Wings 2013

[Wesley Godinez]

PaulMcCartney and Wings, often billed simply as Wings, were an English-American rock band formed in 1971 in London by former Beatles songwriter, bassist, guitarist; and singer Paul McCartney; his wife Linda McCartney on keyboards; session drummer Denny Seiwell; and former Moody Blues guitarist Denny Laine. They were noted for their commercial successes, musical eclecticism, and frequent personnel changes. They went through three lead guitarists and four drummers. The core trio of the McCartneys and Laine, however, remained intact throughout the group's existence.

In 1977, the band earned their only UK number one single, with "Mull of Kintyre", which became one of the best-selling singles in history. Wings experienced another line-up shuffle, however, with both McCulloch and English departing before the release of the group's 1978 album London Town. The McCartneys and Laine again added new members, recruiting guitarist Laurence Juber and drummer Steve Holley. The resulting album, Back to the Egg, was a relative flop, with its singles under-performing and the critical reception negative. During the supporting tour, Paul was arrested in Japan for cannabis possession, putting the band on hold. Despite a final US number one with a live-recorded version of "Coming Up" (1980), Wings discontinued in 1981 after Laine departed from the band. In total, the band had six number-one singles on the Billboard Hot 100.

After the Beatles' break-up in 1970, McCartney recorded two solo albums: McCartney (1970), credited to himself, and Ram (1971), with his wife, Linda McCartney. He had insisted from the beginning of their marriage that Linda should be involved in his musical projects, notwithstanding her lack of previous experience as a musician, so that they did not have to be apart when he was on tour.[3] Ram was recorded in New York City, where McCartney auditioned a number of drummers and guitarists, selecting Seiwell and guitarist David Spinozza.[4] When Spinozza became unavailable because of other session commitments, Hugh McCracken was enlisted to take his place.[5]

After the release of Ram, McCartney decided to form a new group and asked Seiwell and McCracken to join. Seiwell accepted, but McCracken declined, so McCartney invited Denny Laine, whom he had known since the early 1960s, to join.[6] Laine, who was working on a solo album at the time, got a phone call from McCartney enquiring if he would like to work with him, as McCartney said: "I'd known him in the past and I just rang him and asked him, 'What are you doing?' He said, 'Nothing', so I said, 'Right. Come on then!'"[4] Laine then dropped plans for his album there and then.[4] As he had in the Beatles, McCartney would serve as the chief bassist and lead singer for Wings and he doubled on guitar, keyboards, drums and assorted instruments at various times. When asked why he stayed on bass guitar rather than change back to guitar after the Beatles disbanded, he has explained that by then, he was "a bass player pretty much, who also happened to play guitar" and also considers himself a bassist who happens to play piano.[7]

In August 1971, Seiwell and Laine joined Paul and Linda McCartney to record Paul's third post-Beatles album for Apple Records. The result was Wild Life, released 7 December. It was the first project to credit Wings as the artist. The band name is said to have come to McCartney as he was praying in the hospital while Linda was giving birth to their second child together, Stella, on 13 September 1971.[3][4] Paul McCartney recalled in the film Wingspan that the birth of Stella was "a bit of a drama"; there were complications at the birth and that both Linda and the baby almost died. He was praying fervently and the image of wings came to his mind. He decided to name his new band "Wings."[3]

In an attempt to capture the spontaneity of live performances, five of Wild Life's eight songs were first takes by the band.[8] The album included a cover of Mickey & Sylvia's "Love Is Strange".[9] Like Ram, Wild Life left music critics cold,[10][11] a response that typified the anti-McCartney sentiments that prevailed among the music press following the Beatles' break-up.[12][13] In their 1975 book The Beatles: An Illustrated Record, Roy Carr and Tony Tyler called Wild Life "rushed, defensive, badly timed, and over-publicized", and wrote that it showed McCartney's songwriting "at an absolute nadir just when he needed a little respect".[14] Wings similarly struggled to gain artistic credibility, particularly during the early 1970s,[15] with critics, fans and McCartney's musical peers alike ridiculing the inclusion of Linda as a keyboard player and backing vocalist.[16][17]

On 24 January 1972, McCartney added to the Wings line-up guitarist Henry McCullough, after he had tried out for the band.[4] The new line-up immediately mounted an impromptu tour of UK universities (with the group driving around in a van),[18] followed by a tour of small European venues. Although this was the first tour including an ex-Beatle after the Beatles broke up, Wings played no Beatles numbers during the tour, to show that it was a new band in its own right.[19]

In February 1972, Wings released a single called "Give Ireland Back to the Irish", a response to the events of Bloody Sunday.[20] The song was banned by the BBC for its anti-Unionist political stance.[21] Despite limited airplay, it reached number 16 in the UK,[22] as well as number 1 in both the Republic of Ireland and Spain. Wings released a children's song, "Mary Had a Little Lamb", as its next single, which reached the top 10 in the UK.[22] Although some critics interpreted it as a sarcastic reaction to the ban on "Give Ireland Back to the Irish", it was in fact a serious effort by McCartney to record a song for children.[23] Wings followed it with December 1972's "Hi, Hi, Hi", which was again banned by the BBC, this time for its alleged drug and sexual references.[21] The B-side, "C Moon", was played instead.[3] The single peaked at number 5 in the UK.[22]

The band were renamed "Paul McCartney and Wings" for the 1973 album Red Rose Speedway (and for the follow-up Band on the Run),[24] which yielded their first US number 1 hit, "My Love".[25] The album included two tracks left over from the Ram sessions and was originally intended as a two-record set.[26] After producer Glyn Johns had walked out on the project, however,[27] McCartney conceded to EMI's opinion that the material was "substandard" and cut it down to a single disc.[28] Among the unreleased songs from the seven-month sessions was the Linda composition "Seaside Woman", which was finally issued in 1977, credited to "Suzy and the Red Stripes".

Near the end of the Red Rose Speedway sessions, in October 1972, Wings recorded the theme song to the James Bond film Live and Let Die, which reunited McCartney with Beatles producer/arranger George Martin. Issued as a non-album single in mid-1973, "Live and Let Die" became a worldwide hit and has remained a highlight of McCartney's post-Wings concert performances (often accompanied by pyrotechnics). That same year, McCartney and Wings filmed a TV special, the critically maligned James Paul McCartney, which featured footage of the group performing in outdoor settings and in front of a studio audience.[29]

After Band on the Run, Jimmy McCulloch, former lead guitarist in Thunderclap Newman and Stone the Crows, joined the band. The first Wings project with McCulloch was McGear, a 1974 collaboration between Paul and his younger brother Mike McGear, with session musician Gerry Conway playing drums. Warner Bros. Records chose not to play up the "Wings" angle in its marketing for McGear, and the album sold poorly. However, the sessions also generated a single credited to McGear's group the Scaffold, "Liverpool Lou", which became a top-10 hit in the UK. Shortly thereafter, Geoff Britton joined Wings on drums, and the first recording session with this full line-up was held in Nashville, where the band stayed at the farm of songwriter Curly Putman Jr.[38] The trip was immortalised in the 1974 non-album single "Junior's Farm", backed with a straight country track entitled "Sally G", the group's last release on Apple Records. In a rare occurrence for this era, both sides of the single separately reached the Billboard Top 20 in the US.

Wings began recording sessions for their next album in London in November 1974, then moved to New Orleans to complete Venus and Mars (1975), the first release from the group on Capitol Records. The album topped the charts and contained the US number 1 single "Listen to What the Man Said", which also featured Dave Mason, formerly of Traffic, on guitar and Tom Scott on saxophone. When the Venus and Mars recording sessions moved to New Orleans, Britton quit Wings and was replaced by Joe English who won the job at a secret audition before McCartney.[39] In late 1975 Wings embarked on the Wings Over the World tour,[40] following a postponement to allow McCulloch to recuperate from a hand fracture. Starting in Bristol, the tour took them to Australia (November), Europe (March 1976), the US (May/June), and Europe again (September), before ending in a four-night grand finale at London's Wembley Empire Pool. For this tour, added to Wings' stage act was a horn section consisting of Tony Dorsey, Howie Casey, Thaddeus Richard and Steve Howard, on saxes, brass and percussion.

After the tour, and following the release of "Maybe I'm Amazed" in early 1977, Wings took a break. Later in the year, the band started recording their next album in the Virgin Islands, but the sessions were interrupted by Linda's pregnancy and then by the departures of both McCulloch and English. McCulloch, who joined Small Faces, died of morphine and alcohol poisoning in 1979. English joined Chuck Leavell's band Sea Level and later founded the Christian-oriented Joe English Band.

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