought when he ripped off her T-shirt. She realised with terrifying clarity that she was out of her depth. She heard him open the dresser next to the bed..."
Again, since most of the drama was placed on what happened before the assault, Larson had to spend little time with describing anything having to deal with the act. He was able to skim over it and let our imaginations do the rest.
"Salander was allowed to put on her clothes. It was 4:00 on Saturday morning. She picked up her leather jacket and rucksack and hobbed to the front door, where he was waiting for her, showered and neatly dressed. He gave a checque for 2,500 kronor....
She crossed the threshold, out of the apartment, and turned to face him. Her body looked fragile and her face was swollen from crying, and he almost recoiled when he met her eyes. Never in his life had he seen such naked, smouldering hatred."
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