Chanbegan work on the film after a disappointing experience working with James Glickenhaus on The Protector (1985), which was intended to be his entry into the American film market. Police Story contains many large-scale action sequences with elaborate, dangerous stunts performed by Chan and his stunt team, including car chases, Chan hanging off a speeding bus, parkour-like acrobatics, and a shopping mall fight with shattering glass panes, leading up to Chan sliding down a pole with exploding electric lights as he falls to the ground. Much of the film was created surrounding the action sequences, which Chan and the filmmakers developed via linear progression.
Police Story was a box-office success in Asia and Europe, grossing an estimated US$18,724,000 (equivalent to $53,000,000 in 2023). It won the Best Film award at the 1986 Hong Kong Film Awards. According to Chan's autobiography, he considers Police Story his best action film. Since its release, Police Story has been frequently listed as one of the greatest action films of all time. It is also considered one of the best martial arts movies of all time.[4][5] In 2016, Police Story was voted the fifth best action movie of all time in Time Out's poll of film critics, directors, actors and stunt performers.[6] Chan's final action sequence in the mall is considered one of the greatest stunts in the history of action cinema.[7] A 4K restoration of the film had a limited theatrical release in North America on 1 February 2019. A sequel, Police Story 2, was released 1988.[8]
The Royal Hong Kong Police Force is planning Operation Boar Hunt, a major undercover sting to arrest crime lord Chu Tao. Sergeant Chan Ka-Kui (or Kevin Chan in some versions) is part of the operation, along with undercover officers stationed in a shantytown. However, the criminals spot the officers and the shootout ensues between the two groups. Civilians either flee the town or are caught in the crossfire. Chu Tao and his men successfully flee in their car by driving through the town but crash it immediately after going downhill and escape on foot. Ka-Kui persists in his chase on foot as Chu Tao and his men attempt to escape in a double-decker bus. Ka-Kui manages to get in front of the bus and bring it to a halt by threatening to shoot the driver with his service revolver.
Later, Ka-Kui is reprimanded by Chief Inspector Raymond Li for letting the operation get out of hand, but is subsequently presented to the media as a model police officer to please the police brass. His next assignment is to protect Chu Tao's secretary, Salina Fong, who is pressured to testify in court about Chu Tao's illegal activities. At first, Salina insists that she does not require protection, but Ka-Kui has a fellow policeman break into her apartment and pose as a knife-wielding assassin. Ka-Kui and Salina fight him off and she agrees to be more cooperative. The two drive away in her car, but are ambushed by Chu Tao's actual hitmen, who are scared away when Salina threatens them with Ka-Kui's revolver.
When Ka-Kui arrives at his apartment with Salina, he is surprised to find his girlfriend, May, and her friends throwing a birthday party for him, but May becomes angry with Ka-Kui after seeing Salina only wearing lingerie and Ka-Kui's jacket. Ka-Kui eventually explains to May that Salina is a witness, but only after much bumbling and embarrassment. While he tries to apologize to May, Salina discovers that the attack at her apartment was a sham, and decides to record over her taped confession about working for Chu Tao. She sneaks away while Ka-Kui is sleeping and is not present at the trial the next day, which ends with failure for the prosecution because of Salina's absence and tampering with the recording.
Though Chu Tao is released on bail, he wants revenge against Ka-Kui. He captures Salina and threatens to kill her to ensure her silence. Ka-Kui finds and frees her, but is attacked by several of Chu Tao's men. When fellow Police Inspector Man arrives (Kam Hing Ying), he reveals that he had been working with Chu Tao and thus Salina's capture was merely a ruse to trap Ka-Kui. To Man's grim surprise, the plan is also to include Tao's men killing him with Ka-Kui's gun to frame him for murder. Now a fugitive cop killer, Ka-Kui must try to catch Chu Tao and clear his name. He returns to the police station to plead his case, but the Chief Inspector orders him to be arrested. Ka-Kui takes the Chief Inspector as a hostage in order to escape custody, though he soon lets his co-operative superior go free to continue his investigation.
Salina goes to Chu Tao's office at a shopping mall to download incriminating data from Chu Tao's computer system. Chu Tao notices this and he and his men rush to the shopping mall to intervene. Ka-Kui and May, who are monitoring Chu Tao's activities, follow. In the ensuing carnage, Ka-Kui defeats all of Chu Tao's henchmen (and destroys a good portion of the mall). The briefcase containing the computer data falls to the bottom floor of the mall, but Chu Tao and his men retrieves it after attacking May. Ka-Kui, at the top floor, slides down a pole wrapped in light bulbs to the bottom floor and catches Chu, but the rest of the police force quickly arrives and prevent him from further taking matters into his own hands. Salina attests to them that Chu had Sergeant Man killed and evidence of his crimes is in the briefcase. Chu's defense attorney shows up and accuses the police of misconduct, prompting a beating from an at-wit's-end Ka-Kui, who goes on to extend the beating to Chu Tao before being stopped by his friends.
The film contained many large-scale action scenes, including an opening sequence featuring a car chase through a shanty town, Chan dangling from a speeding double-decker bus before stopping it with his service revolver, and a climactic fight scene in a shopping mall. This final scene earned the film the nickname "Glass Story" by the crew, due to the huge number of panes of sugar glass that were broken. During a stunt in this last scene in which Chan slides down a pole from several stories up, the lights covering the pole had heated it considerably and resulted in Chan suffering second-degree burns, particularly to his hands. Chan also suffered a back injury and dislocation of his pelvis upon landing.[9]
Screenwriter Edward Tang said that he did not write this film the way normal Hollywood screenwriters work. Chan instructed Tang to structure the film around a list of props and locations, e.g. a shopping mall, a village, a bus, etc.[citation needed]
In an interview with Chan, he discusses the stunt of sliding down the pole covered with lights. As with the clock tower stunt from Project A (1983), Chan described his fear at the thought of performing the stunt. During the filming of Police Story, there was the added pressure of strict time constraints, as the shopping mall had to be cleaned up and ready for business the following morning. One of Chan's stuntmen gave him a hug and a Buddhist prayer paper, which he put in his trousers before finally performing the stunt.[10]
Stuntman Blackie Ko doubled for Chan during a motorcycle stunt in which his character drives through glass towards a hitman.[citation needed] In the double decker bus scene, Jackie used a metal umbrella because a wooden one kept slipping when he tried to hang onto the bus.
The film grossed HK$26,626,760 at the Hong Kong box office,[11] becoming the third highest-grossing film of the year.[12] In Taiwan, it grossed NT$20,549,670 between 1985 and 1986,[13][14] becoming one of the top ten highest-grossing films of 1986.[14] In Japan, it was the eighth highest-grossing foreign film of 1986,[15] grossing 1.9 billion at the Japanese box office.[16] In South Korea, it was the third highest-grossing film of 1988,[17] with 192,327 ticket sales in Seoul City.[18]
Overseas, the film initially received a mixed reaction in contemporary English-language reviews. Kim Newman wrote, in the Monthly Film Bulletin, that Police Story starts well with its car chase described as an "astonishing set-piece", but that "once the mix of realistic settings and fantasy action seems to have been established, the film falls back on Chan's clowning and turns into a slapstick comedy heavily dependent on cake-in-the-face jokes". The review concluded that the film "still lacks much of the aesthetic appeal and occasional comic grace of the more traditional period kung fu films such as Project A, Drunken Master, Snake in the Eagle's Shadow and Dragon Lord".[33] Vincent Canby wrote in The New York Times that at a screening of the film at the New York Film Festival Chan was promoted as a hybrid of Buster Keaton and Clint Eastwood, with Canby noting that Chan was "more like a scaled-down, oriental Sylvester Stallone, with energy and a willingness to smile fondly at himself". Canby also noted the excessive pie-in-the-face gags, and that Chan "participates in several elaborately staged gun fights and car chases" which were "mildly amusing" but not as amusing as the dubbed dialogue. Canby concluded that the film "is of principal interest as a souvenir of another culture".[34]
The film went on to receive wide acclaim in later reviews.[35] Michael Zey reviewed the film in The Daily Texan and rated it three-and-a-half stars in 1993, calling it a "great action thriller" that leaves "most American action films in the dust." He praised the "absolutely stunning" action scenes, saying the "film must have set a new record for the number of people thrown through windows in a single action film" as Chan eventually "perfects another action scene" with his final stunt. He also praised Chan's unique humor with the "long complicated scenes of physical comedy" rather than the usual "awful one-liner your average hero spouts after wasting a bad guy." He called it "great action entertainment" but noted "many people" would "snub it because they'll have to read subtitles." He concluded that "Jackie Chan is the true last action hero."[21]
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