Prince Jai notices the declining health of his mother, and is confused by her sudden interest in chrysanthemums, the golden flowers. The Empress explains that the tea she drinks has been poisoned for some time by the Emperor, but that she is planning a rebellion to overthrow him. After some initial hesitation, Prince Jai agrees to be the leader of the rebellion. The Empress hires a mysterious woman to discover the type of poison which she is suffering from, but the woman is captured by Crown Prince Wan and taken to the Emperor. As it happens, the woman is Jiang Shi (Chen Jin), the Imperial Doctor's wife, whom the Emperor imprisoned a while ago and who was believed dead, but somehow escaped. The Emperor decides to pardon her and to promote the Imperial Doctor to governor of Suzhou. When Crown Prince Wan meets with Jiang Chan to say goodbye, she informs him that the Empress has woven 10,000 scarves with golden flower sigils. Crown Prince Wan confronts the Empress, and when she admits to planning a rebellion, he is anguished, and tries to kill himself, but survives.
Meanwhile, the outer square of the palace is assaulted by 10,000 soldiers wearing gold flower sigils, with Prince Jai in the lead. They overpower the assassins and proceed to the inner square of the palace, trampling upon the bed of golden flowers arranged for the ceremony. However, thousands of soldiers, the reserve army of the Emperor, appear and slaughter the golden soldiers; only Prince Jai survives, and he is taken captive. Behind him, the courtyard is cleaned with mechanical efficiency by a legion of servants, with bodies being removed, floors being scrubbed and laid with carpets, and pots of yellow flowers being replaced, making it seem as if the entire rebellion never even happened. At midnight, the Double Ninth Festival begins as scheduled. At the table, the Emperor expresses disappointment with Prince Jai, saying that he was already planning to give him the throne. Prince Jai says that he did not rebel to obtain the throne, but for his mother's sake. The Emperor responds by offering to pardon Prince Jai if he cooperates in the Empress's poisoning. Prince Jai refuses and kills himself, and as he does so, his blood spills into another cup of poisoned tea that has been brought to the Empress, turning the tea red. Horrified, the Empress slaps the tea away, and the liquid is shown to corrode the table's wood, along with the golden flower image engraved into the wood.
When autumn comes on Double Ninth Festival, / my flower [the chrysanthemum] will bloom and all others perish. / When the sky-reaching fragrance [of the chrysanthemum] permeates Chang'an, / the whole city will be clothed in golden armour.[5]
Due to the film's high-profile while it was still in production, its title, which can be literally translated as "The Whole City is Clothed in Golden Armor", became a colorful metaphor for spring 2006 sandstorms in Beijing and the term "golden armor" (黄金甲, huángjīnjiǎ) has since become a metaphor for sandstorms among the locals.[6]
To Western audiences and many Chinese viewers, the moment spoke to the dangers of empire and censorship. The same sequence is a stark and shocking reminder about the dangers of centralized power and how easily voices of criticism are erased from history. The notion of a massacre so quickly covered up is something viewers idealistically (if not always practically) oppose. To many audiences, the flowerpot sequence calls out and criticizes Chinese decisions to jail opposing voices and make political opponents vanish.
The movie is about the balance of power between the Emperor (Chow Yun Fatt), and his Empress (Gong Li), whom he took as his second wife when he was just a general in order to gain access to the throne. Their three sons are torn between family loyalty, that is, loyalty to the father figure and the Emperor; and loyalty to the stepmother and the Empress. Even more caught up in his emotions is the Crown Prince, who has been having an illicit affair with his stepmother while the Emperor was away. As the days progress, so does the plot to overthrow the Emperor and the final showdown begins at the hour of the Chong Yang Festival, when thousands of soldiers bearing the insignia of the golden chrysanthemum launches an attack on the palace.
Strongly influenced by the play Thunderstorm by Cau Yu, Curse of the Golden Flower tells the story of family, forbidden love, and betrayal in the Imperial Court in ancient China.In 928 A.D, on the eve of the Chong Yang Festival, golden flowers fill the Imperial Palace. The Emperor returns unexpectedly with his second son, Prince Jai. His pretext is to celebrate the holiday with his family, but given the chilled relations between the Emperor and the ailing Empress, this seems disingenuous.For many years, the Empress and Crown Prince Wan, her stepson, have had an illicit liaison. Feeling trapped, Prince Wan dreams of escaping the palace with his secret love Chan, the Imperial Doctors daughter. Meanwhile, Prince Jai, the faithful son, grows worried over the Empresss health and her obsession with golden chrysanthemums. Could she be headed on an ominous path? Edit Translation
For Barson and her team, it was a particular portion of the battle sequence. There is one shot which starts off fairly close in on the golden army running across a courtyard, pulling back to reveal the whole of the golden army -- about 10,000 soldiers. A flying camera was used to get the shot, which was a small remote control helicopter with a camera mounted on its nose. Due to fairly strong winds, the final plate needed a lot of stabilization, which in turn showed up motion blur problems in the plate. We ended up having to rebuild almost the entire environment in CG as well as remove all the live-action soldiers and replace them with CG. It also meant that instead of putting our CG characters in behind the live-action ones they were right in the foreground. We had originally planned to only create CG characters, which would be seen at screen height however, we ended up having to put them in at full screen height, which is always a challenge.
When I first saw this disc's technical similarities to the much-reviled Blu-ray transfer of 'House of Flying Daggers,' I was more than a little concerned. Thankfully, I can confidently declare 'Curse of the Golden Flower' to be better all around in its high-def presentation. Presented in 1080p using the AVC codec, the film's transfer is packed with vibrant colors and sharp fine object detail (just take one look at Chow Yun Fat's intricate golden armor at the beginning of the film for a perfect example of both of these attributes in one shot). Background objects are distinguishable and crisp -- the cluttered palace is rendered exactly as it was in the theater. Patterns and textures are particuarly prevalent in the cinematography and the transfer handles them well. Skintones are natural, primaries are properly saturated, and the entire image has great contrast. As expected with a recent release, the source doesn't have any problems, scratches, or issues with distracting noise.
Here thousands of fetching female courtiers are strapped into corsets, bottlenecking their waists and forklifting their cleavages like medieval Wonderbras, all for the benefit of His Royal Cruelness, Emperor Chow Yun-Fat. His wife, Her Royal Schemingness Empress Gong Li, who manages the remarkable knack of crocheting golden flowers wearing three-inch false nails, spends much of the time competing with the opulence of her own chest. For his last blast (so he says) of shimmering martial artistry, Zhang boldly accompanies the blurs of swordplay and storms of emotion with the bosomy exuberance of the Benny Hill Show. Little wonder Curse Of The Golden Flower is so unsteady on its feet.
f448fe82f3